SKU: 55549484923

Eduardo Santana - Cabezas ornamentadas VII

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Eduardo Santana - Cabezas ornamentadas VIIEduardo Santana Cabezas ornamentadas VII This work is 14 x 19. 5" (35 x 50cm). Acrylic, graphite and watercolor on paper. Done in 2023. Eduardo Santana is a teacher of fine art at one of the Universities in Havana. He is a highly skilled artist, with a substantial degree of conceptual brilliance. Surrealism is a challenging genre for any artist. Some of the Cuban artists tackle this challenge as well as artists anywhere in the world today. Where do

Eduardo Santana - Cabezas ornamentadas VII

This work is 14 x 19.5" (35 x 50cm). Acrylic, graphite and watercolor on paper. Done in 2023.

Eduardo Santana is a teacher of fine art at one of the Universities in Havana. He is a highly skilled artist, with a substantial degree of conceptual brilliance. Surrealism is a challenging genre for any artist. Some of the Cuban artists tackle this challenge as well as artists anywhere in the world today. Where do these influences come from?

Santana has participated in nearly 50 group shows, several solo shows, and has work in collections in Spain, Germany, Portugal, the Netherlands, Norway, the US, Canada, France, the UK, Italy, Mexico, Guatemala, Venezuela, Argentina, Slovakia, and Switzerland. 

Throughout Latin America, the European art movement Surrealism was enthusiastically accepted by certain segments of the artistic community. Many artists were drawn to Surrealism’s emphasis on the irrational, the emotional, the personal, and the subconscious. In general, European Surrrealist artists examined “primitive” art and folk art to discover an instinctive spirit, a reference point that was relevant to Latin American artists searching to establish a distinctive art based on their own multifaceted traditions.

Highly influential in the implantation of Surrealism in Latin America was the founder of the movement, the French poet-philosopher Andre Breton. In 1934 the Chilean artist Roberto Matta, who had worked in France for Le Corbusier, abandoned his training in architecture, so that he could pursue art in Paris, where he became associated with Breton and the Surrealists. His early paintings placed nonrecognizable biomorphic forms onto a receding spatial grid. In his later works scratched and drawn figures occasionally take on the appearance of menacing Latin American generals, operating as one of the few references to his homeland in his otherwise generalized time and space.

Surrealism also allowed many Latin American artists to explore their individual ancestry. Cuban artist Wifredo Lam joined Breton and his Surrealist circle in 1940, after they went into self-exile in Martinique. When Lam returned to Cuba, he began to examine his own African heritage: his mother was Afro-Cuban, and his godmother was a Santeria priestess. He explored this heritage in his work, depicting tropical fantasies filled with forms suggestive of African sculpture, masks, and figures. This emphasis on African forms also related to his contact with the Surrealists, who saw all “primitive” (narrowly meaning non-Western) artistic expression as connected with humanity’s common subconscious forms and experiences. Lam was particularly influenced by his contact with Picasso, who early in the century had used African sculpture as an important inspiration for Cubism.

Some biographical notes:

CURRICULUM: Eduardo Santana Navarro. (Ciudad de La Habana, 24 de octubre de 1966.)

Studied at Artes Plásticas in 1980, in the foundation of the Museum Ernest Hemingway, San Ffrancisco. de Paula, although much of his training was self taught.

Solo shows: 1. “Paisajes”, Galería de Arte “10 de Octubre”, 1991. 2.“Pinturas” Galería Sala de Arte “Tretze”, Castellón, España, 1992. 3. “Habana de estos Tiempos”, Galería “Imago”, Gran Teatro de La Habana 2001. 4. “Manipulaciones”, Galería Fernando Boada, 2006. 5. “Vindicación de la armonía" 2010.Galeria Virgen del Camino. San Miguel el Padrón. 6.Sutil-Lente,exposicion de fotografias,Galeria Virgen del Camino,2014. 


Group shows:

Salón Provincial de Jóvenes y Adultos, auspiciado por el Departamento Provincial de Cultura; 1980.

“Primer Salón Nacional de Pequeño Formato”, “Salón Lalo Carrasco”, Hotel Habana Libre, 1981.

Salón de la Ciudad 1982. Centro Provincial de Artes Plásticas y Diseño.

Salón "Paisaje 82” Museo Nacional de Bellas Artes, 1982.

Invitado por el Grupo "Versiones del Paisaje", por el X .Aniversario del Parque Lenin. Galería Amelia Peláez 1982.

