SKU: 1145968095

TERENCE Publii Terentii Afri comoediae.

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TERENCE Publii Terentii Afri comoediae.Cut and Paste Terence TERENCE Publii Terentii Afri comoediae. Birmingham: John Baskerville. 1772. 4to. Nineteenth century calf, central octagonal panel tooled in blind to a diapered design, borders roll tooled in blind and ruled in gilt, plum morocco lettering piece to spine, spine decorated in gilt and black, edges gilt, later marbled endpapers; pp. [ii], 364; pp. 203 and 299 misnumbered; this copy with 44 copper engravings by Picart mounted to

Cut-and-Paste Terence

TERENCE Publii Terentii Afri comoediae. Birmingham: John Baskerville. 1772.

4to. Nineteenth-century calf, central octagonal panel tooled in blind to a diapered design, borders roll-tooled in blind and ruled in gilt, plum morocco lettering-piece to spine, spine decorated in gilt and black, edges gilt, later marbled endpapers; pp. [ii], 364; pp. 203 and 299 misnumbered; this copy with 44 copper engravings by Picart mounted to interleaved blanks (see below); ruled in red throughout, typographic ornaments to title; rebacked and recornered in nineteenth-century brown morocco; sporadic light foxing (heavier to first quire), small marginal loss to head of last leaf not touching text; else a very good copy; nineteenth-century inscription ‘Acheson | Coll: Perf. Harrow’ to first plate verso, Beaufoy Library bookplate to front pastedown, armorial bookplate of Boies Penrose II to front free endpaper, 1920s catalogue cutting pasted to front free endpaper (price cancelled in ink).

Baskerville’s handsome quarto edition of Terence’s comedies, our copy extra-illustrated by Archibald Acheson, 3rd Earl of Gosford (1806–1864) using handsome engravings by Picart cut from a copy of the 1717 Rotterdam-printed French edition of Terence.

Baskerville also published Terence’s Comoediae in octavo in the same year. Gosford’s interest in books began at the age of nine, and the family library in County Armagh, Northern Ireland (for which he was later MP) ‘became a refuge when Gosford was thirteen and his father, a politician embroiled in battles between Catholics and Protestants and mistrusted by both, sought legitimacy and status through an audacious project: replacing the family home with a 242-room Norman Revival Castle’ (Davies). This copy of Terence’s comedies was evidently acquired by Gosford at an early age, bearing his collation note from Harrow; he subsequently matriculated at Christ Church Oxford in 1825, graduating B.A. in 1828.

The significant library he later built, with the help of his friend, the bibliographer Beriah Botfield, included a Gutenberg Bible (later acquired by Estelle Doheny), a First Folio, and a substantial collection of Aldines; it was sold after his death at the age of fifty-seven (from an ‘attack of gout in the head’) to cover his son’s gambling debts, passing en bloc by private contract to the bookseller James Toovey in 1878.

The library was dispersed in several parts, with numerous books held back from auction at every stage: the first portion of the library was sold in Paris in 1882, with a subsequent sale by Puttick & Simpson in April 1884. After Toovey’s death, his son, Charles James Toovey, ‘retained the choicer portion of the library, including the whole of the Aldines and a number of books in beautiful bindings. This collection he sold in 1899 to the late Mr J. Pierpont Morgan and it may be considered one of the notable sections of the latter’s great library’ (De Ricci, p. 157)

Our large-paper quarto copy of Baskerville’s Terence has been extra-illustrated with engravings by Picart cut from the 1717 octavo edition. Curiously, this points to a seemingly unstudied wider practice of Grangerising within Gosford’s library. Each engraving by Picart has been mounted to a blank leaf facing the corresponding text in the Baskerville edition. Gosford’s copy of the 1711–16 Rigaud edition of Homer was seemingly extra-illustrated according to the same method, ‘with Picart’s plates for the Iliad inserted’, taken from the 1731 Amsterdam edition of Les Oeuvres d’Homère translated by Anne Dacier (Lewine, p. 244). He applied the same practice to his copy of the 1749 edition of Henault’s Nouvel abrégé chronologique de l’histoire de France: ‘The Gosford copy of the 1752 edition with supplement, dated 1756, both vols. in 1, containing 240 portraits of illustrious persons engraved by Desrochers, and the two plates of the massacre of Saint-Barthelemy and of the assassination of Henry IV. inserted’ (ibid., p. 238). With regard to our Terence, it would seem that Gosford kept duplicate copies of both the 1717 and 1772 editions, both of which appeared in the first auction of his library as sold by Toovey, in Paris in 1882 and were subsequently sold by the French booksellers Damascene Morgand the following year.

