SKU: 97713730922

2010 Plantation Terravera Collection Panama Rum 750ml

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2010 Plantation Terravera Collection Panama Rum 750mlIndulge in the exquisite sophistication of the 2010 Plantation Terravera Collection Panama Rum, a testament to the artistry and craftsmanship of master distillers. This 750ml bottle encapsulates the spirit of Panamas rich rum making heritage, offering an unparalleled experience for connoisseurs and enthusiasts alike. The journey of this remarkable rum begins in the lush, tropical landscapes of Panama, where the finest sugarcane is harvested to produce

Indulge in the exquisite sophistication of the 2010 Plantation Terravera Collection Panama Rum, a testament to the artistry and craftsmanship of master distillers. This 750ml bottle encapsulates the spirit of Panama’s rich rum-making heritage, offering an unparalleled experience for connoisseurs and enthusiasts alike.

The journey of this remarkable rum begins in the lush, tropical landscapes of Panama, where the finest sugarcane is harvested to produce high-quality molasses. Distilled with precision in traditional copper pot stills, the 2010 Plantation Terravera Rum undergoes a meticulous aging process, first maturing for several years in the tropical climate of Panama. This initial aging imbues the spirit with a robust and complex character, developing deep flavors and rich aromas unique to its terroir.

The journey continues as the rum is transported across the ocean to the renowned cellars of Maison Ferrand in Cognac, France. Here, it undergoes a second maturation in carefully selected oak barrels, once used for aging fine cognac. This double aging process, known as the “double aging technique,” imparts an extraordinary depth of flavor, marrying the vibrant, fruity notes of the tropics with the refined, oaky elegance of French oak.

Upon opening the bottle, you are greeted with an inviting bouquet of tropical fruits, caramelized sugar, and a hint of vanilla. The first sip reveals a symphony of flavors dancing on the palate—succulent pineapple, ripe banana, and luscious mango meld seamlessly with hints of toffee, toasted coconut, and a whisper of warm spice. The texture is velvety and smooth, with a well-balanced sweetness that lingers gracefully on the finish.

The 2010 Plantation Terravera Collection Panama Rum is more than just a spirit; it is a journey through time and tradition, a celebration of craftsmanship, and a true delight for the senses. Whether enjoyed neat, on the rocks, or as the centerpiece of an exquisite cocktail, this rum promises an unforgettable experience that transcends the ordinary.

Perfect for collectors and discerning drinkers, the 2010 Plantation Terravera Collection Panama Rum is a limited edition treasure, embodying the passion and expertise of its creators. Elevate your collection and savor the legacy of this extraordinary rum, a true masterpiece in the world of fine spirits.

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SKU: 97713730922

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4.4 ★★★★★
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David R. Papke
Belleville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Battle Creek, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Houston, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Boise, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Boise, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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