SKU: 39874006978

Punkcase for iPhone 12 Pro Max Belt Clip Multilayer Holster Case [Patron Series] [Red-Black]

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Description

Punkcase for iPhone 12 Pro Max Belt Clip Multilayer Holster Case [Patron Series] [Red-Black]Punkcase for iPhone 12 Pro Max Belt Clip Holster Case [Patron Series] 4 1 Rugged & Protective Multilayer Phone Cover W Integrated Kickstand for iPhone 12 Pro Max (6. 7") (2020) [Red Black] PUNKCASE iPhone 12 Pro Max PATRON CASE: A rugged, slim, multi layer protection case to guard your iPhone 12 Pro Max against drops, scratches, scrapes, and bumps. FITS iPhone 12 Pro Max (6. 7") (2020) ONLY 4 1 MULTILAYER PROTECTION: A SOFT INNER TPU LAYER enclosed by

Punkcase for iPhone 12 Pro Max Belt Clip Holster Case [Patron Series] 4-1 Rugged & Protective Multilayer Phone Cover W/Integrated Kickstand for iPhone 12 Pro Max (6.7") (2020) [Red-Black]

  • ★ PUNKCASE iPhone 12 Pro Max PATRON CASE: A rugged, slim, multi-layer protection case to guard your iPhone 12 Pro Max against drops, scratches, scrapes, and bumps. | FITS iPhone 12 Pro Max (6.7") (2020) ONLY
  • ★ 4-1 MULTILAYER PROTECTION: A SOFT INNER TPU LAYER enclosed by a HARD OUTER PC SHELL & SEPARATE FRONT FRAME securely inserted into a STURDY BELT HOLSTER CLIP offers the ultimate, military-grade protection for your iPhone 12 Pro Max | Reinforced TPU corners for additional drop protection | Screen & Lens Scratch Protection due to slightly RAISED LIPS around display and camera - Peace of mind when placing your phone face up or down
  • ★ INNOVATIVE BELT CLIP: Secure top-latch design for easy mounting & dismounting | STRONG & DURABLE SPRING for safe & easy attachment to belts, trousers, and even backpacks | Fully adjustable 360 Degree Rotating Swivel Design for vertical or horizontal carrying | Doubles as INTEGRATED KICKSTAND for hands-free viewing at the perfect horizontal viewing angle | Built-In SOFT TPU BUMPERS for additional drop protection
  • ★ THOUGHT-THROUGH DESIGN: Precision cut-outs around all ports & openings for easy access and uncompromised sound quality | TACTILE BUTTONS allowing you to feel the original click | SCREENLESS DESIGN for direct display interaction [Optional Tempered Glass Screen Protector Possible ] | Please note: Screen Protector NOT Included | Wireless Charging Compatible
  • ★ LIFETIME EXCHANGE WARRANTY: Punkcase stands behind its products. Should you not be entirely satisfied with your Patron iPhone 12 Pro Max Case with belt clip simply contact us for a hassle-free return with no questions asked - that's the PUNKCASE GUARANTEE | Package includes iPhone 12 Pro Max 3-piece Patron case plus additional belt clip holster | Please note: This case has been exclusively designed for the iPhone 12 Pro Max (6.7") (2020) ONLY
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SKU: 39874006978

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4.4 ★★★★★
Based on 15 reviews
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Verified Purchase
David R. Papke
Waukegan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
West Palm Beach, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Dallas, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Los Angeles, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Cuba, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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