SKU: 14853946694

Munay Alpaca Western Hat in Camel

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Description

Munay Alpaca Western Hat in CamelHandcrafted by skilled women artisans in Perus Sacred Valley, this felt alpaca blend hat is carefully hand blocked for a structured, polished shape. The wide brim and western inspired design offer a bold yet elegant statement, while the soft yet durable alpaca blend ensures warmth and lasting comfort. A removable woven intention crown band is included, handwoven by Quechuan artisans. More than just a cultural symbol, it serves as a distinct fashion

Handcrafted by skilled women artisans in Peru’s Sacred Valley, this felt alpaca-blend hat is carefully hand-blocked for a structured, polished shape. The wide brim and western-inspired design offer a bold yet elegant statement, while the soft yet durable alpaca blend ensures warmth and lasting comfort.

A removable woven intention crown band is included, handwoven by Quechuan artisans. More than just a cultural symbol, it serves as a distinct fashion statement, enhancing the hat’s unique character. Designed with intricate Andean patterns, each band represents aspirations such as gratitude, protection, intuition, or strength. Choose one that complements your color preference or aligns with your personal journey, allowing you to customize your look with meaning.

More than just an accessory, this luxurious piece reflects a commitment to preserving traditional craftsmanship and empowering artisans. Each purchase directly supports these talented women, providing fair wages, sustainable employment, and the opportunity to pass down their cultural artistry for generations.

Available in sizes Small (Size 7, 56 cm, 22"), Large (Size  7 1/4, 58 cm, 22 7/8") and X-Large (Size 7 1/2, 60 cm, 23 5/8").  Refer to measuring instructions in size chart.

  • Materials: Blend of Alpaca Wool, Sheep Wool, Felt, Interior band is made from a cotton and polyester blend
  • .4 lbs
  • Dry Clean Only
  • Made in Peru
  • Ships from Venice Beach, California
  • Artisan-set shipping charges included at checkout

Choose An Intention Band

Intention hat bands are removable accessories designed to personalize your hat while embodying specific aspirations or qualities. Each band is intricately woven with patterns that symbolize various intentions, allowing you to choose one that resonates with your personal journey. For example, the Gratitude Intention Hat Band represents thankfulness, while the Protection Intention Hat Band symbolizes safeguarding and security.  By selecting an intention band that aligns with your aspirations, you can infuse your hat with deeper meaning and reflect your unique path.

One selection is included with each hat purchase. Please refer to intention band images and meanings below and make your selection to the right.

 

WEAR YOUR INTENTION
Each one of our Andeana intention bands tell their own story and have their own meaning. Handcrafted textiles that embody culture and tradition, they are yours to wear with intention. Which intention will you choose to wear on your custom Andeana Hat?

HAPPINESS - Ayni
You are calling in more happiness, gratitude, and reciprocity into your life. To the Quechua people, the idea of "happiness" is when there is reciprocated energy in nature and the universe. “Ayni”, meaning “today for you, tomorrow for me,” suggests that giving comes before receiving. This colorful, dotted pattern represents the gathering of energy and living beings that work together to become a unified whole.


RESILIENCE - Rapi
You are calling resilience into your life. Rapi means Coca Leaf in Quechua, which is the most resilient plant being able to grow at extreme high altitudes. The leaf of the coca can be chewed or brewed into a tea to help the people in the Andes mountains combat the symptoms of altitude sickness. The symbol of the coca leaf represents strength and courage in the face of adversity and hardships 


PURPOSE - Mayu
You are calling your destiny or purpose into your life. Mayu means River in Quechua and the Quechua people always find a way to describe ideas in their language metaphorically through nature. Just as a river always flows in one direction yet at times changing course as it ends up at its final destination, so does a person when they pursue their truth path. Let this intention guide you in the right direction.


VITALITY - yaku
You are calling vitality into your life. Yaku means Water in Quechua, which is the source of life. This diamond design represents lakes. When there is something depicted inside of the diamond it means the lake is healthy and strong. This intention calls in physical health for the body and mental well-being for the mind and spirit. Health is Wealth.


CONNECTION - Sacha
You are calling in more meaningful and spiritual connections into your life. Sacha means tree or forest in Quechua. This design of branches that are often used as a border for larger textiles represents the Tree of Life which is the source connects all three layers of Heaven, Earth, and the Underworld. Connect with what you need in all areas of life.


