SKU: 90644615901

Kalkzandsteen vellingblok 29,7x15x14,8cm CS20

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Description

Kalkzandsteen vellingblok 29,7x15x14,8cm CS20Deze kalkzandsteen lijmblokken 29,7x15x14,8 cm, ook wel bekend onder het formaat 297x150x148mmen de benaming V150 148, zijn de relatief dikke en kleinere variant binnen het assortiment kalkzandsteenblokken. Deze kalkzandsteen lijmblokken vellingkant zijn online te bestellen per 126 stuks. Met hun hoge druksterkte van CS20 zijn ze geschikt voor zowel dragende als niet dragende muren. Door de breedte van 15 cm zijn ze extra sterk, wat ze bijzonder

Deze kalkzandsteen lijmblokken 29,7x15x14,8 cm, ook wel bekend onder het formaat 297x150x148mmen de benaming V150/148, zijn de relatief dikke en kleinere variant binnen het assortiment kalkzandsteenblokken. Deze kalkzandsteen lijmblokken vellingkant zijn online te bestellen per 126 stuks. Met hun hoge druksterkte van CS20 zijn ze geschikt voor zowel dragende als niet-dragende muren. Door de breedte van 15 cm zijn ze extra sterk, wat ze bijzonder geschikt maakt voor binnenspouwbladen met wat zwaarder draagwerk als belasting. Denk aan binnenmuren in woningen, bergingen, garages en schuren. De blokken wegen zo’n 11,5 kilo per stuk.

Deze kalkzandsteen lijmblokken worden verwerkt met Duo Lijm (die we automatisch voor je berekenen). Houd rekening met circa 22,2 blokken per m² en bestel altijd 10% extra om zaag- en snijverlies te compenseren.

Waarom kiezen voor kalkzandsteen vellingblokken 29,7x15x14,8cm?

  • Extra sterke blokken, dus geschikt voor zwaarder draagwerk.

  • Lijmen is ideaal, want het is snel en eenvoudig.

  • 15cm dikte is ideaal voor dragende muren met een verbeterde isolerende waarde.

  • Vellingblokken zijn beter geschikt voor zichtwerk, vanwege de afgeschuinde randen.

Kalkzandsteen Vellingblokken

Kalkzandsteen is een natuurlijk product dat bestaat uit kalk, zand en water. Het is een veelzijdig product geschikt voor allerlei toepassingen. Het lijmen van kalkzandsteen kan je zowel in de zomer als in de winter doen. Hierdoor is het mogelijk om langer door te werken. Na verloop van tijd kunnen de kalkzandsteen lijmblokken wat uitzetten door bijvoorbeeld temperatuurverschillen. Dit is echter makkelijk te voorkomen door gebruik te maken van dilatatie. Door een dilatatievoeg zorg je ervoor dat de kalkzandsteen goed zijn werk kan doen en de kans op scheuren afneemt.

Kalkzandsteen vellingblokken kan je gebruiken voor het lijmen van dragende en niet-dragende binnenspouwbladen en wandconstructies. Zo zijn de blokken geschikt voor garages, bergingen en scheidingswanden. Traditionele aannemers in de bouw gebruiken de vellingblokken bij de bouw van woningen, showrooms, sportgebouwen, winkelcentra en bedrijfsgebouwen. Nadat de vellingblokken zijn verlijmd, is het niet nodig om ze daarna te voegen. Dit komt omdat de lijmvoegen slechts 2 mm zijn. Daarbij zorgt de schuine kant rondom het blok ervoor dat verdere afwerking niet nodig is. Je kan daarom na het verwerken van de blokken direct aan de slag met sauzen of spuiten. Je kan de wanden op die manier gemakkelijk naar jouw wens maken.

Voordelen van kalkzandsteen in het algemeen

  • Hoog draagvermogen: CS20 druksterkte maakt de blokken stevig genoeg voor uiteenlopende constructies.

  • Snelle verwerking: dankzij de relatief grote blokken bouw je sneller en met minder voegen.

  • Eenvoudig op maat te maken: zagen of knippen gaat gemakkelijk, waardoor ook kleine aanpassingen geen probleem zijn.

  • Goede isolatie: kalkzandsteen staat bekend om goede warmteaccumulatie en geluidsdemping.

  • Brandwerend: materiaalcategorie A1 volgens NEN 6064.

  • Duurzaam: natuurlijke grondstoffen: kalk, zand en water, energiezuinig productieproces en volledig recyclebaar.

Toepassingen

Dit formaat wordt vaak toegepast in binnenmuren van garages, schuren, woningen of scheidingswanden tussen kamers. Vergeleken met smallere varianten, zoals blokken van 10cm dikte, zijn deze blokken beter isolerend en nog sterker. Voor projecten waarbij isolatie een grote rol speelt, is dit formaat een slimme keuze. Ga je isoleren? Bestel direct prikspouwankers mee om de isolatie stevig te bevestigen aan de kalkzandsteen muur.

Online besteld en Thuisbezorgd

Bestel jouw kalkzandsteen vellingblokken 29,7x15x14,8cm vandaag nog eenvoudig online bij Brok Bouwmaterialen. Binnen 1–5 werkdagen leveren wij op de bouwplaats, zodat jij direct kunt starten met bouwen. En dat voor de allerlaagste prijs en een geweldige service!

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SKU: 90644615901

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4.2 ★★★★★
Based on 17 reviews
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Product Reviews
W
Verified Purchase
william mont
Whiting, US
★★★★★ 5
Superman stories from the fifties
Format: Paperback
A collection of Superman stories, I haven’t seen in decades. Wonderful.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 16, 2021
T
Verified Purchase
Troy A. Garcia
Houston, US
★★★★★ 5
Excellent superman action
Format: Paperback
Good stuff from end of the golden.age to silver age
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2021
R
Verified Purchase
Ryan of the East Coast
Whiting, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
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Verified Purchase
Kris
Boise, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
A
Verified Purchase
Alex Lamberd
Louisville, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014

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