SKU: 3880355709

Roman Constantinian AD 330-340 AE3/4 NUMMUS NGC MS Constantinopolis/Victory (3)

Sale price$152.95 Regular price$169.95
Save 10%

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 14 - Jul 19

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Roman Constantinian AD 330-340 AE3/4 NUMMUS NGC MS Constantinopolis/Victory (3)Roman Empire REIGN OF THE EMPEROR CONSTANTINIAN AD 330 340 AE3 4 BI NUMMUS (FOLLIS) GRADED NGC MS OBVERSE: helmeted, mantled bust of Roma left. REVERSE: CONSTANTINOPOLIS GOD VICTORY. CONSTANTINOPOLI, Constantinopolis helmeted, laureate bust left, holding scepter over shoulder. Victory (Nike) standing left, stepping on galley prow, cradling scepter and resting hand on shield; This coin was issued by Constantine the Great to commemorate the founding of


Roman Empire



REIGN OF THE EMPEROR CONSTANTINIAN AD 330-340



AE3/4 BI NUMMUS (FOLLIS)


GRADED NGC MS



OBVERSE: helmeted, mantled bust of Roma left.



REVERSE: CONSTANTINOPOLIS / GOD VICTORY.



CONSTANTINOPOLI, Constantinopolis helmeted,

laureate bust left, holding scepter over shoulder.



Victory (Nike) standing left, stepping on galley prow, cradling scepter and

resting hand on shield;

This coin was issued by Constantine the

Great to commemorate the founding of the city of Constantinopolis.

The obverse of the coin features a helmeted

goddess while the reverse features a Guardian Angel

By circa 330 A.D., Constantine the Great

completed his new capital for the Roman empire and called it Constantinople

after himself, originally the ancient Greek city named Byzantium. Constantinople

lay in a strategically important location and could be considered the

continuation of the Roman empire in the east until about 1453 A.D. when it fell

to the Ottoman Turks. For this momentous occasion, he issued two coin types

commemorating this event, with one celebrating Rome and the other

Constantinople. The type that commemorated Rome had the personification of Rome,

Roma with the inscription VRBS ROMA and the founders of Rome, Romulus and Remus

on the reverse suckling the mythical she-wolf. The type that commemorated

Constantinople had the personification of Constantinople on the obverse and

Victory on a galley sailing with a shield. This was a great way for Constantine

the Great to pay homage to both Rome and Constantinople as now the Roman empire

had two official capitals.



Constantinopolis, built on the site of the ancient Byzantium by Constantine the

Great, who called it after his own name and made it the capital of the Roman

empire. It was solemnly consecrated A.D. 330. It was built in imitation of Rome.

Thus it covered 7 hills, was divided into 14 regiones, and was adorned with

various buildings in imitation of the capital of the Western world. Its extreme

length was about 3 Roman miles ; and its walls included eventually a

circumference of 13 or 14 Roman miles. It continued the capital of the Roman

empire in the east until its capture by the Turks in 1453.



Constantine I 'The Great' - Roman Emperor: 307-337 A.D.



Caesar (Recognized): 306-309 A.D. | Filius Augustorum (Recognized): 309-310 A.D.

| Augustus (Self-Proclaimed): 307-310 A.D. | Augustus (Recognized): 310-337 A.D.



| Son of Constantius I 'Chlorus' and Helena | Step-son of Theodora | Husband of

Minervina and Fausta | Father (by Minervina) of Crispus and (by Fausta) of

Constantine II, Constantius II, Constans, Constantina (wife of Hanniballianus &

Constantius Gallus) and Helena the Younger (wife of Julian II) | Son-in-law of

Maximian and Eutropia | Brother-in-law of Maxentius | Half-brother of Constantia

(w. of Licinius I) | Half-uncle of Delmatius, Hanniballianus, Constantius

Gallus, Julian II, Licinius II and Nepotian | Grandfather of Constantia (wife of

Gratian)



Constantine the Great (Latin: Flavius Valerius Aurelius Constantinus Augustus;

27 February c. 272 AD - 22 May 337 AD), also known as Constantine I or Saint

Constantine (in the Orthodox Church as Saint Constantine the Great,

Equal-to-the-Apostles), was a Roman Emperor from 306 to 337 AD. Constantine was

the son of Flavius Valerius Constantius, a Roman army officer, and his consort

Helena. His father became Caesar, the deputy emperor in the west in 293 AD.