Provenance:
1. Archibald Acheson, 3rd Earl of Gosford, with his collation note. Seemingly not in the catalogues of 1 May 1882 (Porquet) nor 21 April 1884 (Puttick & Simpson).

2. With the family bookplate of Henry Benjamin Hanbury Beaufoy FRS (1786–1851), MP for Hackney, philanthropist, vinegar factory owner, and keen hot-air balloonist. Christie’s, Catalogue of a Portion of the Valuable Library of Books & Manuscripts formed during the early part of the last century by Henry B.H. Beaufoy, Esq. (7 June 1909), lot 238 (’ruled in red throughout, and illustrated with the series of plates by Picart, calf extra (rebacked with morocco)’).

3. James Tregaskis, The 851st Caxton Head Catalogue (1922), no. 100, offered at £5 10s; a cutting of another Tregaskis catalogue of the 1920s (in which this is no. 266) has been pasted to the front free endpaper.

4. Bookplate of the bibliophile travel historian Boies Penrose II (1902–1976), evidently entering the market before the sale of his library in two parts in 1971.

5. Purchased from a London bookseller in 1960 and presented to Theo Zinn, senior Classics master at Westminster School, as a gift from some of his pupils.

ESTC T137489; Brunet IV, col. 718; Gaskell 46; Dibdin II, p. 477 (’printed in the usually beautiful style of the impressions of ancient classical authors by this printer’; Straus and Dent 93. See Davis, The Lost Gutenberg (2019); De Ricci, pp. 156–7; Lewine, Bibliography of Eighteenth Century Art and Illustrated Books (1898).

SKU: 2124309

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SKU: 1145968095

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GoddessLucyLou
Port Orchard, US
★★★★★ 5
Detailed world building
Format: Kindle, Format: Kindle
I was completely immersed in the world that Dani spun so well. The book is filled with details and beautiful descriptions. The tempo and flow of the book was easy to follow. The book follows a strong female business owner who has dealt with prejudices and discrimination. The love story that develops is beautiful. My favorite line in the book sums it up perfectly. “…she had forgotten, for a moment, what parts she had. She was simply a woman being made love to by another woman.”
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Reviewed in the United States on March 25, 2026
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Kindle Customer
Whiting, US
★★★★★ 5
Sweet and Spicy
Format: Kindle
I really enjoyed this. It is mushy and sweet and very spicy as well. I like how the MCs business is part of it and also the love interest's son. Interesting world building as well.
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Reviewed in the United States on January 29, 2025
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Catherine Bowser
Charlottesville, US
★★★★★ 4
What a spicy lovely tale of love
Format: Kindle
I receive an ARC copy and am leaving my thoughts voluntarily. I really liked all the other books in this series and it was so nice to see characters I loved again while being introduced to some new faces that I can to love just as much. And I love seeing that some development has occurred! It’s not vital to the story but still nice to see. The idea of a romance with one character being a single mom isn’t something I see too often. And it’s done so well here. There’s genuine interest in not only the mom but the child as well and becoming a true family, with all feelings considered. I adored seeing the interactions with Theo. And one character is also trans, with some societal pushback they have to struggle though, which makes life all the harder and the sweet scenes all the sweeter. The spice here is high. But the thing I love about all Dani’s books is the strong emphasis on consent. It’s not there as an afterthought, it is as important as aspect as the physical act! And I adore it. Anyone that argues consent can’t be sexy should read Dani’s books. The world building is woven into the plot with exploration of history, discussion of the “he said, she said” of historical events, and how knowing the truth is important. I loved seeing the characters uncover and process everything. That’s probably a huge trait of Dani’s books I adore—there’s room to breathe. They give you the space to really process which adds to the realism. These are character driven books and I love getting to know each one. Recommend this one and all the ones before it! Just make sure you can handle the spice and the nastiness of how cruel people can be because it pulls no punches.
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Reviewed in the United States on September 14, 2024
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Chris F
Massapequa, US
★★★★★ 5
Five Stars
Format: Hardcover
Just another good piece to add to my collection. Awesome was excited to get it.
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Reviewed in the United States on December 20, 2014
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jason slicker
Cuba, US
★★★★★ 5
Five Stars
Format: Hardcover
Awesome
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Reviewed in the United States on December 15, 2014

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