BALANCE- Puma Claw
You are calling balance and equilibrium into your life. The animal Puma, in Quechua, represented Kay Pacha, or the God of the Middle World (Earth). The symbol of the puma claw shows the importance of being grounded in the earthly world that’s inhabited by living beings. It’s a symbol of equilibrium and encouraging balance in your day-to-day life.


LOVE - Munay
You are calling love into your life. Munay means Love in Quechua, this X O design is one of the first patterns that girls will learn from their mothers at a young age to weave when being taught the ancient Incan weaving designs. Perhaps inspired by Ayahuasca and plant medicine, the Quechua believe that this pattern is the fabric of the universe and what all matter is made from. Essentially, this design represents “universal love.” This intention strengthens family love, soulmate love and most importantly, self-love.


PROTECTON - Nawi
You are calling protection and good luck into your life. Nawi means Eye in Quechua. This “evil eye” pattern protects the textile and wearer by “reflecting” bad energy away, allowing a change of fortune and luck to enter in. The “Evil Eye” symbol is one of the only symbols that spans across all cultures, oceans, and religions, reaching as far as the Incan empire. Wear this intention when faced with adversity or uncertainty to give you strength, confidence, positive energy and protection.


COMMITMENT - TACLLA
You are calling perseverance and commitment into your life. Taclla means plow in Quechua and the Quechua people use this foot plow to turn the soil so they can sow the seeds and plant for their future crops. Before they use the plow, they believe in honoring Pachamama, or Mother Earth so that she will in turn gift them with a bountiful harvest. This band literally and figuratively represents the idea of “Reaping what you sow” and putting in the commitment.


ABUNDANCE - Tika
You are calling in abundance into your life. Tika means Potato Flower in Quechua. This design shows the importance of potatoes to the Andes and its people. When you plant and nurture a seed, it will continue to grow and give you more than what you started with. The Andean people believe that if you respect or pay homage to the earth, it will reward you abundantly. By wearing this intention you will be reminded that abundance is all around you and you will look at the world in a new perspective.


POWER - Apu
You are calling in more spiritual strength into your life. Apu can mean both “God” or “mountain” in Quechua. This design of the mountain skyline of the Sacred Valley is a powerful symbol. The Incas believed that the mountains have a spirit that is alive. In Peruvian mythology, the Andes Mountains rise up from the human world toward the spiritual realm giving the Incas a connection to the most powerful gods in the heavens. To them, spirituality was the strongest and ultimate power a human could have


WISDOM - Chaska
You are calling wisdom into your life and the ability to connect with the universe to learn spiritual truths. "Chaska" means star in Quechua and in the Andean tradition the stars were almost a mirror of their life on Earth, with many of the same animals and items represented. The Inca were the only culture to believe that all of the constellations were formed by the dark spaces between the stars, not the stars themselves. You will be reminded to gain wisdom from your life experiences and learn from the ancient knowledge of our ancestors.


SURRENDER - Saqey
You are calling in Surrender, release, and liberation into your life and letting go of things that do not serve you anymore. “Saq’ey” means “Leave it Behind” in Quechua and it is symbolized by the serpent or zig-zag pattern.  In the Inca culture, the serpent, or Ukhu Pacha, is the God of the Underworld. Rather than representing death,  the snake was a symbol of rebirth, transformation, immortality, and healing. Just like a snake sheds its unwanted skin to start fresh, we need to shed our old beliefs and thought patterns and to find peace within to continue growing. The Inca believed the serpent represented eternity and the continual renewal of life.


FLOURISH - Wayta
You are calling in Prosperity, success, and growth into your life. “Wayta” meaning “flowers” in Quechua is represented by the the famous embroidered flower motif popular with the Wari artisans in the Ayacucho region. Ayacucho has a long history of socio-political violence from Colonial times to the Guerrilla insurgency in the 1980’s. During times of conflict, the women of Ayacucho became the main bread-winners of their families through selling their embroidery. Now in peacetime, they have introduced more vivid, blooming flower designs as a sign of the rebirth of a city that was once destroyed and representing the joy of new flourishing times.