Constantine was sent east, where he rose through the ranks to become a military

tribune under the emperors Diocletian and Galerius. In 305, Constantius was

raised to the rank of Augustus, senior western emperor, and Constantine was

recalled west to campaign under his father in Britannia (Britain). Acclaimed as

emperor by the army at Eboracum (modern-day York) after his father's death in

306 AD, Constantine emerged victorious in a series of civil wars against the

emperors Maxentius and Licinius to become sole ruler of both west and east by

324 AD.



As emperor, Constantine enacted many administrative, financial, social, and

military reforms to strengthen the empire. The government was restructured and

civil and military authority separated. A new gold coin, the solidus, was

introduced to combat inflation. It would become the standard for Byzantine and

European currencies for more than a thousand years. The first Roman emperor to

claim conversion to Christianity, Constantine played an influential role in the

proclamation of the Edict of Milan in 313, which decreed tolerance for

Christianity in the empire. He called the First Council of Nicaea in 325, at

which the Nicene Creed was professed by Christians. In military matters, the

Roman army was reorganised to consist of mobile field units and garrison

soldiers capable of countering internal threats and barbarian invasions.

Constantine pursued successful campaigns against the tribes on the Roman

frontiers-the Franks, the Alamanni, the Goths, and the Sarmatians-even

resettling territories abandoned by his predecessors during the Crisis of the

Third Century.



The age of Constantine marked a distinct epoch in the history of the Roman

Empire. He built a new imperial residence at Byzantium and renamed the city

Constantinople after himself (the laudatory epithet of "New Rome" came later,

and was never an official title). It would later become the capital of the

Empire for over one thousand years; for which reason the later Eastern Empire

would come to be known as the Byzantine Empire. His more immediate political

legacy was that, in leaving the empire to his sons, he replaced Diocletian's

tetrarchy with the principle of dynastic succession. His reputation flourished

during the lifetime of his children and centuries after his reign. The medieval

church upheld him as a paragon of virtue while secular rulers invoked him as a

prototype, a point of reference, and the symbol of imperial legitimacy and

identity. Beginning with the Renaissance, there were more critical appraisals of

his reign due to the rediscovery of anti-Constantinian sources. Critics

portrayed him as a tyrant. Trends in modern and recent scholarship attempted to

balance the extremes of previous scholarship.



Constantine is a significant figure in the history of Christianity. The Church

of the Holy Sepulchre, built on his orders at the purported site of Jesus' tomb

in Jerusalem, became the holiest place in Christendom. The Papal claim to

temporal power in the High Middle Ages was based on the supposed Donation of

Constantine. He is venerated as a saint by Eastern Orthodox, Byzantine

Catholics, and Anglicans.

 


Please check out my other listings and we will be happy to combine in one package !

YOU WILL RECEIVED THE SAME COIN AS PICTURED.

ALL COINS ARE AUTHENTIC AS DESCRIBED.


Listed with ExportYourStore.com
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 3880355709

