SKU: 81261793027

H.G Blended Kente Royal collection HGC140

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Description

H.G Blended Kente Royal collection HGC140H. G Kente collection is extra special Kente thread and weaving done to bring the best quality Kente that specializes in many unique styles that are not found anywhere else. These style are mostly customized from the minds of Ghana's top designer's and are a mixture of centuries old styles mixed with a modern edge to them. MG HG imbedded into secluded area with a precious stone underneath along with a signed certificate by our CEO for proof of

H.G Kente collection is extra special Kente thread and weaving done to bring the best quality Kente that specializes in many unique styles that are not found anywhere else. These style are mostly customized from the minds of Ghana's top designer's and are a mixture of centuries old styles mixed with a modern edge to them.

MG HG imbedded into secluded area with a precious stone underneath along with a signed certificate by our CEO for proof of authenticity.

Beautifully gift warped and added MG shopping bag comes with shipping.

This high-end brand is exclusive to our Prestigious client base. 

Materials hand woven are: Cotton, Rayon.

This catalog includes patterns in the following: 

Name of Pattern

Literal Meaning

Symbolism

Interpretation/Brief History

Obi nkye obi kwan mu si

To err is human.

Forgiveness, conciliation, tolerance, patience, fairness

Sooner or later, one will stray into another’s path. To err is human, thus we must seek conciliation when offended, as we may be the ones asking forgiveness tomorrow.

Oyokoman na gya da mu

Crisis in the Oyoko nation.

Warning against internal conflict and strife, need for unity in diversity,  reconciliation

Commemorative of the civil war, subsequent to the death of Osei Tutu, between two factions of Oyoko royalty.

Sika fre mogya

Money attracts blood relations.

Familial relationship, responsibility, sharing, hard work

Wealth strengthens family bonds. And when one succeeds, one is obliged to share this success with loved ones.

Awia repue

Rising sun.

Progress, renewal, development, warmth, vitality, energy

The Progress Party that ruled Ghana between 1969 and 1972 used this symbol as its party logo.

Nsoromma

Stars.

Hope, high expectation, dependence on God, power of the people

The state belongs not to the king but to the people. The stars depict the people, while the moon is the king. Kings come and go, but the people remain.

Achimota nsafoa

Achimota keys.

Knowledge, harmony, unity in diversity

Commemorative of the Achimota School and College founded in 1927. It represents the school’s logo – the black and white keys of a piano. One can make melody on either set of keys, but one can only create harmony by playing the white and black keys together.

Akokobaatan

Mother hen.

Motherliness, tenderness, parental care and discipline

When the hen steps on the feet of her chicks, she does not mean to kill them. Parental admonition is not intended to harm, but to correct the child. The good parent feeds the children not only with food, but with love, warmth, care and tender affection.

Adwinasa

All motifs are used up.

Royalty, elegance, creativity, ingenuity, wealth, excellence, perfection, superior craftsmanship

The elders say that the original designer of this cloth, in an attempt to impress the Asantehene, decided to weave a unique cloth. In doing so, he made use of all motifs known to weavers at the time and then remarked that he had exhausted the then repertoire. The resulting cloth became one of the most prestigious of kente cloths.

Obaakofo mmu man

One person does not rule a nation.

Participatory democracy, warning against autocratic rule

Expressive of the Akan governing system based on participatory democracy. The nine squares represent “mpuankron” (nine tufts of hair), the ceremonial haircut of royal functionaries who helped rulers make decisions.

Sika futoro

Gold dust.

Royalty, wealth, elegance, honorable achievement, spiritual purity

Long before coins and paper notes, gold dust was used as a medium of exchange among the Akan people, and thus symbolized wealth and prosperity. The predominance of intricate patterns in yellow, orange and red visually depicts gold dust.

Abusua ye dom

 

The extended family is a force.

Strong family bonds, the value of family unity, cooperation, collective work and responsibility,

The extended family is the foundation of Akan society. Family members are collectively responsible for the material and spiritual well-being and protection of every member.

Emaa da

It has not happened before. It has no precedent.

