SKU: 6565532691

HX230 HDMI 2.0 over Lan Extender | 4K 60Hz | 70 m | Audio-Extractor (Optical)

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Description

HX230 HDMI 2.0 over Lan Extender | 4K 60Hz | 70 m | Audio-Extractor (Optical)HX230 HDMI over LAN Extender 4K 60Hz fr verlustfreie bertragung bis 70 Meter mit Loop Out, Audio Extractor (Optisch), ARC und IR Untersttzung Mit dem HX230 HDMI over LAN Extender bertrgst du 4K 60 Hz Signale in bester Qualitt ber 70 Meter. Dank HDMI Loop Out, Audio Extractor, ARC, IR Weiterleitung und POC bietet er maximale Flexibilitt bei minimalem Installationsaufwand ideal fr Heimkino, Meetingraum oder Prsentationssysteme. HDMI Signale zuverlssig

HX230 HDMI over LAN Extender 4K 60Hz für verlustfreie Übertragung bis 70 Meter

mit Loop Out, Audio Extractor (Optisch), ARC- und IR-Unterstützung

Mit dem HX230 HDMI over LAN Extender überträgst du 4K 60 Hz Signale in bester Qualität über 70 Meter. Dank HDMI Loop Out, Audio Extractor, ARC, IR-Weiterleitung und POC bietet er maximale Flexibilität bei minimalem Installationsaufwand – ideal für Heimkino, Meetingraum oder Präsentationssysteme.

HDMI Signale zuverlässig über ein Netzwerkkabel übertragen

Mit dem HX230 überträgst du 4K 60 Hz HDMI-Inhalte verlustfrei über bis zu 70 Meter – ideal für Heimkino, Konferenzräume, Schulungen oder Präsentationssysteme. Statt langer, starrer HDMI-Kabel genügt ein einzelnes flexibles CAT6- oder CAT7-Kabel, das einfach verlegt werden kann. So lassen sich Quelle und Display auch über größere Entfernungen zuverlässig verbinden, ohne Kompromisse bei Bild- oder Tonqualität einzugehen.

Brillante 4K Bildqualität mit HDR und Dolby Vision

Erlebe gestochen scharfe 4K Inhalte bei 60 Hz mit voller Farbauflösung (4:4:4) und HDR-Unterstützung, inklusive HDR10, HLG und Dolby Vision. Bewegungen erscheinen flüssig, Farben lebendig – ideal für Heimkino, Gaming oder professionelle Präsentationen. Gleichzeitig sorgt die Unterstützung hochauflösender Audioformate wie Dolby Atmos, DTS-HD oder PCM bis 7.1 Kanäle für beeindruckenden Sound. Auch über größere Entfernungen bleibt die Qualität stabil und zuverlässig.

Große Reichweite bis 70 Meter

HDMI-Signale lassen sich über ein einziges CAT6- oder CAT7-Kabel bis zu 70 Meter verlustfrei übertragen. Dabei erreicht das System eine maximale Datenrate von 18 Gbit/s und überträgt 4K Inhalte bei 60 Hz mit voller Farbauflösung (4:4:4). Sowohl SDR- als auch HDR-Formate werden unterstützt, sodass Filme, Spiele oder Präsentationen in brillanter Ultra-HD Qualität angezeigt werden. Diese Reichweite ermöglicht flexible Installationen, auch wenn Quelle und Display weit auseinander liegen, ohne Kompromisse bei Bild- oder Tonqualität.

Power over Cable (POC) für einfache Stromversorgung

Dank Power over Cable (POC) genügt ein Netzteil, um sowohl Transmitter als auch Receiver mit Strom zu versorgen. Dabei spielt es keine Rolle, an welchem Gerät das Netzteil angeschlossen wird. Die Stromversorgung erfolgt automatisch über das Netzwerkkabel. Das reduziert den Verkabelungsaufwand und sorgt für eine saubere, flexible Installation.

HDMI Loop-Out für zwei Displays gleichzeitig

Mit dem integrierten HDMI Loop-Out zeigst du dein Signal gleichzeitig auf zwei Bildschirmen – ohne zusätzlichen Splitter oder Qualitätsverlust. So kannst du beispielsweise eine Präsentation im Nebenraum steuern und über einen Kontrollbildschirm den Überblick behalten. Oder du überträgst Sportevents auf den Fernseher im Wohnzimmer und auf einen Beamer auf der Terrasse, sodass jeder das Spiel aus seinem Raum genießen kann, wie es zu deiner Situation passt.

Audio Extractor mit ARC für flexiblen Sound

Der integrierte Audio Extractor am Receiver leitet das Audiosignal des am Transmitter angeschlossenen Mediaplayers per optischem Toslink an eine HiFi-Anlage oder einen AV-Receiver und gibt Audio in bis zu 5.1 aus. So genießt du Präsentationen, Sportevents oder Filme mit kraftvollem, klaren Sound, während das Bild unverändert auf Fernseher oder Beamer angezeigt wird. Zusätzlich kann ARC am Receiver aktiviert werden, sodass der Ton des angeschlossenen Displays über den Toslink-Ausgang wiedergegeben wird – ideal für interne TV-Apps oder andere am Display angeschlossene HDMI-Quellen. So bleibst du flexibel in deinem Setup und erreichst den bestmöglichen Sound.

