SKU: 99394051089

1792 Dodge RAM Ford '89-'08 5.9L and '07-'22 6.7L Cummins Diesel water pump

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Description

1792 Dodge RAM Ford '89-'08 5.9L and '07-'22 6.7L Cummins Diesel water pumpDry o rings, dirty channel and excessive or high pressure can lead to a leaky water pump o ring. We recommend a 16psi cap. For years we have been asked to develop a hi flow water pump for the 5. 9L and 6. 7L Cummins diesel engines. Cummins first designed a 5 vane impeller but we designed an impeller with a larger eye, an increased vane count (9) and a reduced impeller vane clearance to volute to increase coolant flow and build system pressure to

Dry o-rings, dirty channel and excessive or high pressure can lead to a leaky water pump o-ring. We recommend a 16psi cap.

For years we have been asked to develop a hi flow water pump for the 5.9L and 6.7L Cummins diesel engines.  Cummins first designed a 5 vane impeller but we designed an impeller with a larger eye, an increased vane count (9) and a reduced impeller vane clearance-to-volute to increase coolant flow and build system pressure to reduce the chance of overheating under a load, in stops-and-go traffic and at slower speeds.  It achieves greater flow rates, higher head pressure and a more efficient flow. Cummins also used plastic impellers and at times shrouded and then un-shrouded impellers.  We manufacture our impellers from 6061 aluminum use a Type II Class II military grade anodized surface coating which further protects against corrosive fluids. 

FlowKooler introduced the first hi flow pumps and continues to improve impeller design. Why is increased flow so important to cooling a hot engine? Because it has been proven time and time again that reducing the cycle time between the heat source and the heat sink creates more opportunities to shed heat and drop engine temperatures.

From 0-3,300 RPM…Nothing Beats a FlowKooler!

General Specifications:
Type of Material of Pump Body Cast Iron
Number of vanes on Impeller
Direction of Rotation CCW
Other Special Features:
  • CNC machined aluminum impeller with 9 vane design
  • Protected with a military grade Type II class II surface coating
  • Alternative part numbers: 5531411, 58375, 58513, 58598, 58629, 511850, 252204, 252318, AW2097, AW7145, BWP726, 100598, 100629, 100676, 10544, P1389, 7063X, B1389, B912, P1389, P912, 97083, P912, 1462530, P912, 3802358, 3903749, 3913432, 4429404, 4886589, 5003665AA, 5003665AB, 5010964AA, 5010964AB, 5086959AA, 5086959AB, R4429404, R4723690, R5003665AA, R5086959AA, R5086959AB, 3286277, 3286277RX, 3286278, 3802004, 3802970, 3802971, 3920312, 4723690, P7145, 2282413, 181109, 18602, ELGWP7123, ELGWP7145, WP7145, 724956384327, FP2003, FP2262, P912, NP1619, NP1765, F3HZ8501ARM, 1203072, 41176, 41176HD, 41177, 41178, 41181, 43526, 12493953, RW6075, RW6075X, 117042, 140080, 217042, HYT17042C, W1738, W1808, B203072, NP1619, P1389, 41177, GWCR38A, 637853, 181815, 181823, 2726, 7091280, 6081, 23145, AW7145, T2212, T2267, US7123H, US7145, US7145HN, US7145N
Parts Contained in Box:

O ring, Installation Sheet, FlowKooler Decal

Make Model Year Block Notes
Chevrolet P30 1990 - 1991 3.9L/239CID Cummins Diesel
GMC P3500 1989 - 1991 3.9L/239CID Cummins Diesel
         
Dodge D250, D350 1989 - 1993 5.9L/359CID Cummins Diesel
Dodge W250, W350 1989 - 1993 5.9L/359CID Cummins Diesel
Dodge Ram 2500, 3500 1994 - 2010 5.9L/359CID Cummins Diesel
Dodge Ram 4000 2006-2009 5.9L/359CID Cummins Diesel
         
Ford B-700 1992-1994 5.9L/359CID Cummins Diesel
Ford B-700F 1992-1994 5.9L/359CID Cummins Diesel
Ford CF7000 1993-1997 5.9L/359CID Cummins Diesel
Ford CF8000 1997 5.9L/359CID Cummins Diesel
Ford F-600 1992-1997 5.9L/359CID Cummins Diesel
Ford F-700 1993-1997 5.9L/359CID Cummins Diesel
Ford LN7000 1993-1997 5.9L/359CID Cummins Diesel
Ford P-800 1995-1996 5.9L/359CID Cummins Diesel
Ford F-650, F-750 2000-2008 5.9L/359CID Cummins Diesel
Ford L8501 1997-1998 5.9L/359CID Cummins Diesel
Ford F-650 2008-2015 6.7L/408CID Cummins Diesel
Ford F-750 2008-2013 6.7L/408CID Cummins Diesel
         
RAM 2500, 3500, 4000 2011 - 2018 6.7L/408CID Cummins Diesel
RAM 4000 2013  6.7L/408CID Cummins Diesel
Shipping Notes
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Exchange/Return Notes
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SKU: 99394051089

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4.7 ★★★★★
Based on 21 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Port Orchard, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Battle Creek, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
West Palm Beach, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Draper, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Birmingham, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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