Salón de la Ciudad 1983 Centro Provincia de Artes Plásticas y Diseño. Con el grupo "La Vigía", expone en la Galería de Arte del municipio 10 de octubre en 1984.

Salón 13 de marzo, 1986. Departamento de Actividades Culturales de la Universidad de La Habana. Exposición "Fiesta". Museo Ernest Hemíngway. 1988.

Exposición “20 Años de la Galería L” Direcci6n de Extensión Universitaria, 1988.

III Salón de Pequeño Formato. 1988. Dirección Provincial de Cultura de Camagüey. IV Salón de Pequeño Formato. 1988.

Galería L. III Salón de Artes Plásticas "Arístides Fernández" Galería de Arte Universal. Güines, 1990.

IV Salón de Artes Plásticas “Arístides Fernández”, 1991 Salón de la Ciudad, 1994.

Exposición “Reencuentro”, Galería 10 de octubre 1996. VIII Salón de Artes Plásticas "Arístides Fernández, 1996.

Exposición “Oh La Habana”, Galería Ciudades del Mundo, 1997.

Exposición "Proyecto Horizontal en Portugal" Vidigueira e Beja 1998.

Homenaje del Grupo Proyecto Horizontal a Amelia Peláez, Hotel Habana Libre Tryp, 1998.

Exposición Proyecto Horizontal en: "Mito: esperanza ecléctica de la luz". 1998.

La Madriguera, Sede de la Asociación Hermanos Saiz. Exposición "Fe Horizontal". Convento de San Francisco de Asís. Oficina del Historiador de la Ciudad, 1998.

Exposición de Proyecto Horizontal, Galería Imago, 1998

Exposición de Proyecto Horizontal, "Son Arte”, Pintura Cubana de Fin de Siglo. Barcelona, Exposición de Proyecto Horizontal, "Hecho en Cuba” Prestige, arte y antigüedades. Barcelona Exposición de Proyecto Horizontal, Galería Galiano, 1999.

VII Salón “La Copa”, Galería de Arte de Marianao, 2001.

Salón “Waldo Luis Leyva”, Brigada Hnos. Saiz, La Madriguera, Quinta de los Molinos, 2001.

Salón de la Ciudad 2002, Centro Provincial de Artes Plásticas y Diseño, Ciudad de La Habana. Salón “13 de Marzo” Galería L, Extensión Universitaria.

Salón de Pequeño Formato “Fayad Jamis”, Galería L, 2002.

Exposición “Mas allá de los muros”, Galería de San Miguel del Padrón, 2002.

Exposición “Del Paisaje sus Aristas” Galería “Orígenes” 2004.

Exposición “Acción Virgen” Galería de San Miguel del Padrón, 2005.

Grupo Proyecto Virgen. 36 Exposición segunda edición del concurso de arte digital de la Fundación CLIC, El Salvador 37 Exposición permanente LIVING IN HARMONY en El Centro de Fotografía documental en Austin, Texas 2005

38 Exposición Sinastría Galería de Arte Virgen del Camino 2006.

39 III Salón Panorama 42, Galería del anfiteatro de Marianao 2006.

40 Salón de Arte erótico Fayad Jamis, Galería de Arte de Alamar 2007.

41 Exposición de fotografías en la ciudad de Hamilton por la celebración de la semana de la cultura Hamilton, Canada 2007

42 Salón de Arte Digital ¨Pixelart¨, concurso de arte digital. Sancti Spíritus.2008.

43Salón Sancti Spíritus Abstracto 2008.

44 Exposición ¨Imagen Sonora¨, asociación Faticart, Italia. Obra donada para el Museo de Arte Contemporaneo. 2008

45 Salón de Arte Digital ¨Pixelart¨, concurso de arte digital. Sancti Spíritus.2009.

46 Exposición colectiva en homenaje a Antonia Eiriz.2009.

47 Exposición colectiva dedicada a Antonia Eiriz 2014 en la Galería de SMP

48 Exposicion colectiva La Columna Infinita,San Fco de Asis,2016 .

Awards and honorable mentions:

1 Mención “Primer Salón Nacional de Pequeño Formato”, “Salón Lalo Carrasco”, Hotel Habana Libre, 1981.

2 Mención II Salón “Arístides Fernández” Galería de Arte Universal, Güines, Coauspiciado por la UNEAC, 1986.

3 Mención “Concurso 26 de Julio”, Dirección Política de las FAR, 1990.

4 Primer Premio en Exposición “Paisajes en Homenaje a Amelia Peláez” Taller de Cerámica Parque Lenin, 1990.

5 Premio en “Arte Colonial”, Salón Convocado por la ACAA, 1996 . Premio en Pixelart, concurso de arte digital. Sancti Spíritus.2008. 2do premio “Arte Vida”, Salón convocado por la Galería de Arte de San Miguel del Padrón 2009.

