SKU: 47269544366

Gretsch G2655 Streamliner Center Block Double Cutaway - SINGLE BARREL STAIN

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Description

Gretsch G2655 Streamliner Center Block Double Cutaway - SINGLE BARREL STAING2655 STREAMLINER CENTER BLOCK JR. WITH V STOPTAIL, LAUREL FINGERBOARD, BROAD'TRON BT 2S PICKUPS, GUNMETAL The exhilarating G2655 Streamliner Center Block Jr. Double Cut with V Stoptail is designed for three simple thingshigh gain friendly performance, slick, easy playability and spectacular style. A sleek music machine, the G2655 cranks out the hits with updated features while staying true to That Great Gretsch Sound! thats been a vital component of

G2655 STREAMLINER™ CENTER BLOCK JR. WITH V-STOPTAIL, LAUREL FINGERBOARD, BROAD'TRON™ BT-2S PICKUPS, GUNMETAL

The exhilarating G2655 Streamliner™ Center Block Jr. Double-Cut with V-Stoptail is designed for three simple things—high gain-friendly performance, slick, easy playability and spectacular style. A sleek music machine, the G2655 cranks out the hits with updated features while staying true to That Great Gretsch Sound!™ that’s been a vital component of rock ‘n’ roll since its inception.

The secret to the Streamliner’s sound is twofold—the Broad’Tron™ BT-2S humbucking pickup and the spruce center block. Designed specifically for the Streamliner Collection, the high-output Broad’Tron pickup spawns improved definition with tighter bass response for robust lows, pristine highs and a throaty midrange. A lightweight spruce center block runs the length of the body, reinforcing the top while eliminating undesirable feedback for volume-friendly performance on modern stages. The Streamliner’s sonic power is harnessed and shaped by the traditional control layout—neck and bridge pickup volume controls, a master tone control, master volume control and three-way pickup switching. A fast-playing 12”-radius laurel fingerboard with elegant pearloid Big Block inlays and 22 medium jumbo frets sits atop the white-bound nato neck with a thin “U”-shaped profile—ideal for chord work or fiery riffing. Enjoy rock-solid tuning stability courtesy of the stylish Gretsch V-Stoptail tailpiece, anchored Adjusto-Matic™ bridge and synthetic bone nut.

All the classic eye-catching style you’ve come to expect from Gretsch is here—vintage-style black control knobs, enlarged F-holes for acoustic projection, elegant aged white binding with upgraded purfling, slick-looking nickel hardware, three-ply tortoise pickguard and arched laminated maple construction. Easy to play while rocking out thanks to its smaller body, the G2655 is a phenomenal instrument for the modern musician who wants to control the stage and the audience while standing out from the pack.

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SKU: 47269544366

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Courtney Marie
Phoenix, US
★★★★★ 5
The Best Supplements for Law School
Format: Paperback
These books are worth the money! I know law school books are expensive, but if you're struggling with a certain area of law, forget the price and buy Examples & Explanations. They all come with great practice essay questions and answers, as well as explain concepts in normal-people speak (unlike most law school casebooks).
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Reviewed in the United States on September 19, 2022
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Ryan L Jennings
Omaha, US
★★★★★ 5
Great
Format: Paperback
Great for law school! Perfect condition. Thanks!
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Reviewed in the United States on April 17, 2024
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kcap
Boise, US
★★★★★ 1
missing pages
Format: Paperback
missing pages
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Reviewed in the United States on February 2, 2026
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Lina
Alexandria, US
★★★★★ 3
Not helpful
Format: Paperback
I returned this book without reading much
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Reviewed in the United States on January 19, 2024
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Robert A. Mcinnes
West Palm Beach, US
★★★★★ 5
Fantabulous!
This is a fantastic and true re-publication of a classic favorite. The illustrations are great (though I wish they were in color), and the type-font and whole format were designed to make this a timeless heirloom, to be passed down the generations. I also learned the correct names of two of the eight reindeer were "Dunder" (not "Donner") and "Blixem" (not "Blitzen"). It shows that Candlewick Press took pains to make sure that what they were republishing was true and accurate to Clement Clark Moore's original work. Note that the name of the illustrator (Matt Tavares) is prominently acknowledged on the cover, though Moore's name is only mentioned in "A Note from the Illustrator", probably owing to the fact that Moore first published his poem anonymously. Still, I'm surprised that "they" did not include Moore's name on the cover. If you are looking to acquire a good, faithful, accurate and wonderfully illustrated version of this classic for your shelves, to be pulled at Christmas-time for reading and re-reading, this would be as good a copy (or perhaps better) than any.
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Reviewed in the United States on January 31, 2010

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