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Description
Sealey Barrel Bund 1200 x 1200 x 275mm DRP11Manufactured from heavy duty 1. 75mm steel. Removable galvanized steel grid platform. Bund can be accessed and moved by pallet truck and forklift from all four sides. ARE YOU COMPLIANT? The Control of Pollution (Oil Storage) (England) Regulations 2001 effects anyone storing oil in containers greater than 200L. Any tank, container or drum must be bunded. The bund must have a capacity of not less than 110% of the largest or 25% of their total aggregate
Manufactured from heavy-duty 1.75mm steel. Removable galvanized steel grid platform. Bund can be accessed and moved by pallet truck and forklift from all four sides.ARE YOU COMPLIANT? The Control of Pollution (Oil Storage) (England) Regulations 2001 effects anyone storing oil in containers greater than 200L. Any tank, container or drum must be bunded. The bund must have a capacity of not less than 110% of the largest or 25% of their total aggregate storage capacity, whichever is the greater.The DRP11 Barrel Bund complies with these regulations.
Suitable for storing 4 x 205L drums.
Spill Tray Capacity and Weight Capacity: 252L/905kg
Manufactured from heavy-duty 1.75mm steel.
Removable galvanized steel grid platform.
Bund can be accessed and moved by pallet truck and forklift from all four sides.
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4.9 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review.
(For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003