Mención en el 2do Salón de Artes Plásticas “Arte Vida” 2011.

Distinctions: -

“11 de Junio“. Otorgada por la Asamblea Municipal del Poder Popular de San miguel del Padrón。Año 2007. -“Gitana Tropical“。

Otorgada por la Dirección Provincial de cultura en el año 2009.

Membership: La ACAA.

Proyecto Comunitario Muraleando Murals: Escuela Secundaria Básica “Luis Melián”. Municipio San Miguel del Padrón 2003.

Escuela Primaria Nguyen Van Troi”. Municipio 10 de octubre. Proyecto comunitario Muraleando 2003. Centro Provincial de Superación para la cultura.

Proyecto comunitario Muraleando 2003.

Muro de la Termoeléctrica “Antonio Maceo”, hoy escuela de capacitación del MINBAS. Municipio Regla.

Proyecto de murales Cuba-Brasil 2003.

Donations:

Obra de técnica mixta / cartulina a Casa Guayasamin para el proyecto la capilla del hombre 1996.

Obra de técnica mixta / cartulina para el proyecto “Una obra para Pablo” 1997. Mural, acrílico / madera de 8 m cuadrados a la ESBU “Luis Melian” 2003.

Obra acrílico /cartulina para premiar la 22 edición del concurso nacional de cuentos Ernest Hemingway, 2010.

Obra donada para premiar la 23 edición Encuentro Nacional de Video.2010.Centro Hispanoamericano de Cultura. Obra acrílico / tela para formar parte del patrimonio cultural del municipio San Miguel del Padrón entregada al Museo Municipal.2011

Obra acrílico / Cartulina para homenajear a Pedro Pablo Rodríguez, Premio Nacional de Ciencias Sociales y Humanísticas en el marco de la feria del libro en su 22 edición.2013

Colaboraciones suyas han aparecido en la Revista Revolución y Cultura.


