SKU: 90129039962

New Teheran | 91 cm x 64 cm | Nr. Z-4150

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Description

New Teheran | 91 cm x 64 cm | Nr. Z-4150Floraler New Teheran, graubeige mit Bordre Herkunft Indien Mae 91 cm x 64 cm (= 0,576 qm) Herstellung handgeknpft Material Flor: Wolle & Viskose Schuss & Kette: Baumwolle Knoten m2 160. 000 Florhhe 5mm Herstellungsjahr 2025 Farbe Graubeige, Dunkelrot Auflage Einzelstck Herkunft Zeitgenssische sthetik trifft orientalische Tradition wir haben uns fr diesen New Teheran Teppich von dem traditionellen Muster der persischen Sarough Teppiche inspirieren

Floraler New Teheran, graubeige mit Bordüre

Herkunft
Indien
Maße 91 cm x 64 cm (= 0,576 qm)
Herstellung handgeknüpft
Material Flor: Wolle & Viskose
Schuss & Kette: Baumwolle
Knoten/m2 160.000
Florhöhe 5mm
Herstellungsjahr 2025
Farbe Graubeige, Dunkelrot
Auflage Einzelstück

Herkunft

Zeitgenössische Ästhetik trifft orientalische Tradition – wir haben uns für diesen New Teheran Teppich von dem traditionellen Muster der persischen Sarough Teppiche inspirieren lassen.

Sarough zählt zu den bekanntesten Teppich-Knüpfgebieten des Irans. Berühmt sind die Saroughs für ihre floralen Sultanabad Designs. Die feingliedrigen Ranken scheinen sich schier unendlich zu verzweigen und werden nur von der Umlaufenden Bordüre gebändigt.

Wir haben die traditionellen Mustervorlagen bearbeitet und insbesondere auch die Farbgebung völlig neu arrangiert. Das Ergebnis ist eine Fusion von traditionellem, orientalischem Teppich-Design und moderner europäischer Ästhethik. Wir versuchen mit unseren New Teheran Teppichen die Trends europäischer Inneneinrichtung zu bedienen und gehen dazu spielerisch mit den Vorgaben traditioneller Teppichknüpfung um.

Muster

Die üppigen Blumenmotive dieses New Teherans sind elegant und abwechslungsreich gestaltet. Die anmutigen vegetativen Symbole, die Blüten, Blätter und Äste darstellen, sind kunstvoll ineinander verschlungen.

Der Rand des Teppichs wird von einer Umrandung (Bordüre) geziert. Die Bordüre bildet einen herrlichen Kontrast zum Zentrum.

Das von klassischen orientalischen Ornamenten inspirierte Muster erzeugt den Eindruck, dieser handgeknüpfte Teppich hätte bereits eine lange Geschichte hinter sich. Das Muster wirkt als wäre es verwaschen oder verblichen und dadurch beinahe abstrakt. Tatsächlich ist dieser New Teheran natürlich neu und Teil der jüngsten Generation zeitgenössischer Teppichdesigns. Er schlägt eine Brücke zwischen modernen Designs und Interieurs und klassischen orientalischen Motiven. Das Muster ist zurückhalten und ist dennoch präsent.

Einzelne Bereiche des Musters haben einen höheren Flor als die übrigen Teile dieses Teppichs. Die Muster moderner Teppiche werden tendenziell schlichter und abstrakter. Das Spiel mit unterschiedlichen Florhöhen ist neu und hat aufwändigere und aufdringlichere Muster abgelöst. Dadurch das Teile des Musters zweidimensional hervorgehoben wurden, wirkt der Teppich jedoch keinesfalls langweilig. Die Akzentuierung ist außergewöhnlich und hat eine einzigartige Wirkung.

Der Hintergrund dieses New Teherans ist Graubeige. Der Rand ist in den Farben Graubeige und Dunkelrot gestaltet.

Material

Der Flor dieses New Teherans besteht aus einer strapazierfähigen Mischung aus Wolle und Viskose. Viskose auch Viscose, Acetatseide oder Reyon wird grundsätzlich aus dem Naturprodukt Zellulose gewonnen, also aus dem Rohstoff Holz. In Indien wird die Zellulosemasse aus Bambus gewonnen. In einem aufwändigen Verfahren wird die breiige Zellulose zu einem durchgehenden Textilgarn gezogen. Deswegen wird Viskose auch als Filamentendlosgarn bezeichnet. Wegen des seidigen Glanzes des Garns wird die aus Bambus gewonnene Viskose auch "Bamboo Silk" Bambus Seide genannt. Die umgangssprachlich gebräuchlichen Bezeichnung "Kunstseide" ist nach dem Textilkennzeichnungsgesetz TKG nicht zulässig. Die Schuss- und Kettfäden dieses New Teherans bestehen aus Baumwolle. Das vielseitige Material ist reißfest und dehnbar und daher besonders geeignet für ein strapazierfähiges Untergewebe.

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SKU: 90129039962

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4.1 ★★★★★
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Ken Kardash
Lake Worth, US
★★★★★ 4
Rediscovering America
This is an eye-opening, scholarly rebuttal to common perceptions about native American society before and after the European invasion. Ronald Wright makes no secret of his bias in favor of the people who were here first; in fact, he enhances the impact of what for many will be new information by presenting this extraordinary history from the point of view of the conquered. He also makes clear how large a part of the conquest was due to immune system rather than military deficiencies: if smallpox and other diseases had not done killed most of the native population, the facts recounted here suggest that history, particularly in South America, may have evolved quite differently. In undertaking the massive task of recounting the invasion of all of the Americas, some selectivity is inevitable. Wright has chosen to focus on the story of five distinct native groups: Aztec, Maya, Inca, Cherokee and Iroquois. He then arbitrarily subdivides the story into three consecutive time periods: Conquest, Resistance and Rebirth. After the physical and political annihilation recounted in the first two sections, the title of the third may seem overly optimistic, particularly for the Guatemalan Maya. However, the concluding tone is more conciliatory and hopeful than mournful, particularly in the Afterword that updates matters to 2005, 13 years after the original publication date. The astounding amount of research involved in producing this admittedly selective overview is well-indexed and annotated. My only quibble is that Wright, obviously an expert in the field of native culture, sometimes borders on the compulsive in matters of linguistic authenticity. I did not buy this book to learn ancient native languages, let alone their pronunciation, and at times I found the inclusion of such trivia distracted from rather than enhanced the otherwise convincing scholarship. This obsession with accuracy is commendable, but after getting it out of his system in the Author's note, his amazing narrative would have been no less compelling if he stuck to the language of his contemporary audience. Also, for an author who has settled in British Columbia, it is strangely disappointing that the rich history of the Pacific Northwest coastal natives was not among those he chose to examine. I had read Charles Mann's "1491" prior to this book and found it primed my interest in the subject; both are excellent introductions to the reality of pre-Columbian American societies, but Stolen Continents provides more of a historical context for what has become of them.
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Reviewed in the United States on October 13, 2008
I
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Irving Dozier
Phoenix, US
★★★★★ 5
... true things that really went on to know very great
Format: Hardcover
lots of true things that really went on to know very great book
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Reviewed in the United States on October 13, 2016
A
A. Jimenez
Belleville, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
T
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Terry L.
Carnegie, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
G
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George Vargas
West Palm Beach, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017

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