SKU: 99686062867

Kiloview Recorder System(Hardware version)

Sale price$36616.75 Regular price$40685.28
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Description

Kiloview Recorder System(Hardware version)The Kiloview Recorder System (Hardware Version) is officially embodied in the Kiloview CUBE R1. While Kiloview also distributes this system as independent Windows based software (the Kiloview NDI Recorder), the CUBE R1 is a dedicated turnkey, turnkey hardware appliance. It is engineered to capture, monitor, and store multiple high resolution IP video streams simultaneously without demanding a self built computer or separate software configuration.

The Kiloview Recorder System (Hardware Version) is officially embodied in the Kiloview CUBE R1. While Kiloview also distributes this system as independent Windows-based software (the Kiloview NDI Recorder), the CUBE R1 is a dedicated turnkey, turnkey hardware appliance. It is engineered to capture, monitor, and store multiple high-resolution IP video streams simultaneously without demanding a self-built computer or separate software configuration.

Housed in a rugged, half-width 2U rackmount frame, the hardware server acts as a centralized master recorder for live events, multicam studio broadcasts, and post-production environments.

Core Engineering and Operational Features

  • 9-Channel Concurrent Recording: The CUBE R1 can pull and record up to 9 independent NDI channels simultaneously. It is format-agnostic, seamlessly digesting High-Bandwidth Full NDI (SpeedHQ), NDI|HX2, and NDI|HX3 from any vendor at resolutions ranging up to 4K at 60 frames per second.

  • Frame-Aligned Iso-Recording (NTP Sync): To streamline post-production editing, the hardware features a microsecond-accurate Network Time Protocol (NTP) synchronization framework. When recording multiple isolated camera feeds (ISOs), the hardware embeds matching timestamps across all 9 video timelines. Editors can pull the files directly into a multi-cam timeline in Premiere Pro, DaVinci Resolve, or Final Cut with absolute, sample-accurate frame alignment.

  • Plug-and-Play Non-Stop Storage Array: The front face of the server chassis houses dual hot-swappable SSD drive slots backed by a physical safety lock switch. This hardware structure enables continuous, non-stop recording; when Drive A reaches maximum capacity, the internal pipeline instantly and seamlessly jumps to Drive B without dropping a single frame of live video. High-speed USB Type-C expansion ports on the rear also allow direct recordings to external storage pools.

  • Built-In 5.5-Inch Touch Display & Controls: Eliminating the mandatory need for an external keyboard, mouse, or client monitor, the chassis includes a vibrant 5.5-inch LCD touchscreen. Operators can control settings, view storage health, monitor system resource graphs, and trigger recordings with a single press. It is paired with a physical tactile control knob for precise, fluid frame-seeking during live playback reviews.

  • Simultaneous 4K Playback and Streaming: The processing core allows for simultaneous recording and playback. While capturing 9 feeds, a technician can play back 1 selected channel at up to 4Kp60 on an attached monitor via the physical HDMI 2.0 output. The system also permits variable scrub speeds (1/4x1/2x2x, 4x, 8x) and allows an operator to re-broadcast a live playback stream straight back out onto the network.

  • Operation Safety Lock Protection: To eliminate the catastrophic risk of a crew member accidentally terminating a live broadcast recording, the software interface features a strict System Lock setting. Once active, trying to pause or abort a recording triggers a double-confirmation password loop, completely safeguarding valuable broadcast files from accidental operational mistakes.

Hardware Interface Configuration Matrix

Parameter Component Kiloview CUBE R1 Hardware Specifications
Network Backhaul Capacity 2 × 10GbE SFP+ Fiber Ports (For massive video packet distribution)
Network Management Port 1 × 1GbE RJ-45 Ethernet Interface
Physical Output Interface 1 × HDMI 2.0 Terminal Output (Supports up to 4Kp60)
Local Storage Architecture 2 × Industrial-grade, hot-swappable SSD drive docking trays
Peripheral Data Slots 2 × USB 2.0 Type-A Expansion Ports | USB Type-C Interfaces
Analog Audio Links 1 × 3.5mm TRS Line Input | 1 × 3.5mm TRS Line Output
Chassis Framework Professional half-width 2U rackmount layout (Weight: 2.00kg)
Cooling Topology Heavy-duty internal metal radiator backed by active air exhaust fans
Power Infrastructure Dual redundant power supply units (AC 100~230V input)