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4.3 ★★★★★
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Verified Purchase
Levi Turek
San Leandro, US
★★★★★ 5
A must read
Format: Kindle
This series is a must read if you love Star Wars post Endor. The galaxy is still in a struggle to see who is on top. With many a individual falling through the cracks in galactic society.
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Reviewed in the United States on October 23, 2025
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Verified Purchase
L. W. Swint
Omaha, US
★★★★★ 4
One man's quest for vengeance
Format: Hardcover
"A long time ago in a galaxy far, far away..." It is the time of a falling empire, a time of betrayal and vengeance. This is the story of the last of the mysterious Imperial Guards of the Emperor Palpatine. It is the story of his quest to seek justice for the galactic ruler he served, and for his fellow comrades in arms, who gave their lives in that service. "Star Wars: The Crimson Empire Saga," tells the tale of Kir Kanos, the sole survivor of the scarlet clothed guardians of the Emperor, first shown in "Star Wars, Episode VI: Return of the Jedi." Over more than a decade of Dark Horse Comics publishing history, starting in 1997 to its long awaited conclusion in 2012, "Crimson Empire" reveals the history of these elite soldiers, "the best of the best," trained for one purpose: to serve the Emperor of "the first Galactic Empire." This 504 paged hardcover book collects the following stories: Star Wars: Crimson Empire #1-6 (1997) Star Wars: The Bounty Hunters (Kenix Kil) (1999) Star Wars: Crimson Empire II: Council of Blood #1-6 (1999) Star Wars: "Hard Currency" (Dark Horse Extra #21-24) (2000) Star Wars: Crimson Empire III: "The Third Time Pays for All" (Dark Horse Presents #1) (2011) (Note: The above is also the opening passage to Crimson Empire III #1) Star Wars: Crimson Empire III: Empire Lost #1-6 (2011) Star Wars Handbook Volume 2: Crimson Empire (1999) "The Crimson Empire Saga" begins with an ending; the final defeat of the Emperor Palpatine by his long-time foes, the Rebel Alliance, led by the legendary siblings, Luke Skywalker and Leia Organa Solo. But unbeknownst to those fighting to free the galaxy from Palpatine's tyranny, treachery also played a role in the Emperor's downfall. In a stunning turn of events it is revealed that one of those thought to be most loyal to Palpatine, a member of the Imperial Guard itself, betrayed his master in an attempt to seize power for himself. To insure the success of his treason, Carnor Jax also ordered the assassination of all the surviving Imperial Guard. But in his arrogance, the traitor underestimated the skill of the warriors he had trained with. Though faced with the overwhelming force of an army of stormtroopers sent to eliminate them on their training world Yinchorr, one Imperial Guard survived the massacre. Kir Kanos, the last of Emperor Palpatine's Imperial Guard lived on, to seek vengeance on Carnor Jax, and all those who had betrayed his Emperor. The core "Crimson Empire" trilogy is the creation of writers Mike Richardson and Randy Stradley, and artist Paul Gulacy, and they have produced an exciting adventure of Star Wars action, intrigue and emotion. The first "Crimson Empire" 6 issue comic mini-series was published in 1997, in the early years of what came to be called the "Star Wars Expanded Universe." The "EU" is an ongoing showcase for the continuing "adventures of Luke Skywalker" in novels, comics, computer games and more, as well as for other characters and worlds from the movie and now television saga envisioned by George Lucas. But the Expanded Universe also highlights original ideas based on characters and situations created by Mr. Lucas. "Crimson Empire" represents a prime example of talented imaginations thinking, 'what if we told a story about the red cloaked guards seen in "Return of the Jedi?"' In Kir Kanos, Richardson, Stradley, and Gulacy have created a classic Star Wars anti-hero/hero. Along with such Expanded Universe creations as Grand Admiral Thrawn, Mara Jade, Quinlan Vos, and Asajj Ventress, he is one of the most intriguing characters in the Star Wars Universe. Kanos is a highly trained warrior with a steadfast moral code, whose quest for vengeance anchors "The Crimson Empire Saga." It is this focus on the lead character's ultimate goal that is one of the achievements of the series. This dramatic strength, when adhered to, allows the comic creators to truly delve into their original characters and concepts without having to include or depend on the more famous Star Wars heroes and villains, although some appear in supporting roles. It is a testament to the makers' storytelling abilities that as the reader follows this tale of Kir Kanos' road to revenge, one becomes sympathetic to the character's cause to avenge the death of one of the most evil men who ever lived in any galaxy! A special highlight of "Crimson Empire" is the artistry of Paul Gulacy. Mr. Gulacy has a distinctive style in the sequential art medium; a clean precise vision that combines traditional comic book panel progression with simulated photographic technique. For example, Mr. Gulacy rarely uses motion lines in his comic art, except to depict the movement of a lightsaber, or in the case of Kir Kanos' preferred weapon, the force pike, a doubled-bladed long staff. This style gives Mr. Gulacy's work a heightened sense of realism. In the first "Crimson Empire" mini-series, Mr. Gulacy is inked by P. Craig Russell. In "Crimson Empire II: Council of Blood," he is embellished by Randy Emberlin. "Crimson Empire III: Empire Lost" saves the best for last as Mr. Gulacy produced full pencil and ink artwork for the third mini-series. He was always his best inker. This "Crimson Empire" collection also offers the reader the opportunity to see the evolution and advancement of comic coloring from 1997 through to 2012, the year of this special compendium's release. Dave Stewart created the color art for Mr. Gulacy's pencil work on the first two installments of the prime comic trilogy and the results display a marked improvement over the flat