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suzanna maria crommelin 1780 1820 echtgenote egbert johannes koch charles howard hodgesIn het rijke en fascinerende panorama van de kunstgeschiedenis onderscheiden bepaalde werken zich door hun vermogen om de essentie van een tijdperk vast te leggen. De kunstdruk Suzanna Maria Crommelin 1780 1820 Echtgenote van Egbert Johannes Koch Charles Howard Hodges is een stralend voorbeeld hiervan. Dit werk, met zorg uitgevoerd door Charles Howard Hodges, brengt ons naar het hart van de achttiende eeuw, een periode gekenmerkt door sociale onrust
In het rijke en fascinerende panorama van de kunstgeschiedenis onderscheiden bepaalde werken zich door hun vermogen om de essentie van een tijdperk vast te leggen. De kunstdruk Suzanna Maria Crommelin 1780-1820 Echtgenote van Egbert Johannes Koch - Charles Howard Hodges is een stralend voorbeeld hiervan. Dit werk, met zorg uitgevoerd door Charles Howard Hodges, brengt ons naar het hart van de achttiende eeuw, een periode gekenmerkt door sociale onrust en artistieke evoluties. Door het portret van Suzanna Maria Crommelin brengt Hodges niet alleen een vrouwelijke figuur tot leven; hij roept ook de waarden en aspiraties op van een samenleving in volle verandering. Dit schilderij, met zijn minutieuze details en verfijnde stijl, nodigt de kijker uit tot introspectieve contemplatie en wekt een emotionele connectie op met het afgebeelde onderwerp. Stijl en uniekheid van het werk De stijl van Charles Howard Hodges wordt gekenmerkt door een opmerkelijke fijnheid en een bijzondere aandacht voor details. In dit werk mengt de portrettechniek zich met een bijna fotografische gevoeligheid, waardoor niet alleen de trekken van Suzanna Maria Crommelin worden vastgelegd, maar ook haar karakter en sociale status. De gekozen kleuren, zacht en harmonieus, dragen bij aan een rustgevende sfeer, terwijl het licht, vakkundig georkestreerd, de contouren van het gezicht en de texturen van de kleding benadrukt. Elk element, van het delicate sieraad tot het zorgvuldig uitgevoerde kapsel, getuigt van een uitzonderlijk vakmanschap. Deze aandacht voor details is emblematisch voor de kunst van Hodges, die erin slaagt het eenvoudige portret te transcenderen tot een waar kunstwerk, rijk aan betekenissen en emoties. De kunstenaar en zijn invloed Charles Howard Hodges, Britse kunstenaar uit de achttiende eeuw, wordt vaak erkend om zijn vermogen om de essentie van zijn onderwerpen vast te leggen met ongeëvenaarde precisie en gevoeligheid. Opgeleid in de Londense kunstwereld, wist hij zich te vestigen als een gerenommeerd portretschilder, die de aandacht trok van de aristocratie van zijn tijd. Zijn benadering van het portret gaat verder dan de eenvoudige fysieke voorstelling; hij zoekt de ziel van zijn modellen over te brengen, hun psychologie te verkennen. Hodges heeft ook vele invloed uitgeoefendShipping Notes
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4.2 ★★★★★
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★★★★★ 5
Should be required
Format: Paperback
In my opinion, this book should be required reading in high school/college history classes. It’s so important to learn accurate history when it comes to slavery and this book does that. White women played a larger role than we are taught. Please give this a read!
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Reviewed in the United States on October 23, 2025
★★★★★ 5
No regets
Format: Paperback
This was a good book to read! In school you only learn the male prospective during slavery! I know feel I can say white woman played a major role during slavery times. I like that fact that the Author put in the information to where we can go srwcah and read for ourselves. The visuals where an added touch. I feel like because alot of women of that time couldn't write so alot of information was missing. I feel like this is a must read.
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Reviewed in the United States on April 9, 2025
★★★★★ 5
One of the most poignant books I have read in a long time.
Format: Paperback
One of the most poignant books I have read in a long time.
“Southern communities, lawmakers, and courts recognized slave-owning women as individuals able to acquire and exercise mastery over enslaved people, s is evident from laws passed throughout the South. Laws dating back to the colonial period routinely recognized the mistresses owned enslaved people in their own right, and these same laws acknowledged the fact that these women were capable of exercising mastery over the enslaved people they owned.” Stephanie E. Jones - Rogers.
