SKU: 93115391894

Victor Agius Standing Woman 1982 - Contemporary Maltese Ceramic Sculpture

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Victor Agius Standing Woman 1982 - Contemporary Maltese Ceramic SculptureStanding Woman by Victor Agius (1982 ) A striking and museum quality contemporary ceramic sculpture depicting a standing woman, created by Victor Agius (born 1982), an important emerging contemporary Maltese sculptor. This powerful work demonstrates Agius's sophisticated engagement with the human figure, his accomplished technical execution in ceramic, and his ability to capture presence, dignity, and character in three dimensional form. The

Standing Woman by Victor Agius (1982 – )

A striking and museum-quality contemporary ceramic sculpture depicting a standing woman, created by Victor Agius (born 1982), an important emerging contemporary Maltese sculptor. This powerful work demonstrates Agius's sophisticated engagement with the human figure, his accomplished technical execution in ceramic, and his ability to capture presence, dignity, and character in three-dimensional form. The sculpture's elegant proportions, expressive modeling, and contemporary aesthetic make it a significant example of 21st-century Maltese figurative sculpture and an excellent acquisition opportunity for collectors of contemporary Maltese art.

Victor Agius - Contemporary Maltese Sculptor

Victor Agius (born 1982) represents the younger generation of contemporary Maltese sculptors, bringing fresh perspectives and contemporary sensibilities to Malta's rich sculptural traditions. Working primarily in ceramic, Agius has developed a distinctive approach to figurative sculpture that combines classical concerns with the human form with contemporary aesthetic sensibilities. His work demonstrates technical mastery of ceramic sculpture while engaging with timeless themes of human presence, dignity, and character. As an emerging artist, Agius represents the future of Maltese sculpture and offers collectors the opportunity to acquire work by an artist at an important stage of career development.

Standing Woman - Subject and Form

The standing woman represents one of sculpture's most fundamental and enduring subjects, appearing across cultures and throughout art history. The standing figure embodies presence, dignity, and self-possession, while offering sculptors the opportunity to explore proportion, balance, gesture, and the expressive potential of the human form. Agius's interpretation of this classical subject demonstrates his engagement with sculptural tradition while bringing contemporary vision to timeless themes. The sculpture's specific pose, proportions, and character reveal the artist's individual voice and his ability to create works that honor tradition while speaking in contemporary language.

Ceramic Medium - Technical Excellence

Executed in ceramic, this sculpture demonstrates Agius's mastery of this demanding medium. Ceramic sculpture requires exceptional technical skill - understanding clay bodies, managing drying and shrinkage, controlling firing temperatures, and achieving desired surface qualities. The medium's ancient associations connect contemporary work to millennia of ceramic art traditions, while its versatility allows for effects ranging from rough, expressive surfaces to refined, polished finishes. Agius's handling of ceramic demonstrates complete technical command and understanding of the medium's expressive possibilities.

Figurative Sculpture - Contemporary Context

Creating meaningful figurative sculpture in the contemporary period presents unique challenges. After centuries of figurative tradition and the 20th century's exploration of abstraction, contemporary figurative sculptors must find ways to make the human form relevant and compelling for contemporary audiences. Agius's work addresses this challenge by combining technical excellence with contemporary aesthetic sensibilities, creating figurative sculpture that honors tradition while speaking to contemporary viewers. His standing woman demonstrates that figurative sculpture remains vital and relevant in contemporary art.

Proportions and Presence

The sculpture's proportions, scale, and overall presence demonstrate Agius's understanding of how sculpture occupies and activates space. Whether employing naturalistic proportions or stylized forms, the sculptural choices create a work that commands attention and invites contemplation. The standing pose's inherent dignity and the figure's presence demonstrate the sculptor's ability to capture not just physical form but character, mood, and psychological depth. This combination of formal excellence and expressive power distinguishes accomplished figurative sculpture.

Surface Treatment and Finish

The ceramic's surface treatment contributes significantly to the sculpture's overall impact. Whether featuring natural clay colors, applied glazes, textured surfaces, or polished finishes, the surface qualities enhance the work's visual and tactile appeal while supporting its expressive character. The finish's handling demonstrates Agius's understanding of how surface treatment affects viewers' engagement with sculpture and contributes to the work's meaning and emotional resonance.

