SKU: 1612630487

Sabicas 1912. homenaje centenario. Centennial Tribute - Oscar Herrero

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Sabicas 1912. homenaje centenario. Centennial Tribute - Oscar HerreroFicha tcnica EAN: 9788493929985 Editorial: Oscar Herrero Ediciones. Encuadernacin: Tapa Blanda Dimensiones: 23 x 30,5 cm Idioma: Espaol e ingls N pginas: 91 Sinopsis Agustn Castelln Campos "Sabicas" nace en Pamplona el 16 de marzo de 1912. Le regalan su primera guitarra cuando tiene 5 aos, y aprende a tocar solo, escuchando a velocidad reducida unas grabaciones en su gramola. Se traslada a Madrid, donde da su primer concierto, teniendo apenas 10 aos,

Ficha técnica

  • EAN: 9788493929985
  • Editorial: Oscar Herrero Ediciones.
  • Encuadernación: Tapa Blanda
  • Dimensiones: 23 x 30,5 cm
  • Idioma: Español e inglés
  • Nº páginas: 91

Sinopsis

Agustín Castellón Campos "Sabicas" nace en Pamplona el 16 de marzo de 1912. Le regalan su primera guitarra cuando tiene 5 años, y aprende a tocar solo, escuchando a velocidad reducida unas grabaciones en su gramola. Se traslada a Madrid, donde da su primer concierto, teniendo apenas 10 años, en el teatro El Dorado. Empieza entonces una carrera profesional clásica en los escenarios flamencos más famoso de Madrid como el Villa Rosa, y así se convierte en uno de los guitarristas más solicitados para acompañar a los artistas del cante y del baile. Durante ese período su toque presenta influencias de sus antecesores, como Miguel Borrull hijo, Luís Molina, Manolo de Huelva y, especialmente, Ramón Montoya para el toque solista.

En 1936 es el primer guitarrista del elenco de Carmen Amaya a la que acompañará en su gira por América. Se traslada primero a Buenos Aires y luego a México en 1950, y por último se afinca en Nueva York en 1955. Durante los años 50/70, sus grabaciones se suceden a un ritmo frenético: con unos cuarenta LP, Sabicas ha sido el guitarrista más prolífico de la historia del flamenco. Su "exilio" prolongado explica sin duda, en parte, su especialización en el toque como solista, y la originalidad de sus composiciones. Sabicas fallece en Nueva York el 18 de abril de 1990, apenas acabada la grabación de un doble álbum testamento, con Enrique Morente, subtitulado Nueva York- Granada.

Agustín Castellón Campos "Sabicas" was born in Pamplona on 16 March 1912. He was given his first guitar whenhe was 5 years old and learned to play by himself listing to slow-speed recording on his gramophone. He moved to Madrid, where he gave firts concert when he was only 10 in the El Dorado theater. This was the start of a classic career on the most famous flamenco stages of Madrid, like the Villa Rosa, and he was one of the most sought.after guitarists for accompanying artists of flamenco song and dance. during this period his music showed the influences of his predecessors, like Miguel Borrull Jr., Luís Molina, Manolo de Huelva and, specially, Ramón Montoya when playing solo.

In 1936 he was firts guitarist for Carmen Amaya and accompanied her on her through the Americas. He moved to Buenos Aires and then to Mexico in 1950, and finally settled in New York in 1955. Between 1950 and 1970 he recorded at a frenzied pace. With some 40 LPs, Sabicas is the most prolific guitarist in the history of flamenco. Undoubtedly, his lengthy "exile" partially explains his  specialization in solo performance, and the originality of his compositions.

Sabicas died in New York on 18 April 1990, shortly after completing the recording of a double testament album with Enrique Morente, subtituled Nueva York- Granada.

Escrito y digitado por

Trnascription and fingering by Oscar Herrero

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Over 60 and sometimes have a difficult time with too small print? My advise .. either read it on an ebook or skip this one. I read the first chapter despite the small font size that made it a little too difficult to read. While I found it informative and well worth reading I'm probably not going to read anymore and return it to the library. Mass market paperback books with small print I can understand. Hardback non-fiction books (which are generally read by an older crowd I suspect) make no sense to me. 5 stars for the content I read. 1 star (generously) for the font size.
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Great review and analysis of a law that underpins the Internet
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This book provides a detailed history of how section 230 if the Communications Decency Act came to be, its importance and its problems as the industry of the Internet matures. While it is ultimately a defense of that law, it is an eyes wide open look at it as well. It is not a prophet's telling of what to do, but instead an informative read that gives the reader an ability to assess what might be done to address the issues 230 raises.
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mark grabe
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Dealing with complexity
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Section 230 is a simple effort to govern what must be the innovation of our time. This account is a great effort to explain the accomplishments and challenges that simple can allow.
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Blanch Cur Vie
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Good reference text
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Great introduction for anyone new to the P&C industry. Good reference as well for the more well-seasoned readers.
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