Pay in installments of $9.00 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Aug 20 - Aug 25
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
Colleen - Le Jour et la Nuit du RéelColleen thrives on reinvention. For over two decades under the name, French artist Ccile Schott has continuously pushed her compositional practice into new directions. Her creative approaches have included complex samples and loops, instrumental processing and even dub production techniques applied to the baroque viola da gamba. Each album immerses the listener in a wholly unique world while remaining unmistakably a work by Colleen. Schotts
Colleen thrives on reinvention. For over two decades under the name, French artist Cécile Schott has continuously pushed her compositional practice into new directions. Her creative approaches have included complex samples and loops, instrumental processing and even dub production techniques applied to the baroque viola da gamba. Each album immerses the listener in a wholly unique world while remaining unmistakably a work by Colleen. Schott’s compositions glow with carefully considered textures that move in captivating revolutions while subtly evolving. A connective thread of Schott’s work is the exploration of the intricacies of emotion while reveling in the act of contorting pop and classical forms into new shapes. Colleen’s Le jour et la nuit du réel is a voyage deep into the world of synthesis, a dense thicket populated by drifting echoes and pulsating arpeggios. More than just a creative approach, sound synthesis here becomes a means to interrogate complex concepts, from the self and perception to shifting notions of what is “reality”.Le jour et la nuit du réel (“The day and the night of reality” in French) is an album of parallels and contrasts. Schott’s first purely instrumental work since 2007’s Les ondes silencieuses, and her first double album, Le jour et la nuit du réel started as an album of songs with lyrics in the style of her previous album The Tunnel and the Clearing before gradually morphing into wordless suites of compositions divided into movements. Schott realized that synthesis was the best expressive tool at her disposal to grapple with a theme that seemed to be constantly on her mind: the impossibility of truly grasping all facets of reality, especially one’s own emotional reality and that of others. Each movement within a suite employs different synthesis settings, but with distinctive chords and motifs that provide a throughline, guiding the listener through shifting sonic landscapes. Schott elaborates: “To me, the capacity of synthesis to alter - subtly or radically - the physical embodiment in sound of the same series of notes is akin to how, when given new information about a person or a situation, we can reevaluate our initial perception of what we thought was the "reality" of that person or situation, sometimes drastically so."
The album’s construct falls into two larger sections, day and night. A kaleidoscopic range of sounds speckle the album’s seven suites, aiming to translate the range and nuance of emotions, both deeply personal and communal, and the complexity of identity, as we shift from day to night. Daytime opens with more friction, tension, and abrasive timbres emulating the invigoration of daylight with “Subterranean” and “The long wait”, before softening into the warm luminance of “To hold and to be held” and “Mon coeur”. “Be without being seen” functions as a twilight transition zone, first melancholy, then threatening, mimicking the fact that nighttime tends to warp our sense of reality, often making it more intense. “Les parenthèses enchantées,” named for a French idiom that, roughly interpreted, means “a beautiful moment destined to end soon”, plunges the listener into the second half, night. The descent into slower, more melancholy textures and longer trails of delay slips into the pulsating, bottomless recesses of “Night looping”, a direct reference to Schott’s own recurrent insomnia.
Le jour et la nuit du réel’s astounding breadth of texture and emotion were sculpted from a surprisingly minimal setup even for Schott – an all-analog combination of one monophonic semi-modular synth, the Moog Grandmother, and two delays, the Roland RE-201 Space Echo and her trusted Moogerfooger Analog Delay, with no additional digital production. Schott became enraptured in the synthesizing of sounds until synthesis completely consumed her focus. She worked on various strategies to overcome the limitations of working with a monophonic synth as the sole sound source, leading to what she likes to call a “human-machine hybrid style”. The stuttered playing and gliding surges on “Be without being seen”, the Baroque-style flourishes and trills of “Les parenthèses enchantées – Movement II” or the birdsong-esque melody of “Les parenthèses enchantées - Movement III” testify to this attempt to “humanize” synth playing. Another strategy was to use non-quantized sequencing for less rigid and more unpredictable results, as can be heard on the lively bursts of “To hold and to be held” and “Les parenthèses enchantées – Movement V”.
Colleen’s mastery of the art of sculpting sounds is on full display on Le jour et la nuit du réel, an album at once minimalist in its tools yet yielding a gorgeous wellspring of diversity. All the while, she infectiously revels in the thrill of discovery. Le Jour et la nuit du réel is a beautiful body of work that manages to explore the intersections of the material and the imagined, a sonic odyssey unearthing soul from synthesis.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 23 reviews
Sort
Product Reviews
★★★★★ 5
Beautiful
Format: Hardcover
A gorgeously written book about a young Palestinian American who finds her voice and identity.
Genre: Upper Middle Grade/Lower YA
-also some magical realism elements: olives cause time travel
Author:Nora Lester Murad
Publisher: Crocodile Books/ Interlink
This beautiful hardcover (the book truly is absolutely gorgeous and I just cant stop staring at it!) tells the story of Ida- a young 13 year old Palestinian American daughter of immigrants. Bullied out of her school due to being Palestinian, Ida struggles to fit in.
But one day, when she eats special olives, she is transported to a new type of multiverse where Ida’s family is still in Palestine.
And by going back and forth, Ida realizes who she wants to be and what her passion in life is.