Contemporary Maltese Sculpture

This sculpture exemplifies contemporary Maltese sculptors' sophisticated engagement with figurative tradition, technical excellence in ceramic, and the ongoing vitality of sculpture as artistic medium. Malta's sculptural traditions, enriched by centuries of artistic production and the influence of Mediterranean culture, continue to evolve through artists like Agius who bring contemporary perspectives to timeless concerns. For collectors of Maltese art, this sculpture represents the current generation's artistic achievements and future directions.

Investment and Collecting Value

Works by emerging contemporary artists like Victor Agius represent excellent investment opportunities. Acquiring work by artists early in their careers, before wider recognition and corresponding price increases, offers collectors the potential for significant appreciation while supporting artistic development. The combination of accomplished execution, contemporary Maltese provenance, and the work's aesthetic and technical merits creates strong appeal among collectors of contemporary sculpture, Maltese art, and figurative work. As Agius's career develops and his reputation grows, early acquisitions gain both monetary and historical value.

Melitensia - Maltese Cultural Heritage

For collectors of Melitensia - materials relating to Malta's history, culture, and artistic heritage - this sculpture represents contemporary Maltese artistic achievement and the ongoing evolution of Malta's sculptural traditions. The work connects to Malta's rich artistic heritage while demonstrating the vitality and innovation of contemporary Maltese artists. Owning such work means supporting Malta's living artistic culture and acquiring tangible connection to the island's contemporary creative life.

Provenance and Documentation

The sculpture comes with artist authentication and documentation. Such provenance is essential for contemporary art, ensuring authenticity and supporting future value. Detailed documentation available to serious collectors including artist biography and connection to Agius's broader practice.

Condition and Presentation

The sculpture remains in excellent condition, consistent with professional care and appropriate handling. Ceramic sculptures require careful handling to prevent damage but are durable when properly cared for. Detailed condition reports available upon request. Display recommendations can be provided to ensure proper presentation.

Display Considerations

This sculpture's figurative subject and contemporary aesthetic make it suitable for various settings - private homes, offices, corporate collections, or institutional holdings. The standing woman works beautifully in both traditional and contemporary interiors, creating focal point and conversation piece. The sculpture's scale and presence should be considered for optimal display placement. Proper lighting reveals the ceramic's surface qualities and three-dimensional modeling.

Collecting Context

This sculpture appeals to collectors of contemporary Maltese art, figurative sculpture, ceramic art, emerging artists, and those seeking works combining technical excellence with aesthetic power. It would enhance private collections, corporate holdings, or serve as introduction to collecting contemporary Maltese sculpture. The work's combination of artistic merit, investment potential, and cultural significance makes it suitable for both established collectors and those beginning to collect contemporary art.

Supporting Emerging Artists

Acquiring work by artists like Victor Agius provides crucial support for artistic careers while offering collectors the satisfaction of participating in artists' development. Early collectors often develop meaningful relationships with artists and gain deeper understanding of creative processes. This engagement enriches collecting experience while contributing to the vitality of contemporary art and culture.

Available for viewing by appointment at Artemisia Fine Arts & Antiques Ltd, Malta's premier gallery for contemporary Maltese sculpture. We provide expert consultation, authentication services, insurance valuation, and international shipping with specialized sculpture handlers. This Victor Agius sculpture represents an exceptional opportunity to acquire work by an important emerging Maltese sculptor. Serious inquiries welcome.

