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Akrostichon für sechs Violoncelli op. 237a [score]"One need have no hesitation about designating my writing of the past ten years as dodecaphonic, since the twelve tones are always in close proximity. It is atonal, since it rejects tonal centers. I only occasionally employ the stricter disciplines of the dodecaphonic and serial techniques, since I am more interested in a suppler writing style. I have nothing to do with new tendencies like 'New Simplicity', 'Neoromanticism', 'Minimalism', and so
"One need have no hesitation about designating my writing of the past ten years as dodecaphonic, since the twelve tones are always in close proximity. It is atonal, since it rejects tonal centers. I only occasionally employ the stricter disciplines of the dodecaphonic and serial techniques, since I am more interested in a suppler writing style. I have nothing to do with new tendencies like 'New Simplicity', 'Neoromanticism', 'Minimalism', and so forth." Ernst Krenek, 1989.
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