This gorgeous book truly transported me to Palestine!! The rich descriptions helped me feel grounded in the setting, and I almost felt like I could taste the crackling olives, listen to the adhan of the Mosques, and walk the streets of Palestine. Tbh- as a Syrian myself, I found many parallels with life in Damascus to life in Jerusalem, and it made me fall in love with the book even more.
Juxtaposed with the beauty of the land and the liveliness of the family and community around Ida is the harsh reality of Israeli occupation. The author does not minimize it, she portrays it in the voice of a teenager quite honestly, and her emotional scenes showing Ida helping a young boy and trying to figure out how to save her village and heart-wrenching and emotional.
I also appreciated how nuanced the book was. The occupation is clearly presented as apartheid and wrong, but there is no antisemitism. The author mentions her Jewish background in the author’s note, the book states that there are Jews who support Palestinian rights and Ida sympathizes with Jews who immigrated to America to escape persecution.
I really liked how this book was written- the layers of searching for identity, holding onto your homeland, resisting occupation, and the encouragement for the reader to practice BDS and raise their voices for justice.
Definitely a must read and book I can see be adapted in curriculums for middle schools.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2023
★★★★★ 5
Compelling from start to finish.
Format: Paperback
This is a wonderful book -- no doubt for young adults, but for all the rest of us, too. Here is the review we included in Rethinking Schools magazine: Middle school student Ida tries to sit where she is “unnoticeable, like the dust on last year’s history books.” She seeks to avoid stereotypical insults hurled at her for being from a Palestinian immigrant family. The school’s silence aggravates the problem. Ida notes, “Nobody even says the word ‘Palestine’ in my school. The teachers are afraid to teach anything about the Middle East, even if the topic has nothing to do with politics.” As the mother of three girls raised in the West Bank and now living in the United States, author Nora Lester Murad is deeply grounded in the book’s characters and themes. And she knows how to captivate middle school readers. Ida eats an olive that sends her time traveling from her home in Massachusetts to her family’s home in the West Bank, introducing readers to both the beauty of their village and the violence of the Israeli occupation that eventually forced her family to leave for their safety. This experience gives Ida the courage and conviction to speak in a school assembly about the realities of the occupation, comparing it to what happened to “Indigenous peoples here. How they were pushed off their land and survived so much violence, as if they weren’t human.” Stepping out of the shadows, she insists that students and teachers see her and her family’s humanity.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 20, 2024
★★★★★ 5
Couldn't put Ida in the Middle down until the end
Format: Hardcover
Ida in the Middle so vividly captures the point of view of a girl not only sorting out feeling like and being treated like an outsider in a new school, but her relationship with her immigrant parents, her younger and older sister (she is in the middle), and her growing awareness of her family's community in the Middle East. It is is warm novel of feelings, friendship, and the magic transport to the "Its A Wonderful Life" alternate reality of what being in 8th grade would be like if her family had stayed in the village where her grandparents, aunts, uncles, and cousins still live. It is also a novel, like those set in other wartimes, that exposes hard realities. Descriptions of her alternative private school in the US and watching the "Arabs Got Talent" music competition on TV have some of sly wit of Where'd You Go, Bernadette, but the learning that Ida and the reader develop about both the community ties and the danger and dehumanization of checkpoints, home demolitions, and raids takes the book to another level of complexity and empathy for difficult circumstances and choices. Throughout, Ida's viewpoint as a 13-year-old trying to understand the world around her is fresh and appealing. She proves to be an unexpectedly level-headed protagonist as the plot carries her into danger and into new readiness for action. Through the course of the novel, both the reader's and Ida's empathy grows for the desperate situation of Palestinian farmers whose land is under siege (and of all living under occupation), for parents' struggle over the choice to remain out of the country, and for the daily decisions to claim joy and pleasure even if it entails contradictions. Ida left me energized and inspired, and ready to gift this book to the middle-grade kids I know, and also to my teacher friends who keep books in their classrooms for students to read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 30, 2023
★★★★★ 5
A "magical" story of Palestinian life in the West Bank
Format: Hardcover
This young adult novel by Nora Lester Murad focuses on the quandary of a Palestinian-American teenager, Ida, who is learning about American culture while her extended family in the West Bank must cope with Israel’s many policies that discriminate against Palestinians. As Ida ponders how to fit in better at her school and a topic for a school assignment, she is magically transported to the land of her ancestors where she soon finds herself in a difficult situation. The novel explores several aspects of these policies, including the demolition of a friend’s home due to her family’s inability to get a construction permit. In between these difficult situations, there are some twists and turns that remind the reader of the importance of family and friends.
This novel will help to validate the experiences of Palestinian youth who are "caught in the middle" like Ida. Readers of all ages will gain new insights into conditions for Palestinians living in the West Bank and how these pressures impact the daily lives and futures of Palestinian youth. (A teacher’s guide is available, which will be especially helpful for those unfamiliar with the situations described in Ida in the Middle. )
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 28, 2023
★★★★★ 5
A must-read to shed light on the experiences of Palestinian-American children
Format: Hardcover
I picked up this book not knowing what to expect. What I ended up with was a rich and beautiful telling of the experiences of a young Palestinian-American girl who is trying to find her voice in a world that misunderstands and silences her. She is the hero that so many students need to hear about. Ida in the Middle beautifully weaves history, culture, and hope together for an empowering story of justice.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 9, 2024