SKU: 84051872066

Toonbank voor sandwichpreparatie GN1/1 SS1435

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Description

Toonbank voor sandwichpreparatie GN1/1 SS1435De SS serie counters voor broodjesbereiding zijn gemaakt van roestvast staal SS304 en is een uitstekende keuze voor professionele keukens. U hebt hier alles wat u nodig hebt, onder handbereik. De koelbak is geschikt voor GN bakken en de tafels kunnen gemakkelijk worden bijgevuld. De counters zijn leverbaar in diverse afmetingen met 2 of 3 deuren. Roestvrij staal, Koelkuip voor GN1 6 bakken, Automatisch ontdooien, Deur(en), Instelbare poten,

De SS-serie counters voor broodjesbereiding zijn gemaakt van roestvast staal SS304 en is een uitstekende keuze voor professionele keukens. U hebt hier alles wat u nodig hebt, onder handbereik. De koelbak is geschikt voor GN-bakken en de tafels kunnen gemakkelijk worden bijgevuld. De counters zijn leverbaar in diverse afmetingen met 2 of 3 deuren.

Roestvrij staal, Koelkuip voor GN1/6 bakken, Automatisch ontdooien, Deur(en), Instelbare poten, Ventilatorkoeling

Incl. reserveonderdelen 1 jaar

Levertijd: 2-10 dagen

Temperatuurbereik +2 tot +10 °C
Klimaatklasse 4
Bruto/netto gewicht 128 / 118 kg
Bruto/netto volume 348 / 320 l
Deur aantal & type 3 dichte scharnierdeuren
Planken aantal & type 3 draadplanken wit
Plankkleur Wit
Plankmaten GN1/1
Voetjes / poten 4 instelbare voeten
Buitenafwerking SS304
Binnenafwerking SS304
Type regelaar Elektronisch
Type koeling Met ventilator
Type ontdooiing Automatisch
Koelmiddel R600a
Koelmiddelinhoud 110 g
Thermometer Ja
Energieverbruik 2.4 kWh/24h
Energieverbruik per jaar 876 kWh/jaar
Input vermogen 175 W
Spanning / Frequentie 220-240/50 V/Hz
Geluidsniveau 42 dB(A)
Interne maat (BxDxH) 1295 x 515 x 500 mm
Externe maat (BxDxH) 1365 x 700 x 950 mm
Verpakte maat (BxDxH) 1400 x 770 x 1170 mm
40 ft containerlading 48 st
GTIN / EAN 5708181355395

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SKU: 84051872066

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Verified Purchase
Denise Williams
Boise, US
★★★★★ 5
Five Stars
Format: Paperback
Thanks!
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Reviewed in the United States on April 10, 2018
L
Verified Purchase
luvgrdane
Omaha, US
★★★★★ 4
Magic City poetry series
Format: Paperback
This book was recommended to me to add to my poetry collection. It is a book that you can pick up and read a few poems and then put down to try to think of the meaning. It is written very well. Just takes a bit of thinking to understand.
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Reviewed in the United States on February 25, 2013
L
Lee Ann Roripaugh
Cuba, US
★★★★★ 5
Down Home Blues
Format: Paperback
Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.
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Reviewed in the United States on April 21, 2002
S
Verified Purchase
Silvia
Waukegan, US
★★★★★ 4
Four Stars
Format: Paperback
took a little longer than I expected but overall good quality for a used book .
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Reviewed in the United States on September 24, 2014
R
R. H. White
Cuba, US
★★★★★ 4
Unblinking portrait of a childhood in the Jim Crow South
Format: Paperback
Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.
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Reviewed in the United States on February 26, 2000

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