They were referred to as Southern Belles’. Revered for their ladylike daintiness. But… there was nothing dainty about their dealings for they too, owned human property. These white southern mistresses were heavily involved and often owned more property than their male counterparts even being the breadwinners. These women were barbaric and wore the crown of cruelty.
Dr. Rogers gave the enslaved a voice in this text – allowing our ancestors to share with us their story and experiences under the thumb of white mistresses. This text uncovers the extent of the involvement that white women had with slave ownership. There was discord in marriages due to white women struggles to maintain control of their financial gains of human property. These women utilized the judicial system to protect their pecuniary interests. The parents of these white girls/women bequeathed slaves to white females i.e. as young as newborns – which leads us to mistresses in the making – that is the education of young white women of the mastery of slave ownership. My heart broke as I was able to envision the accounts of atrocities inflicted upon our ancestors. Our people were raped and forced into being breeders and wet nurses to ensure the livelihood of these white mistresses and their families. The evidence is insurmountable in all the ways slave-owning women invested in, and profited from their financial ties to American slavery and its marketplace. Most importantly, there was testimony from formerly enslaved people of their experiences within slavery. This text is a mandatory read for all and in my opinion, must be included as part of the curriculum in schools.
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Reviewed in the United States on October 16, 2020
★★★★★ 5
Slave Trade was not only a White Man's Affair
Format: Kindle
The book is an excellent read particularly in today's climate. Why 53% of white women would put a vile man in office is explained in the pages of this book. White women held positions of power in the America slave trade, a fact overlooked in history. These southern bell's represented as the gold standard of woman hood in the antebellum south were anything but, and they for the most part showed as much, business savvy as down right cruelty in the slave trade. They benefited in every conceivable way from this free labor market. They were no advocates for the kind humane treatment of slaves. In many cases they were as vicious as their counterpart and just as committed to a keeping Blacks marred in the system of bondage. They are in most cases depicted as silent partners and where that might be the case many white women had full command and knowledge of the value of a slave they invested in and they wanted a hefty return. In fact they used every means on the table to keep these black, men, women and children bound to their wealth creation. These co-conspirators had more than a hand in the cookie jar, they enjoyed the power and did not hesitate to support the maintenance of this inhumane institution.
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Reviewed in the United States on April 24, 2019
★★★★★ 5
Excellent book, not only for lawyers or law students
To begin with, I am neither a lawyer, a law student, nor even a prospective law student. I am, however, someone who has always been interested in the law, primarily for two reasons. First, the law is the principal formal means a society uses to try to resolve conflict among the society's members. Second, and closely related to the first reason, the sum shape, both of content and procedure of the law, is an expression of exactly what a society's values are and the goals a society sets for itself or the standards by which it ideally wishes to be judged.
I found this book to be excellent, informative, well written, and even at parts entertaining. Although meant as a guide for law students to use to prepare for the strenuous exams that are associated with each course they will take in law school, the book provides much, much more, and hence my belief that it can profitably be read by a far larger readership than its ostensible audience. One of the key elements stressed throughout, and exemplified by numerous enlightening examples, is that there usually is no one correct answer to any given legal question. Arguments can be made on at least two sides of any matter based upon, for example, a "plain reading" of the text of a relevant law and the reasonably understandable intent of those who made the law (e.g., a legislature). The authors bring out clearly such sources of legal precedent as laws, government regulations, individual case law decisions by judges, common law, government policy, and specific codes (e.g., the Uniform Commercial Code, or UCC) and show how differing results to a case can readily come about based upon arguments using the different sources to bolster respective cases.
In reality, although by minimal definition a book designed, as said above, to prepare for the taking of law school tests, the book actually also is a good guideline on how to think (not necessarily what to think) about many larger issues in society, including politics and policy issues of all sorts.
Finally, the first two thirds of the book discuss ways to think about the wide range of questions that can be posed to aspiring lawyers and introduces the reader to understanding such distinctions as "forks in the law" and "forks in the facts" (a quite useful distinction to keep in mind). The final part of the book provides solid test taking strategies that are applicable to a wide range of academic testing (e.g., answer the question the professor actually asked and avoid wasting time or effort on ancillary matters not really germane to helping to resolve the issue.) Although some of these may seem obvious once read, the tips are the type of thing that, under pressure of exams, many students often forget to apply.
In sum, I highly recommend this book to those interested in life in the modern world.
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Reviewed in the United States on August 29, 2015
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