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SKU: 93115391894

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4.6 ★★★★★
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J
Verified Purchase
John M. Ford
Carnegie, US
★★★★★ 5
"Don't Practice on Your Significant Other"
Format: Kindle
This book's authors have many years of experience interviewing CIA assets, CIA employees, and a variety of ordinary people in non-CIA settings. Their specialty is in determining when someone is lying. And they are good at it. This skill in detecting deception has done a lot of good, helping their clients make better decisions about hiring the right new employee, trusting the right baby sitter, and prosecuting the person who really "did it." Sometimes the skills bring pain, making clear that the waiting doctor's politeness covers bad news or that a spouse isn't really joking about "her boyfriend." Still, it's better to know, isn't it? Detecting deception isn't magic and it isn't infallible. But it is possible to become better at it than most of us are now. The book identifies several barriers to accurately detecting deception. We expect most people to tell the truth, we ask the wrong questions, and we look for the wrong "tells" in other people's behavior. And we try to watch everything they do instead of focusing on a small number of reliable indicators. Such reliable indicators of deception include certain kinds of verbal hesitations and evasions as well as specific body movements of which a deceiver is largely unaware. Readers learn to ask questions that require different mental processing from guilty versus innocent suspects. One technique is to ask questions a good guy will answer with an immediate--and perhaps angry--"No!" while the bad guy will need to give a longer, more carefully worded response. We watch for deception indicators that begin in the first five seconds after a question. And we look for clusters of indicators rather than for single actions. There is more to it, of course, but this is the core methodology the book presents. It's good stuff. And it's learnable. I attended a training session conducted by the authors' company (QVerity, in partnership with hemsleyfraser) this week. I had listened to roughly three-quarters of the audiobook during a long car ride the day before. Based on what I learned from the book I was able to do well in the video pre-test, successfully distinguishing a lying suspect from the four who told the truth. Almost everyone was also able to do this after two hours of training. So it seems to me that the book is nearly as valuable as being taught these skills by the authors themselves. It is a well-written, fascinating book on a very useful topic. I highly recommend it. A final comment. The book closes with a warning to use these skills only for good. And to not practice them on our significant others. Apparently catching your spouse in all of those little white lies can put unnecessary stress on the relationship. I may have made a variation of this error by giving my wife a copy of the book and inviting her along to the training. Not sure that was such a good idea. We'll see.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 20, 2012
B
Verified Purchase
Bernice Tett
Draper, US
★★★★★ 4
My honest review of the book . Spy The Lie
Format: Paperback
Spy the Lie" by Philip Houston is a practical and fascinating guide that teaches you how to spot deception using the same proven techniques developed by the CIA. Instead of looking for unreliable body language "clues," it focuses on identifying specific verbal and non-verbal behaviors that people show when they are feeling the stress of a lie. It’s written in very clear, everyday language with plenty of real-world examples, making it a great tool for anyone who wants to communicate more effectively and know who they can really trust.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 4, 2026
A
Verified Purchase
Antonios Paraschakis
Waukegan, US
★★★★★ 5
A must have for, among others, clinical physicians and -especially- mental health experts
Format: Paperback
Very good book. The authors state in a clear and unambiguous way several "tips" that may help us detect deceptive behaviors. They repeat the points, making them easier to "stick". What's interesting is how simple they appear in their application; we are not talking about mathematical topology...The glossary completes admirably the book. Would I read it again? Definitively (a quality "seal" for me). As a physician (psychiatrist) I would definitively suggest it to all physicians that perform clinical work, but, above all, to psychiatrists...
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 19, 2026
T
Verified Purchase
Tom
Birmingham, US
★★★★★ 5
Deception Detection Primer
This book is well written and is perfect for the newbie like me to grasp the concepts: easy to follow, logically structured, points explained well and with examples, points tied together so you understand how they fit. A few reviewers think the points in the book are obvious. Many of them are, but I think the easy-to-follow writing makes the points seem even more obvious. Superficially, and taken separately, many of these ideas do seem obvious. The hard part is coming to an accurate conclusion about deception. One reason is because many deception indicators can be false positives. For example, a commonly-believed indicator of deception is crossing your arms. How do you tell if a specific instance of this behavior is a deception indicator or not? The book gives a framework for when deception indicators are, at that moment, an indicator of deception. Another reason is that verbal indicators of deception can be missed or misunderstood. The book goes into excellent detail about how to recognize verbal indicators and to tell when a verbal indicator is, in fact, likely to be deception. One of the better parts of the book, in my opinion, discussed the initial interrogation of OJ Simpson before his murder trial. They run through the questions that the detectives asked and explained how and why these questions did not work in eliciting possible deception. They then ran through the questions they would ask, following the model in the book, and explained how these questions