Flexible IR-Weiterleitung für einfache Steuerung aus der Ferne

Der HX230 unterstützt die bidirektionale Übertragung von IR-Signalen, sodass du deine HDMI-Quelle oder das entfernte Display bequem mit einer Infrarot-Fernbedienung steuern kannst. So bedienst du die Quelle aus einem anderen Raum oder steuerst das entfernte Display, ohne direkt am Gerät sitzen zu müssen. 

Flexibles EDID-Management für maximale Kompatibilität

Mit dem integrierten EDID-Schalter passt du die unterstützten Audio- und Videoformate exakt an deine Geräte an. So lässt sich festlegen, ob die EDID des entfernten Displays, des lokalen Displays oder eine feste Einstellung für 4K @ 60 Hz SDR Stereo bzw. 1080p Stereo verwendet wird. Dadurch werden Kompatibilitätsprobleme vermieden und immer die optimalen Signalparameter an Quelle und Display übermittelt. Über den am Transmitter leicht zugänglichen Dip-Schalter kannst du die passenden Modi schnell einstellen.

Wählbare EDID Modi:

Dip Video Audio
11 COPY Display Receiver COPY Display Receiver
00 COPY Display Transmitter COPY Display Transmitter
10 4K 60Hz SDR PCM 2.0 Stereo
01 1080p PCM 2.0 Stereo

 

Installation und Betrieb

  1. Verbinde den HDMI-Ausgang deines Zuspielers mit dem HDMI-Eingang des HX230-Transmitters.
  2. Optional: Schließe zusätzlich ein lokales Display (TV, Monitor oder AV-Receiver) an den HDMI-Ausgang des Transmitters an.
  3. Verbinde HX230-Transmitter und -Receiver über ein CAT6- oder besseres Ethernet-Kabel.
  4. Schließe den HX230-Receiver über HDMI an das entfernte Display (TV oder Videoprojektor) an.
  5. Optional: Verbinde ein Audiosystem über den Toslink-Ausgang am Receiver.
  6. Stelle mit dem EDID-Switch ein, ob die Ausgabe für das lokale Display (00), das entfernte Display (11) oder eine feste Einstellung (4K 60Hz SDR Stereo / 1080p Stereo) optimiert werden soll.
  7. Schließe das Netzteil am Transmitter oder Receiver an und stecke es in die Steckdose. Ein Netzteil genügt dank Power over Cable (POC).
  8. Schalte zuerst die Endgeräte (TV, Projektor, Soundanlage) ein.
  9. Schalte anschließend den Zuspieler ein und starte die Wiedergabe.

Hinweis: Bitte beachte, dass dieser HDMI Extender nicht an einen Netzwerk-Switch oder in einem Ethernet betrieben werden kann! Es muss ein durchgehendes Netzwerkkabel zwischen Transmitter und Receiver mit CAT6 oder besser verwendet werden.

Technische Spezifikationen:

  • Unterstützt HDMI 2.0b und HDCP 2.2
  • Maximale Datenrate 18 Gbps
  • Latenzfreie Übertragung
  • Unterstützte Videoauflösungen: bis 4K 60Hz
  • Unterstützte Farbformate 8 bit (YUV 4:2:0, 4:2:2; 4:4:4, RGB), 10 bit (HDR10, HLG) und 12 bit (Dolby Vision, HDR10+)
  • Unterstütze Audioformate via HDMI: PCM 2.0–7.1, Dolby Digital, Dolby Digital Plus (inkl. Atmos), Dolby TrueHD, Dolby MAT, DTS, DTS-HD
  • Unterstütze Audioformate via Toslink: PCM 2.0, Dolby Digital, DTS
  • Wählbare EDID von Receiver-Display oder lokalem Display oder 4K oder 1080p
  • Maximale Reichweite mit CAT-6/6a-Kabel 70 m
  • Infrarot-Übertragung für Signale der Fernbedienung zum Zuspieler bzw. Transmitter oder vom Zuspieler zum entfernten Display bzw. Receiver
  • Netzteil zur Stromversorgung vom Receiver oder Transmitter via Netzwerkkabel (POC)
  • Leistungsaufnahme maximal 3,36 Watt
  • Stromversorgung 12V 1A DC
  • Betriebstemperatur 0° C – 40°C
  • Maße Transmitter und Receiver: jeweils 90 × 68 × 18 mm
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 6565532691

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4.5 ★★★★★
Based on 27 reviews
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Bice
Belleville, US
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head. For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending. Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog. Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States. It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days. I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen. This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin. As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place. If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others. If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 11, 2016
D
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Doug S.
Fort Morgan, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Charlottesville, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
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Joel Bradford
Draper, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
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Mr. Watkins
Boise, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026

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