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Description
Art Craft Natural Dyeing: Traditional Recipes Modern Use"This is the most comprehensive manual written on natural dyes since the early 1800s. Jim Liles has rescued ancient skills from near extinction and shared them in a book that will inspire, challenge, and guide the modern dyer." Rita Buchanan, author of A Weaver's Garden, and editor of the new Brooklyn Botanic Gardens Handbook on Natural Dyes " . . . a must for every dyer. The recipes are explicit and detailed as to success and failure." Mary Frances
"This is the most comprehensive manual written on natural dyes since the early 1800s. Jim Liles has rescued ancient skills from near-extinction and shared them in a book that will inspire, challenge, and guide the modern dyer."--Rita Buchanan, author of A Weaver's Garden, and editor of the new Brooklyn Botanic Gardens Handbook on Natural Dyes" . . . a must for every dyer. The recipes are explicit and detailed as to success and failure."--Mary Frances Davidson For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies. The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter. By 1915 few non-synthetics were used by industry or craftspeople. The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten. In The Art and Craft of Natural Dyeing, J. N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes and a practical manual for using pre-synthetic era processes on all the natural fibers--cotton, linen, silk, and wool. A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group. Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat, troubleshoot, and achieve specific shades. The book will appeal not only to beginning and veteran dyers but to students of restorations and reconstruction as well as to craftspeople--spinners, quilters, weavers, knitters, and other textile artists--interested in natural dyes for their beauty and historical authenticity. The Author: J. N. Liles is professor of zoology at the University of Tennessee, Knoxville. He has taught at Arrowmont School and other regional craft schools and has exhibited his work at the Arrowmont School, the Southern Highland Handicraft Guild Folk Art Center, and the Carol Reece Museum.
Binding Type: Paperback
Publisher: Univ Tennessee Press
Published: 11/12/1990
ISBN: 9780870496707
Pages: 254
Weight: 0.81lbs
Size: 9.20h x 6.06w x 0.52d
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4.2 ★★★★★
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★★★★★ 5
clear and light sunscreen
Used this sunscreen and it works really well.
It goes on clear and spreads easily. Not sticky or oily at all, very comfortable on the skin. Feels light and good for daily use.
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Reviewed in the United States on April 22, 2026
★★★★★ 5
Matte and definitely worth purchasing
Love it. It’s definitely matte, but doesn’t dry me out. I put it on with a light moisturizer, and have no issues with pilling. It feels more like a light oil when applying, but that feeling goes away in seconds. I like that it’s also water resistant. I get oily really easily, so I’ve been looking for an affordable matte sunscreen, and this seems to be working really well for me. There’s a sunscreen smell on application, but it’s not too overwhelming and goes away quickly. Overall, 10/10 would definitely recommend, and kinda wish I could gatekeep it.
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Reviewed in the United States on May 12, 2026
★★★★★ 5
Best sunscreen ever
Best sunscreen! Extremely smooth, it leaves your skin completely matte. It does not feel like sunscreen, it feels like a high end primer. It’s a gel not even a cream. I use it as my primer, since I have to put sunscreen on anyway, it serves as my primer before make up. I’ve always struggled with finding a decent sunscreen for my face that leaves no cast or hurts my eyes but this one is the best one I’ve ever tried. Matte, smooth, gel, does not hurt eyes, primer for make up. Amazing! And great value for the money.
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Reviewed in the United States on May 6, 2026
★★★★★ 4
Feels very oily right after applying
Ok, NON SPONSORED review. I bought this with my own money. It’s a great sunscreen, very lightweight and goes on clear. The only downside is, right after applying it feels like straight cooking oil on your skin. It’s a horrible, horrible sensory experience. But once you give it a couple minutes to dry down, it’s completely matte and feels like nothing. It hasn’t broken me out yet like other sunscreens I’ve tried, so that’s a plus.
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Reviewed in the United States on April 1, 2026
★★★★★ 5
Works great under makeup
Excellent for the face! Many sunscreens claim they are good for the face, and blend well. This one actually DOES!! It is also an excellent moisturizer under your makeup without streaking. Just a smooth, beautiful finish. I wear it all year around The sun is just as strong and quite capable of ruining your skin in the winter as well.
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Reviewed in the United States on May 4, 2026
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