💡 Operational Engineering Tips for the CUBE R1 Hardware

The 10GbE SFP+ Fiber Uplink Rule: Do not try to interconnect the CUBE R1 using only its 1GbE RJ-45 connection for dense recording pipelines. High-Bandwidth Full NDI 1080p60 signals pull roughly 125 Mbps, while 4K60 streams demand upwards of 250 Mbps. If you populate the system to its full capacity with 9 channels of Full NDI, the combined network ingestion load will sit between 1.1 and 2.25 Gigabits per second. This will completely overwhelm a standard 1GbE line, leading to severe network dropouts, corrupted frames, and broken files. Always tie the server back to your core network switch using its high-capacity 10GbE SFP+ optical fiber connections.

  • Configuring Fixed-Length Recording Trims: When recording long-form live events spanning 4 to 8 hours, use the device's web console to configure the file trimming engine to split recordings by Fixed Time Length (e.g., creating a new file exactly every 60 minutes) or Fixed File Size (e.g., splitting files every 50 Gigabytes). The hardware automatically closes a file and opens the next one with zero frame overlap or gap. This keeps your post-production data chunks organized and prevents file corruption from ruining a massive multi-hour session if a unexpected power failure occurs.

  • Leveraging Custom Sub-Stream Previews: To protect the device's internal CPU/GPU from thermal stress while recording heavy, concurrent 4K streams, configure the Multiview Layout Grid (1/4/9 layout screens) to display the cameras' compressed NDI Sub-Streams (low-bitrate proxies) for visual confidence monitoring and VU level checking. The server will safely write the untouched, pristine Main Stream files directly to the hot-swap SSDs, but displaying the lower-resolution proxies on screen will drastically lower processing heat and maximize overall hardware stability.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 99686062867