GRATITUDE - Kintus
You are calling Gratitude into your life. “K’intus” means a “bouquet” or the coming together of an offering that shamans bundle together with coca leaves, flowers, or fava beans as an offering to Pachamama. In ancient Quechua, Pachamama has been revered as the spirit of Mother Earth. It is she who harvests the land so that farmers can grow crops for their survival, brings the rains, and has the power to sustain or destroy life on Earth. An offering to Pachamama is a kind of reciprocity between the material and spiritual world that reminds us to be grateful for everything we have been given; remembering to give back what we have already taken from the Earth.


HONOR - kuychi
You are calling in honor and luck into your life. K’uychi means Rainbow in Quechua and according to Inca mythology, Manco Capac, the mythical founder of the Inca Empire, considered the rainbow a sacred and fortunate sign that the world would not be destroyed by water. The Cusqueño flag is a rainbow and is a tribute to their heritage and their founder. Quechua populations make up about 40% of the people in Peru and over the years they have experienced great discrimination, but their deep respect for their culture, spirituality, values and lifestyle has always prevailed. Honoring one’s heritage is the greatest form of respect. This intention can also act as a reminder of being proud of oneself and their identity. It's a vital part of leading a healthy and happy life.


CONSCIOUS - pacha
You are calling in consciousness and energy flow into your daily life. The spiral design is an important symbol in Inca mythology representing equilibrium. The spiral is an ancient symbol of unity, wholeness and completion and it represents the never-ending cycle of life and a path to the Creator. “Pacha Mama” or Mother Earth is represented by the symbol of the Spiral, which serves as a representation of the movement of the energy of Earth and the Universe. With everything originating from the centre and expanding outwards, the Spiral serves as a valuable model for the transformation and growth of human consciousness. Pacha also refers to a specific moment in time, encouraging its wearer to be conscious of the present moment. Be conscious of the now, the present moment you are in.


INTUITION - Kojo
You are calling in more intuition and trust into your daily life. The square woven design to the Maya represents the Four cardinal Directions (North, South, East, and West) the stages of life (birth, youth, elder, death), the seasons of the year (Spring, Summer, Winter, Fall), the Aspects of life (spiritual, emotional, intellectual, physical), and the Elements of nature (Earth, Fire, Wind and Water). The Maya civilization had four cardinal directions – and a fifth element for the center of these directions representing other dimensions. The square pattern repeated 5 times represents this 5th unknown dimension. Believing in this quadrant of core principles will create a strong foundation for all of your spiritual and earthly notions, which will help solidify core belief systems in your life.


UNITY - Inlak’ech
You are calling in “unity” and “respect for all beings” into your life. Inlak’ech, which in Mayan means “You are my other me”, represents the concept of the universe as a great unity where everything is related. In Mayan culture, we do not exist as separate entities, we exist from our belonging and relationship with the community and with everything that surrounds us. Not just individuals, but plants, animals, the winds, and the spirits are united and nothing exists without the relationship to the other. That is why any action of one affects the other. Just as the night does not exist without the day, everything is connected and we have to hold a deep respect for how we are all part of a whole. Each color woven into this intention band represents the diversity of all living things that are different, yet are all woven together.


TRANSFORMATION - Chakana
You are calling in “transformation” and personal evolution into your life. In Quechua, "Chakana" translates to "bridge" or "crossing over." The shape of the Chakana, or Inca Cross, is the most important Inca symbols and represents the Southern Cross constellation. The stair-steps between the four cardinal points each represent a stage of emotional, cognitive, and spiritual development: (Love, awareness, Passion, and Productivity). The center of the Inca Cross is the portal to the unknown representing achievement of spiritual wisdom and the awakening of our higher consciousness. The three step design also represents the three realms of spirituality (past-underworld, present-material world, future-God). Thus, the Chakana is a symbol of the collective unconscious which was an Incan map for complete spiritual development.


 

Hat Care

Brush off dust and lint with a soft brush, and use a damp cloth to spot clean. Gently steam hat brim with an iron or steamer to re-store shape.

Always place a towel between hat and iron when steaming/ironing.

Dry clean only.


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4.1 ★★★★★
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Sarah Pettingill
Cuba, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
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Jessica Martin
Cuba, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Port Orchard, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Lexington, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
Phoenix, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011

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