colors long produced in comics of the past. But with "Crimson Empire III," the most recent part of the saga, the color rendering of Michael Bartolo shows an even more nuanced use of tone and hue over Mr. Gulacy's art. Thanks in no small part to the computer age, comic coloring has come a long way from the days of newsprint. Another highlight of "The Crimson Empire Saga" is the inclusion of two addition stories within the thick hardcover. "How the Mighty have Fallen" is a tale written by Randy Stradley, and illustrated by Javier Saltares and Christopher Ivy. Published in 1999 as part of the Star Wars: The Bounty Hunters comic series, it relates how Kir Kanos created the secret bounty hunter identity Kenix Kil,to better hide from members of the fallen Galactic Empire that were hunting for him across the stars. The second adventure, the short story, "Hard Currency," was published in Dark Horse Extra, a newspaper-like fanzine released from 1998-2002, and features Kenix Kil teaching an enemy the cost of betrayal. It was scripted by Mr. Stradley, and drawn by Isaac Buckminster Owens. There is a great deal to enjoy in this "Crimson Empire" collection but it is not without flaws. While the premiere "Crimson Empire" mini-series succeeds in being an enthralling adventure on every level, "Crimson Empire II: Council of Blood" sometimes suffers from a story that concentrates too much on subterfuge and political power-plays; so much so that the series' starring character, Kir Kanos, seems rather to be a supporting player in his own story. The long-awaited third part in the "Crimson Empire" trilogy, "Empire Lost," improves on the faults of its predecessor but still has a sometimes convoluted plotline. Another flaw in the multi-part saga is the character arc of Mirith Sinn, the brave and beautiful Rebel Alliance commander who plays a major part in most of Kir Kanos' exploits. The series writers, Mr. Richardson and Mr. Stradley, showcase the evolution of the relationship between these two driven individuals, a relationship that has an undeniable chemistry. Mirith and Kir Kanos share a bond, a bond that is complicated by violent loss. But the complexities of their relationship are sometimes handled in conflicting ways from story to story, resulting in confusion for the reader in understanding the otherwise strong character of Mirith Sinn. Still another flaw in this collection is the editorial decision not to include all the striking covers painted by artist Dave Dorman for the 18 individual comics in the "Crimson Empire" trilogy of mini-series. While it is gratifying to see 6 of Mr. Dorman's contributions to the saga, notably his special wrap-around cover painting to the first "Crimson Empire" trade paperback reprint volume, as well as the "Crimson Empire Handbook" cover, this reviewer regrets the omission of the artist's 13 other paintings. Nor was the sole "variant" cover to "Crimson Empire III" number 1, drawn by Mr. Gulacy included, and it was the only cover he created for the entire series. It is doubly disappointing when the collection showcases Mr. Dorman's cover to that same comic issue twice in the book! This reviewer would have also been appreciative of a written introduction or history of the creation of the "Crimson Empire" series; and a feature that explained the long wait of 13 years before the concluding chapter in the trilogy was finally released for fans of the saga to enjoy. These editorial choices could have then given this hardcover collection the more appropriate title, "The Complete Crimson Empire Saga." Despite the above shortcomings, this is a very special Star Wars comic collection. From one Star Wars fan to any who read this review, I highly recommend you put on some of John Williams' immortal Star Wars music, sit back, open this hardcover and let yourself be taken away to that "galaxy far, far away" we love so much!
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Reviewed in the United States on September 18, 2012
J
Verified Purchase
Jonathan Miller
Whiting, US
★★★★★ 5
One of the best Star Wars comic series of all time.
Format: Kindle
Crimson Empire was the first Star Wars comic that I read. Stories like these are what kept Star Wars alive and fresh during the nearly 20 years between films. I love the stories about those minor characters that you see in the films. When you saw the Crimson Guard with the Emperor for the first time, you knew there was something fascinating about these guardians of the most powerful being in the universe. This story delves into some of those characters. The art is fantastic, sort of that stylized 90's colorful art. Awesome battle scenes. It really captures the imagination. Great story, give it a try. I highly recommend getting a paper copy of this trade.
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Reviewed in the United States on August 10, 2015
S
Verified Purchase
steven
New York, US
★★★★★ 5
Top Notch!
Format: Hardcover
A lot of the time when your reading SW books your imagination doesn't quite fill in the gaps that the author leaves. A lot of SW books have little to no detail because they are movie or game based. This is where the top notch illiustrations took this story line to a whole new level! Richardson does a great job on developping the main character. I was very impressed with the quality of the story and blown away with the illustrations. Great read for all!
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Reviewed in the United States on September 23, 2013
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Verified Purchase
Darth Caedus
Waukegan, US
★★★★★ 5
Great saga!
Format: Kindle
I love this series! It is beautifully painted, has good dialogue, and has a very compelling narrative. I cannot help but like the protagonist, Kir Kanos. He is brave, unselfish, noble, determined, and deadly. Even if his primary goal is to exact vengeance for the killing of the truly evil Palpatine, I cannot help but cheer for him. This is truly a compelling read that refuses to be put down.
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Reviewed in the United States on October 21, 2016

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