would have been more effective. The book stresses the limits of these ideas. You will not read this book and become a human lie detector. Being really good at spotting the lies AND directing an interview to extract those lies takes, I'm sure, lots of practice. However, you CAN gain insights and be better at deception detection just from reading this book. For example, when you watch a suspect interviewed on a news show like Dateline NBC, you'll spot the verbal cues that indicate possible deception, and you'll never watch these shows in quite the same way. Prior to reading this book, I read "I Know You Are Lying" by McClish. Both books cover a lot of the same material, but from slightly different perspectives. I highly recommend both books if you're interested in this topic. I recommend reading "Spy the Lie" first, as it seems to give a more complete framework for implementing these ideas, then read the McClish book for additional insights.
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Reviewed in the United States on April 16, 2013
J
Verified Purchase
jennifer anne pocurull
Dallas, US
★★★★★ 5
Great for recruiters & business owners
Format: Kindle
This is long but it I am so grateful and want to give my recent triumph with the help of this book....I currently own a medical spa. Our biggest challenge is hiring hard working, honest people, passionate about the business. Statistically we are average with the number of good hires but that is not a good thing when statistics say only 51% last more than 12 mos. Especially for lower level jobs being less. Many people just want a paycheck or want free services and could care less about helping customers and learning about aesthetics or medicine. Within the first few chapters I had already found ways of asking questions in interviews that when applied were astounding in getting the right response. A good example was when I was interviewing a woman whom I felt had amazing qualifications for my Front Desk Manager’s position. She had owned her own pet salon for over 17 years but sold it and went to work for Pet Smart. I thought that seemed a little strange so asked her why? She naturally had a response that she wanted to move to Texas, originally being from Wisconsin which was horribly cold and owning a business was just too stressful. I wanted to know more as this didn’t seem like the mentality of a successful business owner so I asked her what kind of paycheck she wrote herself each year. Her response was “my gross income last year was $80k, which I am so proud of.” 1) She did not answer the question. 2) “which I am proud of.” Is used to further convince me she was making good money.” Luckily as a business owner I know it probably takes at least $80.K just to run a business. But this was not enough for me to disqualify her and author Russell Targ says just 1 red flag is not enough, so after a few more positive type questions I asked another. ‘Tell me about a time you didn’t get along with a co-worker’. I’m paraphrasing because she gave an overly long explanation of events which in-and of itself is a red flag but within the overly verbose statement She stated “they get annoyed with me” but didn’t tell me what “they” get annoyed with. When I asked what ‘they get annoyed with’ she minimized a situation where she had the flu 4 days and the next day she went to an already committed dentist appointment to get her tooth pulled and was in too much pain so again had to call in sick. I was a bit suspicious at this point as to why her boss would be annoyed with this if she was such a great employee since both those explanations seemed reasonable. So I later in the interview snuck in an “assumptive question” about her being late to which she confessed several additional times having been late but of course had plausible excuses. I was even more suspicious at this point about her integrity as an employee so asked the question a different way, ‘tell me a time you had a challenging client’ to which she told me another very verbose story about “a client who brought in a badly matted dog and when after shaving it had lots of bruising etc. the lady gave a terrible rating.” I tried not to sound judgmental so I commiserated with her on that as a business owner how awful that must have felt. We exchanged some giggles and at this point I felt she really was ready to open up to me. I then asked her to ‘describe a bad day at work’ where she gave another story with many excuses why where she had ripped a dog’s ear by accident, the police and media was called accusing her of animal abuse, she was taken to court and her name was smeared in this small town which was hard to recover from.😳 Now I am a bit alarmed but the old me is wanting to believe her that it wasn’t her fault so Finally, I wrapped up after many other positive exchanges I asked ‘if I were to call her employer what derogatory things might they say about her’ to which she replied “they don’t like the way I do things which of course with further questioning her reply was to minimize all of their complaints.” Now, here is where I used to get tripped up. I usually have a phone interview that lasts about an hour or more before setting up face-to-face interview and that is how this one was. I as usual wanting to believe the best in everybody was mostly paying attention to the many positive and outstanding things she had to say and want to believe her excuses so immediately set up a face-to-face interview. But this time I did something differently after hanging up with her. I paid really close attention to the “cluster” of suspicious things she mentioned and by then it hit me like a ton of bricks. In every bad hire I have ever made they had answers like this woman where they minimized, evaded the questions, or had great excuses. Now while we all have great excuses from time to time the book says to pay attention to multiples. Needless to say I politely cancelled the interview. After reading this book the signs were as clear as day. I am happy to say I am now able to cut my phone interviews down to just 20-30 minutes even shorter when I see these “cluster” as the hook puts it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 9, 2019

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