SKU: 62852097286

Backhoe Driver Construction Mountain Urn Add Text, Personalized Handmade Custom Wood Laser Engraved Memorial Urn

Sale price$111.60 Regular price$124.00
Save 10%

Pay in installments of $31.00 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 23 - Jul 28

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Backhoe Driver Construction Mountain Urn Add Text, Personalized Handmade Custom Wood Laser Engraved Memorial UrnOur Urns All of our urns are made from premium hardwood, no plywood or pressboard! We do not stain or paint any of our urns but apply several finishing coats of lacquer to show off the beautiful natural wood grain. Choose from 4 different woods (shown in the listing photos): Ambrosia Maple, Mahogany, Cherry, and Walnut. Please note that the wood grain will vary. Ambrosia maple wood varies greatly and can be very light with little variation or very

Our Urns

All of our urns are made from premium hardwood, no plywood or pressboard! We do not stain or paint any of our urns but apply several finishing coats of lacquer to show off the beautiful natural wood grain.
Choose from 4 different woods (shown in the listing photos): Ambrosia Maple, Mahogany, Cherry, and Walnut. Please note that the wood grain will vary.

  • Ambrosia maple wood varies greatly and can be very light with little variation or very dark with grain contrasts and wormholes.
  • Cherry wood is our second lightest wood and is fairly consistent.
  • Mahogany is a darker reddish wood.
  • Walnut wood is our darkest, please note that walnut wood may not show engraving as well as the other woods.

This urn measures approximately 12"x8"x7" and can accommodate up to 300 cubic inches of remains (up to 300 lbs before cremation). There are 4 screws on the bottom of the box that are removed to add your ashes to the box, then the screws are reinserted to secure your remains. All of our urns have a small storage area on the top to store memories of your loved one. The top opens with 2 90-degree antique hinges.

Features & Benefits:

  • Handmade in the USA
  • Each urn is handmade and engraved specifically for your loved one with their name, dates, and any other text you would like included. We take extra care to make sure they are honored respectfully, and their urn is personalized specifically for them.
  • Made from Premium Hardwood, no synthetic wood, no pressboard, no plywood, no MDF, etc., because of this, your urn is built to last honoring the memory of your loved one.
  • Every urn is unique, just like each piece of wood is unique! Since we use real hardwood, no 2 trees are the same, so no 2 urns are the same!
  • Store photographs and mementos in the top of the storage compartment section of the urn.
  • The 4 screws on the bottom of the urn make it easy to remove the bottom to place and store the ashes in the urn.
  • Choose from any of our 4 hardwoods.

To Order

  1. From the drop-down boxes, choose your wood type for your urn, and your engraving option.
  2. In the Front of Urn Engraving Box, note the name, dates, and any other text you would like engraved on the front of your urn to go along with the design.
  3. If you chose to engrave the top or top and inside lid of your urn, please note the text you would like engraved in the corresponding boxes. We do not have a specific limit on number of characters, but keep in mind that the more characters you have, the smaller the font will be. Please be sure to double-check all spelling and capitalization as we will engrave it EXACTLY as you have noted.

EXAMPLE:

Engraving Front: Tom Smith 4.10.58 – 8.24.18

Engraving Top: Your Wings Were Ready, Our Hearts Were Not

Engraving Inside Lid: We Love You

4. From the drop-down box, choose which style font you would like for your engraving. A list of font choices is shown in the listing photos.

5. Add the item to your cart.

6. Leave any other info or requests in the Message box in your cart and proceed with checkout.

We select specific cuts for each urn, but if you have a specific preference, would like a lighter piece of walnut, an ambrosia maple piece with a lot of grain contrast, etc., please note your preference at check out and we will do our best to pick a piece to your request.

Shipping

Upon completion, this item is shipped via UPS or USPS for US deliveries, and USPS International Shipping 10-15 Day for International deliveries. International customers are responsible for any customs fees charged by their country before their order can be delivered. International customers will have to provide an email address and phone number for delivery.

Ambrosia Maple Wood known as Ghost Maple, also has varying color and grain. Although normally light, ambrosia maple wood is known for its dark grain contrasts, adding brown, gray, and bluish highlights to the wood. Please note the wood grains for all woods will vary from item to item, and the worm holes (a characteristic of Ambrosia Maple Wood) will vary from item to item.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 62852097286

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.9 ★★★★★
Based on 21 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
J
Verified Purchase
jk Smiles
Battle Creek, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Massapequa, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Grantham, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Grantham, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Whiting, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

recommand products