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Description
Whirlpool 惠而浦 WT9BTABC AirClean Power+ 90厘米 掛牆煙囱式電熱清洗抽油煙機1200 * 9 21LED 5 LED WT9BTABC 90 D 1200 () 1 2 x 1 (LED) 500 980 () 150 6 13A 1500 (xx) 550 1030 x 896 x 505 2
主要功能
- 自動電熱清洗技術： 內置電熱功能，能自動加熱溶解油污，減少手動清潔的頻率和難度，保持機體內部潔淨。
- 強勁抽風效能： 最高排風量達1200立方米/小時（無限制），能迅速有效地抽走廚房油煙和異味，保持空氣清新。
- 雙模式排氣選擇： 支援排氣模式或循環過濾模式*，靈活適應不同廚房的安裝需求。
- 延緩關機功能： 設有9分鐘延緩關機功能，可確保烹飪後剩餘的油煙也能被徹底清除，提升空氣品質。
- 耐用過濾與便捷設計： 配備不銹鋼擋板濾網，易於清潔，並設有隱藏式油杯，使機身外觀更整潔。
- 直觀輕觸式控制： 採用輕觸式按鈕操作，簡潔易用，功能切換一目了然。
- 高效節能照明： 配備2個1瓦的LED照明燈，提供充足光線，同時節省能源。
設計與操控
- 控制面板： 纖薄5厘米輕觸式按鈕控制面板，操作靈敏。
- 機身顏色： 時尚黑色不銹鋼機身，搭配黑色控制面板，現代感十足。
- 照明： 明亮的LED照明燈，提升烹飪區域的能見度。
技術規格
- 型號： WT9BTABC
- 產品類別： 90厘米掛牆煙囱式電熱清洗抽油煙機
- 歐盟能源效益級別： D級
- 最高排風量： 1200立方米/小時 (無限制)
- 馬達數量： 1
- 照明燈數量： 2 x 1瓦 (LED燈)
- 煙囱高度： 500-980 毫米 (可調節)
- 排風喉直徑： 150毫米 / 6吋
- 電源接頭： 13A
- 電線長度： 1500毫米
- 產品尺寸 (高x闊x深)： 550-1030 x 896 x 505 毫米
- 產地： 中國
- 保養： 2 年原廠保養
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4.7 ★★★★★
Based on 1675 reviews
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Product Reviews
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones.
That being said, this book was too detailed, making it slow reading.
Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021