Innovation, uniqueness, perfection, creativity, ingenuity, exceptional achievement

An Ashanti king of old is said to have been so awed by the uniqueness of this pattern that he exclaimed, “Eyi de emaa da,” meaning “This one has no precedent,” and it was thus reserved for his exclusive use.

Toku kra toma

Toku’s soul cloth.

Courageous leadership, heroism, self-sacrifice, spiritual vitality, rebirth

Commemorative of the soul of a warrior queen mother, named Toku, who, though defeated and executed in battle, was greatly revered and remembered for her bravery.

Wofro dua pa a na yepia wo

One who climbs a tree worth climbing earns the help of others.

Aspiration, hope, mutual benefit, sharing, nobility

When one attempts to climb a fruitful tree, he will be pushed up by others as they are assured of enjoying the fruits of his labor. Expressive of the Akan social belief that a worthy individual effort is deserving of communal support, a notion that reinforces the importance of aspiring towards a worthy cause.

Kyerekwie

The lion-catcher.

Courage, valor, exceptional achievement, inspiring leadership

Commemorative the reign of King Kwaku Dua (1838-1867) who tested the courage of his warriors by ordering them to catch a leopard alive.

Akyempem

Thousands of shields.

Military prowess, strength, bravery, political vigilance, spiritual defense

Referential to the shields used by well-organized armies of thousands of men and women who defended the Ashanti Kingdom with their lives.

Nyankonton

God’s eyebrow (the rainbow).

Beauty, grace, divine creativity, uniqueness, good omen

Created in adoration of the beauty and mystery of rainbows. The arrangement of the yarns mimics the visual representation of a rainbow.

 It's Common For Females To Use 6 Yards For Sewing Gowns, Dresses, Etc. Males commonly use 8 to 10 Yards and Overly Sized Men can have the Option of 12 Yards. And Children are Typically 4 Yards. Babies and Accessories Typically 2 Yards.

Female are sold in 3 Pieces

Male are Sold in 1 Piece 

Made In Kumasi GHANA 

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SKU: 81261793027

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4.5 ★★★★★
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Verified Purchase
John J. Shea
Grantham, US
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information. The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog. Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath." At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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Reviewed in the United States on December 26, 2025
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Verified Purchase
Salvatore P. Vasta
Belleville, US
★★★★★ 5
Masterpiece
Format: Kindle
It has been said that any work of literature should be gauged upon how much the work makes the reader think. Ben Wickey has certainly achieved this - in spades - as one of the “civilised” world’s most frightening episodes is revisited with respect and thoughtfulness on the human condition.
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Reviewed in the United States on January 12, 2026
J
Verified Purchase
Jessica Richart
Grantham, US
★★★★★ 5
Books
Format: Paperback
I bought this book for my husband as a Christmas present and he enjoyed the book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 17, 2026
M
Molly H
Charlottesville, US
★★★★★ 4
The Tale of Salem
Format: Paperback
If you’re not familiar with the history of Salem and its witch trials, this graphic novel is a solid entry point. The author, while not a historian, clearly put in the work—spending time in Salem, connecting with residents, and striving to honor both the historical record and the modern-day sentiments of those who live with that legacy. His goal was to get the facts right while also capturing how the people of Salem view their own history, and I think he succeeded in that respect. The artwork fits the subject matter well. We often imagine people of that time as living hard, joyless lives, and the art conveys that sense of austerity. The mix of black-and-white and color panels is sometimes striking—there are moments where the color really enhances the impact of a scene—but other times I wasn’t sure what it added. Still, the black-and-white aesthetic ties neatly into the grim tone of the era. That said, the book is quite long, and if you’re already well-versed in the Salem Witch Trials, you may not learn much new in terms of facts. But if you enjoy studying the trials or want to explore the story through a different medium, this graphic novel is definitely worth picking up. For me, it landed at a 3.5 stars, which I’ll round up to 4 (since I usually do that when posting on review sites).
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Reviewed in the United States on November 6, 2025
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Verified Purchase
P. M. Cooper
Massapequa, US
★★★★★ 5
Salem's a Lot
Format: Paperback
Great comic that deserves to be at the top end of best of 2025 lists. Intensively researched with multiple art approaches to the varied settings. It also made me want to take a trip to Salem in the off-season. A virtuosic undertaking!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 6, 2026

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