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.2 ★★★★★
Based on 576 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
K
Verified Purchase
Kurt
Grantham, US
★★★★★ 5
Great Sequel to Long Halloween
Format: Paperback
This takes all of the great elements of the Long Halloween and keeps it going. The two of those books together is a great story telling. Ticks all the boxes of a great Batman book. If you like this and Long Halloween check out The Penguin show on HBO Max. and if you like The Penguin but haven't read these two books you should since the show pulls a lot of influence from them.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2024
K
Verified Purchase
kindlemom1 (My Guilty Obsession Blog)
Los Angeles, US
★★★★★ 5
Worth the price!
Format: Paperback
Great set!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2025
J
Verified Purchase
John Hall
Natrona Heights, US
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 22, 2025
T
Verified Purchase
The Blue Thunder Bomb
Charlottesville, US
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting. Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE. Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents. While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale. Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters. In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with as well as bringing back one of DC's greatest horror titles, . He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called (you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in . THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 12, 2012
J
Verified Purchase
JR. Forasteros
Pawtucket, US
★★★★★ 5
Dark, Brooding and 100% Batman
This review is super-spoilery. If you haven't read The Black Mirror yet, do yourself a favor and go grab a copy ASAP. You won't regret it. No matter who we are, we can't escape our past. Where we've come from and who we've been leave indelible marks on us. Nowhere is this more true than Gotham City, and in Batman: The Black Mirror, Scott Snyder gives us a glimpse into the Darkness that lies at the core of the city. If you're not a regular Batman reader, you may not know that everyone in the DC Comics universe thought Bruce Wayne was dead for a while. While he was gone, Dick Grayson - the original Robin - took up the mantle of the Batman. After Bruce Wayne's return, he kept Dick as the new Gotham City Batman.* Black Mirror is actually a story featuring Dick Grayson - not Bruce Wayne - as the Batman. Snyder's story is one of the best Batman stories I've ever read. It's a dark, brooding and good, old-fashioned detective story. And it actually works better with Dick instead of Bruce under the cowl. That's a writing feat nothing short of miraculous. Snyder's Gotham is a monstrous city that seeks to poison everyone in it. It turned both Bruce Wayne and Dick Grayson into masked vigilantes. Dick was the child of circus acrobats who were murdered in Gotham. He was taken in by Bruce Wayne, who lost his own parents to Gotham criminals and trained Dick to become Robin. Eventually Dick outgrew the Robin persona and became Nightwing, working in a city near Gotham. Joining Dick in the spotlight of Black Mirror is Commissioner James "Jim" Gordon, who's no less a victim of Gotham's darkness than Dick. He and his first wife Barbara have a son named James, Jr., who left with Barbara when she and Jim divorced. Jim also has a niece named Barbara who came to live with him after her parents died. Barbara dated Dick in high school, and she became the first Batgirl. In Alan Moore's epic The Killing Joke, the Joker shoots Barbara in the stomach, paralyzing her. In a wheelchair, she's now the Oracle. She serves as the information hub for Batman, Robin and their allies. The Black Mirror introduces us for the first time to the adult James, Jr., who has returned to Gotham searching for a second chance. We learn from his suspicious father that James, Jr. is a clinical psychopath: he doesn't feel typical human emotion (yes, just like Dexter). But he comes claiming to be on a new medication that stimulates the brain to produce the chemicals psychopaths lack. He reveals that he's volunteering at Dr. Leslie Thompkins' free clinic. Jim Gordon is suspicious, distrustful. But he can't stop himself from being hopeful, too. Is it possible that his son has found peace and even redemption? Snyder keeps us guessing about James, Jr.'s true nature through the whole book. We feel the tension Jim Gordon feels, torn as he is between Oracle's pessimism and Dick's optimism. Barbara is convinced that James, Jr. is a monster who can and will never change, while Dick is hopeful. And so with this tension established, Snyder asks us a most basic question: can we be anything other than what we have been? We meet Sonja Branch, the estranged daughter of the mobster who killed Dick's parents. A wealthy, successful executive, Dick wonders to Jim Gordon if she's as upstanding as she seems. Dick muses that "it's nice to know that maybe, once in a blue moon, the apple does fall far from the tree in Gotham." The expression on Jim Gordon's