SKU: 64494526962

Elegoo Centauri Carbon 2 Combo

Sale price$208.80 Regular price$232.00
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Description

Elegoo Centauri Carbon 2 ComboElegoo Centauri Carbon 2 Combo: High Speed Performance & Multicolor Przision Grenzenlose Kreativitt in Rekordzeit. Der Elegoo Centauri Carbon 2 Combo ist ein hochmoderner, geschlossener 3D Drucker, der fr Geschwindigkeit, Przision und maximale Vielseitigkeit entwickelt wurde. Dank des innovativen CANVAS Filamentsystems drucken Sie mhelos in mehreren Farben, whrend die robuste Bauweise und das intelligente Temperaturmanagement selbst anspruchsvollste

Elegoo Centauri Carbon 2 Combo: High-Speed Performance & Multicolor-Präzision

Grenzenlose Kreativität in Rekordzeit. Der Elegoo Centauri Carbon 2 Combo ist ein hochmoderner, geschlossener 3D-Drucker, der für Geschwindigkeit, Präzision und maximale Vielseitigkeit entwickelt wurde. Dank des innovativen CANVAS-Filamentsystems drucken Sie mühelos in mehreren Farben, während die robuste Bauweise und das intelligente Temperaturmanagement selbst anspruchsvollste Industriematerialien meistern.

Die Highlights der Centauri Carbon 2 Combo:

  • CANVAS Multicolor-System: Automatischer Filamentwechsel und Backup für nahtlose Mehrfarbdrucke.
  • Extreme Geschwindigkeit: Druckgeschwindigkeit bis zu 500 mm/s bei 20.000 mm/s² Beschleunigung.
  • High-Temp Ready: 350°C Düse aus gehärtetem Stahl für Carbon- und Hochleistungskunststoffe.
  • KI-Unterstützung: Integrierte Kamera für intelligente Erkennung und Zeitrafferaufnahmen.
  • Smarte Automatisierung: 121-Punkt Auto-Nivellierung, Verstopfungserkennung und Silent-Drive-Antrieb.

Multicolor-Druck & Intelligente Features

Das Herzstück der Combo-Version ist das CANVAS-System. Es ermöglicht nicht nur das einfache Umschalten zwischen verschiedenen Farben, sondern sorgt mit einer Backup-Funktion dafür, dass Ihr Druck auch dann weiterläuft, wenn eine Spule leer ist. Die integrierte KI-Kamera überwacht den Druckprozess in Echtzeit und warnt vor Fehlern, während Sie gleichzeitig beeindruckende Zeitraffer-Videos erstellen können.

Gebaut für anspruchsvolle Materialien

Mit der bis zu 350°C hitzebeständigen Düse verarbeitet der Centauri Carbon 2 weit mehr als nur Standard-Filamente. Er ist ideal optimiert für PLA, PETG, ABS und ASA sowie kohlenstofffaserverstärkte Varianten (CF). Die 3-Punkt Z-Achsen-Führung mit Linearschienen garantiert dabei höchste Stabilität und Präzision bis in die obersten Schichten.

Technische Spezifikationen

Druckleistung & Filament
Bauraum 256 × 256 × 256 mm
Geschwindigkeit ≤ 500 mm/s (Empfehlung: 250 mm/s)
Beschleunigung 10.000 mm/s² (Max. 20.000 mm/s²)
Materialien PLA, PETG, TPU, ABS, ASA, Carbon-Filamente (CF), PC, PA
Hardware & Sensorik
Extruder Doppelmotor Direkt-Extruder
Düse Messinggehärteter Stahl (350 °C)
Druckplatte Beidseitiges Federstahlblech (PEI / PLA-spezifisch)
Nivellierung 121-Punkt Auto-Nivellierung
Sensorik KI-Kamera, Verstopfungserkennung, Filament-Runout
Operation & Maße
Display 5 Zoll Farb-Touchscreen (ELEGOO OS)
Konnektivität USB, WLAN
Lautstärke ≤ 45 dB (Silent Drive)
Leistung 1100 W (High-Performance Netzteil)

Lieferumfang:

1x Elegoo Centauri Carbon 2 3D-Drucker (geschlossen), 1x CANVAS Multicolor-System, Netzkabel, Werkzeug-Set, Ersatzdüse, Probefilament, Bedienungsanleitung.


Häufig gestellte Fragen (FAQ)

Welche Software (Slicer) kann ich mit dem Centauri Carbon 2 verwenden?
Der Drucker läuft auf dem ELEGOO OS und ist vollständig kompatibel mit dem ElegooSlicer (empfohlen), OrcaSlicer und Cura. Er unterstützt gängige Formate wie STL, OBJ, 3MF und STEP.

Kann ich wirklich Carbon-Filamente drucken?
Ja, absolut. Dank der bis zu 350 °C belastbaren Düse aus gehärtetem Stahl und dem geschlossenen Bauraum ist der Drucker ideal für abrasive Materialien wie PLA-CF, PETG-CF oder PA-CF (Nylon Carbon) ausgelegt.

Was passiert, wenn das Filament während des Drucks reißt oder leer ist?
Der Centauri Carbon 2 verfügt über einen Filamentauslaufsensor und eine intelligente Verstopfungserkennung. Das CANVAS-System kann zudem automatisch auf eine Backup-Spule umschalten, um den Druck ohne Unterbrechung fortzusetzen.

Wie laut ist der Drucker im Betrieb?
Trotz seiner hohen Geschwindigkeit bleibt der Drucker dank der Silent-Drive-Technologie auf allen Achsen sehr leise. Der Geräuschpegel liegt im Betrieb bei unter 45 dB.

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SKU: 64494526962

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A. Jimenez
Whiting, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
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Terry L.
Dallas, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
G
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George Vargas
Birmingham, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017
H
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Howard
Alexandria, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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AlanWarner
Dallas, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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