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Description
Transmission Seal for BMW 3, Jaguar S-Type II & BMW 5 - 409102Vehicle Fitment & Part Details The Transmission Seal is listed for the BMW 3 (2004 2011) and other Jaguar applications. Confirm compatibility by matching the listed fitment details. Verify VIN engine. Key Details SKU 409102 Component Transmission Seal Primary Fitment BMW 3 (2004 2011) Product Specifications ROLLS ROYCE PHANTOM VII (RR1) 2003 2017 V12 (N73 B68 A) 338 kW 460 HP. Vehicle Fitment Includes 28 supplied applications covering BMW and Jaguar.
Vehicle Fitment & Part Details
The Transmission Seal is listed for the BMW 3 (2004-2011) and other Jaguar applications. Confirm compatibility by matching the listed fitment details. Verify VIN/engine.
Key Details
- SKU
- 409102
- Component
- Transmission Seal
- Primary Fitment
- BMW 3 (2004-2011)
Product Specifications
ROLLS-ROYCE PHANTOM VII (RR1) 2003 - 2017 V12 (N73 B68 A) - 338 kW / 460 HP.
Vehicle Fitment
Includes 28 supplied applications covering BMW and Jaguar. Use the full table below to confirm model, chassis, year range, engine and power before ordering.
View Full Vehicle Fitment (28 applications)
| Make | Model | Chassis | Years | Engine | Power |
|---|---|---|---|---|---|
| BMW | 3 | E90 | 2004-2011 | 330 d M57 D30 306D3 | 170 kW / 231 HP |
| BMW | 5 | E60 | 2001-2010 | 530 d M57 D30 306D2 | 160 kW / 218 HP |
| BMW | 5 | E60 | 2001-2010 | 545 i N62 B44 A | 245 kW / 333 HP |
| BMW | 5 | E60 | 2001-2010 | 550 i N62 B48 B | 270 kW / 367 HP |
| BMW | 5 Touring | E61 | 2004-2010 | 530 d M57 D30 306D2 | 160 kW / 218 HP |
| BMW | 5 Touring | E61 | 2004-2010 | 530 d M57 D30 306D3 | 173 kW / 235 HP |
| BMW | 5 Touring | E61 | 2004-2010 | 545 i N62 B44 A | 245 kW / 333 HP |
| BMW | 5 Touring | E61 | 2004-2010 | 550 i N62 B48 A; N62 B48 B | 270 kW / 367 HP |
| BMW | 6 | E63 | 2003-2010 | 645 Ci N62 B44 A | 245 kW / 333 HP |
| BMW | 6 | E63 | 2003-2010 | 650 i N62 B48 B | 270 kW / 367 HP |
| BMW | 6 Convertible | E64 | 2004-2010 | 645 Ci N62 B44 A | 245 kW / 333 HP |
| BMW | 6 Convertible | E64 | 2004-2010 | 650 i N62 B48 B | 270 kW / 367 HP |
| BMW | 7 | E65, E66, E67 | 2001-2009 | 730 d M57 D30 306D2 | 160 kW / 218 HP |
| BMW | 7 | E65, E66, E67 | 2001-2009 | 735 i, Li N62 B36 A | 200 kW / 272 HP |
| BMW | 7 | E65, E66, E67 | 2001-2009 | 740 i, Li N62 B40 A | 225 kW / 306 HP |
| BMW | 7 | E65, E66, E67 | 2001-2009 | 745 i, Li N62 B44 A | 245 kW / 333 HP |
| BMW | 7 | E65, E66, E67 | 2001-2009 | 750 i, Li N62 B48 B | 270 kW / 367 HP |
| BMW | 7 | E65, E66, E67 | 2001-2009 | 760 i, Li N73 B60 A; N73 B60 B | 327 kW / 445 HP |
| BMW | 7 | F01, F02, F03, F04 | 2008-2015 | 730 d N57 D30 A | 180 kW / 245 HP |
| BMW | 7 | F01, F02, F03, F04 | 2008-2015 | 750 i, Li N63 B44 A | 300 kW / 408 HP |
| BMW | X3 | E83 | 2003-2011 | 3.0 d M57 D30 306D3 | 160 kW / 218 HP |
| BMW | X5 | E70 | 2006-2013 | 3.0 d M57 D30 306D3 | 173 kW / 235 HP |
| BMW | X5 | E70 | 2006-2013 | 3.0 sd M57 D30 306D5 | 210 kW / 286 HP |
| BMW | X5 | E70 | 2006-2013 | 4.8 i xDrive N62 B48 B | 261 kW / 355 HP |
| BMW | X6 | E71, E72 | 2007-2014 | xDrive 35 d M57 D30 306D5 | 210 kW / 286 HP |
| BMW | X6 | E71, E72 | 2007-2014 | xDrive 50 i N63 B44 A | 300 kW / 408 HP |
| Jaguar | S-TYPE II | X200 | 1999-2008 | 2.7 D 7B AJTDV6; 7G AJTDV6 | 152 kW / 207 HP |
| Jaguar | S-TYPE II | X200 | 1999-2008 | 3.0 V6 FB AJV6; FG AJV6 | 175 kW / 238 HP |
Fitment Notes
- Always match vehicle details before ordering. Verify VIN/engine.
Compatibility Verification Notes
- Confirm compatibility using VIN, engine code, chassis / platform, OE reference and original part comparison before ordering.
- Match the supplied fitment details to your vehicle, including model, year range and any listed engine or chassis information.
- Fitment data may vary by production date, market, import history and engine variant.
- This listing is for part identification and compatibility checking only. Installation must be carried out according to the vehicle manufacturer's service information by a suitably qualified person.
Common Questions
Will the Transmission Seal fit my BMW 3?
This part (409102) is listed for the fitments shown on this page. Confirm by matching the fitment details. Verify VIN/engine.
How do I confirm fitment if there are multiple variants?
Compare the supplied fitment details, original part details and any listed variant information before ordering. Verify VIN/engine.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
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- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.2 ★★★★★
Based on 24 reviews
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Product Reviews
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things.
The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring.
The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world.
If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025
★★★★★ 5
Gorgeous Legrand music in a superb film
One of the lovliest films ever made! It's a "jazz opera" with superb Michel Legrand music and more. And the finale will melt the hearts of any "family" person who experiences it.
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Reviewed in the United States on November 26, 2025
★★★★★ 5
Excellent disc and movie
This is one of the great films of the last century. If you haven’t seen it, buying this expensive blu ray is still a bargain. Love Criterion’s high quality publication and bonus materials!
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Reviewed in the United States on October 10, 2025
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