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4.2 ★★★★★
Based on 12 reviews
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Verified Purchase
Jeffrey Rosen
Dallas, US
★★★★★ 5
Best value
Style: AVR-X1800H
Great receiver ready to start awesome soung
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 11, 2025
C
Verified Purchase
CharlieOakes
West Palm Beach, US
★★★★★ 5
Very good audio receiver for my tower speakers and record player set up
Style: Stereo Receiver, Configuration: Receiver
I have had my 1980s Roger sound lab CG 82 Tower speakers connected to a 1999 Technics audio receiver. I use this set up for Radio and my record player. After many good years, the low end on my audio receiver gave out. I have had it serviced before, but I have owned it for five years and it is a 27-year-old piece of gear that has seen better days. ChatGPT led me to this receiver. It took me less than five minutes to connect my speakers. What I love about this receiver is that it’s so simple to use. The radio signal is very good right out the box without an additional antenna. I was resistant to buying a Bluetooth receiver, but it connected to my iPad and my iPhone in seconds. Now I can play backing tracks through my Roger sound lab speaker speakers while I jam out on guitar. No issues with sound quality or anything like that. Runs cool and quiet. If you are a total audio file, you could buy something more expensive. I am a musician and I listen to vinyl. Mostly jazz and classical, and this is fine for my needs. For most people running a record player, looking to modernize with a Bluetooth enabled receiver, this will suit your needs.
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Reviewed in the United States on April 15, 2026
K
Verified Purchase
KEITH F LUSCHER
Fort Morgan, US
★★★★★ 5
LOVE IT - Great Performance and Great Price
Style: Stereo Receiver, Configuration: Receiver, Style: Stereo Receiver, Configuration: Receiver
Speaking as a self-described "audiophile" (but a true audiophile with deep pockets would likely laugh), this was one of the best gifts I've given to myself in recent years (as I have a fairly large music library of nearly 600 albums of 1/3 vinyl, 2/3 CDs and some cassettes). Bought mine back in March--used to be $200, but when I saw it for $150 any hesitation went out the window and I grabbed it. I have been in love with it ever since. Fabulous sound and power (do you really need more than 100 watts per channel?), great remote control (not used to that, believe it or not), and it lives up to Sony quality. Powers my vintage components perfectly: > MCS Series 6202 Belt-Driven Turntable (had it since early 80s) > Nacamichi BX-300 Cassette Deck > Sony DVP-NS725P Disc Player (DVD but used mainly for CDs - audio-only connection) > LG TV connected via optical-to-analog adapter > KEF Reference Series 103/3 Stereo Speakers Interesting observation about the way the ports are labeled on the back: what would traditionally be identified as a tape deck port (with IN/OUT) is just "Input 4," and while it's connected to my tape deck for playback, the REC-OUT is connected to a USB audio adapter to digitally record anything (mostly vinyl of course) to my laptop for mastering and iPod/digital library access. The Bluetooth connectivity is awesome as well with powerful range - great for playing music from mobile devices (phone and iPod Classic with BT adapter). The front line-in 3.5 port, identified as a "Portable" is also a great feature. At first, I was surprised that there was no input for optical, however since digital-to analog adapters are inexpensive and readily available, I think it's best to leave it that way. Would rather have the option, rather than an optical-only port that would otherwise go unused unless one had a component that required it. HOWEVER, if I were to make any improvements, it would be to add a USB Out port (preferably on the front), for digital recording on a PC. However again, since adapters are inexpensive and accessible, and for the price I paid for this device, I ain't gonna complain. Front level analog balance, bass and treble controls would also be nice, but you have access to all that through the menu. If you feel due for a simple, powerful and awesome stereo receiver/amplifier upgrade without breaking your monthly budget, this is a winner.
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Reviewed in the United States on December 9, 2023
M
Verified Purchase
Mr. Veritas
Louisville, US
★★★★★ 5
Sony STR-DH190 is an Amazing Deal. Don't pass it up.
Style: Stereo Receiver, Configuration: Receiver
I bought my STR-DH190 receiver to put in my "man cave" pool room. I respect SONY products, but I realized this 2-channel stereo receiver was a budget item, seemingly so inexpensive it must just be an entry-point-only receiver. I was shocked by its quality, sturdy construction, versatility and audiophile sound. It has Bluetooth connectivity, and a phono input for turntables. I hooked up a CD player, turntable, reel-to-reel, cassette deck, iPod, sub woofer and two sets of high end bookshelf speakers. The fronts are SONY Sscs5 3-Way 3-Driver Bookshelf Speakers. The rears are Polk. The sound is shocking, and everyone who hears it can't believe how it rocks. Now that this receiver is actually on sale at almost a "give-away" price, I'm tempted to buy another one as a backup in case one of my other systems needs a replacement receiver. It is Bluetooth ready, so I pair an Echo Dot with it for streaming. It is an amazingly versatile and reliable product. Highly Recommended.
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Reviewed in the United States on July 9, 2025
P
Verified Purchase
Phasedin
Chelsea, US
★★★★★ 4
Quite Good, but maybe lacking a few inputs, Optical Audio and AM radio
Style: Stereo Receiver, Configuration: Receiver
Very basic, but seems to be the usual good quality Sony product. I bought this when my decades-old SOny receiver finally bit the dust. This receiver, at a decent price is a LOT more basic than my decades-old earlier receiver. That receiver had multiple inputs-many which I didn't use but were there for audiophiles all the same. Things like inputs for DAT, inputs for MD audio. analog videos in and out, Super video in and out, Component video, standard cassette deck, phono, component video (multiple), DVD in and out, component video, and more audio channel options I can't even remember. And as old as this receiver was it actually had Optical audio as well! I REALLY wanted to replace that old receiver with the exact same thing. albeit the modern model but that doesn't exist. SO I bought this one. Take a look and you'll see very few inputs, but oddly it had all the ones I actually needed for my old set-up-with NO extras though. I'm kind of shocked that this receiver doesn't even have the Optical audio which is kind of a standard now for modern TVs and I had to actually buy a cheap little 'converter box' which takes the optical cable and converts the digital audio into the standard RCA analog audio and I plug that into one of the available inputs in the receiver so that I can play my TV sound through the receiver/stereo system. I'm still kind of shocked that this receiver doesn't have that Optical, that would be the first thing i'd add to really make this a bargain and much more desirable. So I had to have a receiver for my old cassette deck, phono, etc. and standard CD player as well as DVD/Blu Ray audio sound (as concert DVDs don't sound too good on the standard speakers which come with modern TVs. So i've used EVRY input in this new unit and I really couldn't have bought it if it had a single less input. So in addition to having an input for Optical audio the other thing I wished it had was a receiver for AM radio, even if AM isn't too popular anymore. So maybe the lack of the Optical audio, additional inputs for other sources and no AM radio is the reason why this receiver is so reasonably priced, but well, i'm happy with it all the same.
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Reviewed in the United States on April 27, 2026

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