SKU: 15995775466

Tina Turner – Private Dancer (Used) (Mint Condition) - CD

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Tina Turner – Private Dancer (Used) (Mint Condition) - CD1 I Might Have Been Queen (Soul Survivor) Backing Vocals [Background] Cy Curnin, Rupert Hine, Tina Turner Bass, Keyboards, Programmed By [Percussion] Rupert Hine Drums [Acoustic] Trevor Morais Guitar Jamie West Oram Producer Rupert Hine Written By Jamie West Oram, Jennette Obstoj*, Rupert Hine 4: 10 2 What's Love Got To Do With It Backing Vocals Terry Britten, Tessa Niles Drums Graham Jarvis Engineer, Mixed By John Hudson Guitar Terry Britten

1 I Might Have Been Queen (Soul Survivor)
Backing Vocals [Background]  Cy Curnin, Rupert Hine, Tina Turner
Bass, Keyboards, Programmed By [Percussion]  Rupert Hine
Drums [Acoustic]  Trevor Morais
Guitar  Jamie West-Oram
Producer  Rupert Hine
4:10
2 What's Love Got To Do With It
Backing Vocals  Terry Britten, Tessa Niles
Drums  Graham Jarvis
Engineer, Mixed By  John Hudson
Guitar  Terry Britten
Percussion  Simon Morton
Producer  Terry Britten
Written-By  Graham Lyle, Terry Britten
3:49
3 Show Some Respect
Backing Vocals  Terry Britten, Tessa Niles
Drums  Graham Jarvis
Engineer, Mixed By  John Hudson
Guitar  Terry Britten
Producer  Terry Britten
Written-By  Sue Shifrin, Terry Britten
3:18
4 I Can't Stand The Rain
Drums  Graham Broad
Engineer, Mixed By  John Hudson
Guitar, Producer  Terry Britten
Keyboards  Nick Glennie-Smith
3:41
5 Private Dancer
Bass  John Illsley
Drums  Terry Williams (3)
Guitar  Hal Lindes
Keyboards  Alan Clark
Percussion  Carter*, Julian Diggle
Producer  Carter*
Remix  Humberto Gatica
Saxophone  Mel Collins
Soloist, Guitar  Jeff Beck
Written-By  Mark Knopfler
7:11
6 Let's Stay Together
Backing Vocals  Glenn Gregory, Martyn Ware
Drum Programming [Lynn]  Martyn Ware
Engineer  Greg Walsh, Walter Samuel
Guitar  Ray Russell
Percussion  Frank Riccotti*
Piano, Synthesizer  Nick Plytas
Producer, Arranged By  Greg Walsh, Martyn Ware
Programmed By [Fairlight-c.m.i.]  Greg Walsh
Saxophone  Gary Barnacle
Written-By  Al Green, Al Jackson*, Willie Mitchell
5:16
7 Better Be Good To Me
Backing Vocals [Background]  Cy Curnin, Rupert Hine, Tina Turner
Bass, Keyboards, Programmed By [Percussion]  Rupert Hine
Drums [Acoustic]  Trevor Morais
Guitar  Jamie West-Oram
Producer  Rupert Hine
5:10
8 Steel Claw
Backing Vocals [Background]  Tina Turner
Bass  John Illsley
Drums  Terry Williams (3)
Guitar  Hal Lindes, Richie Zito
Keyboards  Alan Clark
Producer  Carter*
Remix  Humberto Gatica
Soloist, Guitar  Jeff Beck
Written-By  Paul Brady
3:48
9 Help
Backing Vocals  Alex Brown, Gwen Evans, Jessica Williams
Bass, Saxophone  Wilton Felder
Drums  Ndugu Chancler*
Engineer  F. Byron Clark
Piano, Synthesizer  Joe Sample
Programmed By [Synthesizer]  David Erin
Written-By  Lennon/McCartney*
4:30
10 1984
Arranged By [Strings]  David Cullen (4)
Backing Vocals  Glenn Gregory, Martyn Ware
Drum Programming [Lynn]  Martyn Ware
Engineer  Greg Walsh, Walter Samuel
Piano, Synthesizer  Nick Plytas
Producer  Greg Walsh, Martyn Ware
Programmed By [Fairlight-c.m.i.]  Greg Walsh
Written-By  David Bowie
3:09
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SKU: 15995775466

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4.6 ★★★★★
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glenn
Carnegie, US
★★★★★ 5
Like the other one (Vol 1) but different (Vol 2) with more.
Format: Paperback
Volume 2 continues the great color combinations of the 1st Volume, but the combinations are more complex, with more colors. There's even a section of art in the form of paintings, prints, woven work, etc. that you see on one page while on the opposite page is the breakdown of the colorations in bars with no image. What this does is show how the art works, and then how the combinations also work. Also more of the simplified 2 and 3 combinations that I think I prefer as more minimal. Again, these are ranged from light and airy to darkly saturated -and all curiously satisfying and worth study and trying them out. On the computer it's possible to match any tone or hue, so there's a path that only requires finding the right starting color then paying attention to the combination. Not that it's an end-all, but a beginning. Any of those can be shifted or modified with ease but it depends on how they fit a real-time application and not a formula. But the horizons have already been expanded so there's more, and even more.
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Reviewed in the United States on October 11, 2025
M
Verified Purchase
Michael
Dallas, US
★★★★★ 5
Great Value
Format: Paperback
It's exactly what I expected. I gives various color pallets that are fairly common in Japanese are & culture.
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Reviewed in the United States on May 16, 2026
L
Verified Purchase
Lovecraft
Omaha, US
★★★★★ 5
Great book to help establish a palette for a software, web or art project
Format: Paperback
I love this book for helping me establish a color palette for art projects that I want a Japanese feel to. Also just generally good for getting inspiration for color palettes that just plain look good. I've always, since I can remember from my youth, felt drawn to the Japanese color combinations in kimono. fashion, origami paper and even toys. Maybe it's a consequence of growing up in Hawaii with all the Japanese influences I had -- or, as I suspect, it's just really good color application. This book helps me find the colors I want that go together the way I want. I use the examples in this book with a Color Muse to pick my digital color palette.
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Reviewed in the United States on April 20, 2025
M
Verified Purchase
May
Cuba, US
★★★★★ 5
Loved it! Worth the buy!
Format: Paperback
Loved this color combo book! The book includes a wide array of color combinations, plus history on the artist, which I appreciate!
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Reviewed in the United States on April 17, 2026
J
Verified Purchase
Juan N.
Dallas, US
★★★★★ 4
Terrific content, soft cover.
Format: Paperback
It is way smaller than expected but it is amazing in content. The only think I do not like is that it has an extremely soft external cover, which worries me on the long run.
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Reviewed in the United States on May 29, 2025

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