face as he echoes, "Once in a blue moon," reveals that he's still wondering about James, Jr. An old case has led Jim to reflect on his son to wonder yet again what made him the way he is. To wonder what he could've done differently. He concludes that Gotham is fundamentally sick. He wonders to Dick: Do you ever feel like... like the more good you do or try to do for people out there, for strangers, the more the ones close to you, the ones you love, get hurt? ...I don't mean in general. I mean here. In Gotham... I'm talking about the damn bedrock. There are times I feel a dark heart down there, Dick. A dark, malformed heart. Since Alan Moore's The Killing Joke, the Batman mythology has suggested that Gotham's villains arise as a response to the Batman's presence. The Joker of Frank Miller's The Dark Knight Returns is comatose, awaking only when news breaks that the Batman has returned to Gotham. And Heath Ledger's Joker in The Dark Knight laughs that Batman thinks Joker wants him dead - the Batman completes Ledger's Joker. But Snyder dares to step beyond this to suggest that it's Gotham, the city itself that creates both the heroes and the monsters. Gotham created the Batman just as it created the Joker. Gotham created Robin by murdering Dick's parents. And now that Dick is the Batman, we learn that Gotham has been creating a new nightmare just for him. Dick's opposite, his dark mirror, isn't the Joker. That surprise comes when we finally meet the newly-escaped Clown Prince of Crime after Batman tracks him down. The Joker knows instantly, chastising Batman: Do you even know what Gotham means, little bird? ...It means a safe place for goats! And do you know what preys on goats? Bats. The bat makes the goat sick. But every bat does this in its own way. And you, you're not my bat! So what sickness has arisen as a response to Dick's new Batman? By the time we reach Snyder's gut-wrenching, perfectly, agonizingly timed reveal, we realize it could have been no one else but James, Jr. James, Jr. is a pure, true psychopath. He's reversed his medications - instead of stimulating the brain to produce more of the drugs that give us emotions, James, Jr.'s drug suppresses them. His master plan - an eerie successor to the Joker's inaugural caper - is to drug a factory in Gotham that manufactures infant formula. James, Jr.'s goal is to create a generation of psychopaths, to remake Gotham's children in his own image. He calmly explains as much to Dick as he tortures his cousin, Barbara: Gotham is a city of nightmares... in the truest sense because what's a nightmare if it isn't a warning? A vision of yourself at your weakest... Batman - the real one - he shapes Gotham out of an obsession... but you new crop, you do it out of compassion. Out of empathy. Out of weakness... And out of all of them, Dick, you're the weakest. [Gotham] is a city of nightmares, and I'm yours. I'm the face you see in the glass. A man with no conscience. No empathy. Gotham made me to challenge you... I am Gotham's son. And the city made me so I could help usher in a new generation of children. Dick proves that his compassion is more a weapon than a weakness, thwarting James, Jr. (probably). But Black Mirror leaves us with an unsettled, uneasy sense that this fight is darker and longer than we thought. We start to wonder if the Batman's quest is actually winnable, in the end. But Dick Grayson never wonders. That's what separates him from the James, Jrs. of the world. That's what separates him even from Bruce. This is a different Batman. Full of optimism. Playful - he makes jokes and teases his teammates. Dick's Batman is at once totally different from Bruce's and at the same time wholly Batman. Most importantly, Dick is hopeful. And it's ultimately that hope that lifts us up over even a surprisingly ambiguous ending. Dick said it perfectly early in the book: I couldn't understand why Bruce... always chose to drive through the streets, moving on the ground... when he could've just soared above it all. But I get it now. Because even back then he understood that Gotham is a place you can never get above, a place you can never see clearly... I can't help it, though. I'm built differently. Because there's something about seeing Gotham from the sky that energizes me, gives me hope, if only for a moment before I come back down to earth. Dick hopes that Gotham can be better. It's a hope that transcends anything even Bruce has. And it's that hope that draws him and those around him - like Jim and Barbara to fight the good fight. Bottom Line: Whether you're a long-time fan of the Batman or only know The Dark Knight, Snyder's book is a must read. The characters are amazing. The plot is fantastic. The art is breathtaking. From start to finish, The Black Mirror is a sterling example of the literary power of comics you'll want to read over and over again. *Since DC Comics has rebooted their entire franchise, none of this is the case anymore. Bruce is back to being the Batman and Dick Grayson has returned to his role as Nightwing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 13, 2011

recommand products