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The Heart Path Oracle Cards: Miraculous Messages of Love (Edition Expanded)An intuitive oracle deck illustrated with images of animals and esoteric symbols along with channeled messages of Universal love Includes 53 full color cards and a 128 page full color guidebook For each card, offers an explanation of its title and symbolism, a channeled message of love, and an affirmation to implement the message in your life Explains how immersing yourself in the vivid art on each card from deer, bison, bluebirds, and ladybugs to
An intuitive oracle deck illustrated with images of animals and esoteric symbols along with channeled messages of Universal love - Includes 53 full-color cards and a 128-page full-color guidebook - For each card, offers an explanation of its title and symbolism, a channeled message of love, and an affirmation to implement the message in your life - Explains how immersing yourself in the vivid art on each card--from deer, bison, bluebirds, and ladybugs to platypus, ferns, ankhs, and the Tree of Life--will help you align with loving energies that resonate and confirm your own soul-self Beautifully illustrated with images of animals, birds, insects, plants, esoteric symbols, and transformative myths from around the world, the 53 full-color cards of The Heart Path Oracle Cards offer a gateway to the invisible--a gateway into the path of the heart. Working with the cards, you step through a portal uniting you with your higher consciousness. Immersing yourself in the vivid art on each card--from deer, bison, bluebirds, and ladybugs to platypus, ferns, ankhs, and the Tree of Life--will help you activate and align with loving energies that resonate and confirm your own soul-self. In the accompanying guidebook, artist Nadine Gordon-Taylor shares the years of research into animal symbolism and world cultures that laid the foundation for her art. She explores how to use the cards intuitively and explains how the deck was designed to reveal unconscious emotional patterns, shift us from old ways of thinking, and resonate with the vibration of unconditional love. For each card, she offers an explanation of its title and symbolism, a channeled message of love, and an affirmation to implement the message of the card in your life. Cards include Programming Your Highest Intentions, Vision Questing, Karmic Forgiveness, Spiritual DNA, and Melody of Thought. Designed to be felt rather than intellectually experienced, the symbols on the cards are your mentors and offer profound insights to help you along your path. When you choose a card you are intuitively guided to what is most right for you at the moment. Trust that process and know that you are held in the heart of Divine love.Shipping Notes
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4.6 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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