SKU: 18299849648

Maton EBW70C Blackwood Dreadnought w/ AP5 Pro

Sale price$899.55 Regular price$999.50
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Description

Maton EBW70C Blackwood Dreadnought w/ AP5 ProEBW70C The Blackwood Dreadnought with Cutaway Simplicity and purity of tone lay at the heart of the Blackwood range of Guitars. Pure Blackwood tone clear, bright trebles, strong mid range and full bass. The all Blackwood construction produces a unique compression, blending frequencies into a new, unique voice. While Brazilian rosewood remains the standard wood for comparing sounds made by guitars, many musicians choose the Tasmanian or Australian

EBW70C The Blackwood Dreadnought with Cutaway

Simplicity and purity of tone lay at the heart of the Blackwood range of Guitars. Pure Blackwood tone -clear, bright trebles, strong mid range and full bass. The all Blackwood construction produces a unique compression, blending frequencies into a new, unique voice.

While Brazilian rosewood remains the standard wood for comparing sounds made by guitars, many musicians choose the Tasmanian or Australian Blackwood as their guitar tonewood. The sounds and tones these guitars make is “sweet,” and distinct. It is different from the Brazilian rosewood tone, and adds a certain beauty and nuance to the tune and sound of the instrument. One of the most visually stunning furniture timbers available, Blackwood has also become an important tonewood. Most of the Blackwood comes from the Otway Ranges in Victoria, Australia. It often displays "fiddleback" character and "AAA" grade Blackwood can be intensely figured. It has a warm, full tone with a particularly pleasing mid frequency response and has become one of the most sought after timbers. It may be of interest to learn, that whenever a Maton employee gets to make their own guitar, they almost always choose Blackwood. It is used in nearly every Maton either as a neck, back and sides, or internal component.

AP5 PRO

The AP5 Pro now features Separate Microphone and Piezo input controls allow for blending of both microphone and piezo levels prior to sending the actively combined signals through to the tone circuits and master volume. Highly selective cardioid microphone system allows for much greater microphone level before feedback in live environments. This newly upgraded microphone is direct mounted to the preamp casing via an adjustable arm, which permits easy final tweaking of microphone position to suit the individual artists style.

Using the ‘Sweepable Mid’ controls. Midrange is sweepable from 1 to 2khz and can be cut or boosted within this range. As a general rule for the system should start out ‘flat’ then be altered to achieve the tone desires. For example, an open, natural sound can be achieved by setting the frequency control at 1.4khz and the boost/cut control at 5db. Alternatively, for a ‘thick’ lead sound boost your mids by 5db and set the frequency dial at 1.7kh.

Specifications

  • Top Wood: "A" Select Blackwood
  • Back Wood: "A" Select Blackwood
  • Scale: 64.77cm (25.5")
  • Nut Width: 44.1mm (1.736" - 1 47/64")
  • Blackwood Series
  • Serial Number: 5445
  • Neck Wood: Queensland Maple
  • Fretboard: Streaky Ebony
  • Bridge: Streaky Ebony
  • Bracing: Scalloped Maton X
  • Headstock Overlay: Blackwood Veneer
  • Headstock Inlay: Maton Logo
  • Tuners: Chrome Grover Rotomatic
  • Inlays: 6mm Pearl Dots
  • Rosette: Rope
  • Body Binding: Black ABS
  • Pickguard: Black w/ Gold M
  • Nut Material: Bone
  • Saddle Material: Bone
  • Bridge Pins: Ivory ABS
  • Pickup(s): AP5 PRO
  • Case: Maton Hardcase
  • List Price: $1,999.00
Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 18299849648

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Forrest F.
San Leandro, US
★★★★★ 5
The history is unpleasant and therefore worth knowing.
It's a wonderfully enlightening history of how European explorers visited, settled in, conquered, and exploited other continents with unparalleled cruelty in the name of power, greed, and their "loving" religion that brought them misery, exploitation and, all too often, abject slavery.
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Reviewed in the United States on March 9, 2025
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Marianne Mountain Dawn Scofield
Chelsea, US
★★★★★ 5
Wonderful History Lessons
I ordered this book to use for a college paper I was writing and found it fascinating. I enjoyed the content and learned much from it. The history is written in a manner that for those people that either don't read much or don't like to read (yes, there are a few people out there), it will draw you in and make you question the history lessons we suffered through in high school.
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Reviewed in the United States on January 11, 2013
A
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Amazon Customer
Cuba, US
★★★★★ 5
Excellent and Eye Opening
Where but in America could white men kill 2,ooo,ooo people to prove they are more civilized ?
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Reviewed in the United States on March 16, 2017
K
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Ken Kardash
Belleville, US
★★★★★ 4
Rediscovering America
This is an eye-opening, scholarly rebuttal to common perceptions about native American society before and after the European invasion. Ronald Wright makes no secret of his bias in favor of the people who were here first; in fact, he enhances the impact of what for many will be new information by presenting this extraordinary history from the point of view of the conquered. He also makes clear how large a part of the conquest was due to immune system rather than military deficiencies: if smallpox and other diseases had not done killed most of the native population, the facts recounted here suggest that history, particularly in South America, may have evolved quite differently. In undertaking the massive task of recounting the invasion of all of the Americas, some selectivity is inevitable. Wright has chosen to focus on the story of five distinct native groups: Aztec, Maya, Inca, Cherokee and Iroquois. He then arbitrarily subdivides the story into three consecutive time periods: Conquest, Resistance and Rebirth. After the physical and political annihilation recounted in the first two sections, the title of the third may seem overly optimistic, particularly for the Guatemalan Maya. However, the concluding tone is more conciliatory and hopeful than mournful, particularly in the Afterword that updates matters to 2005, 13 years after the original publication date. The astounding amount of research involved in producing this admittedly selective overview is well-indexed and annotated. My only quibble is that Wright, obviously an expert in the field of native culture, sometimes borders on the compulsive in matters of linguistic authenticity. I did not buy this book to learn ancient native languages, let alone their pronunciation, and at times I found the inclusion of such trivia distracted from rather than enhanced the otherwise convincing scholarship. This obsession with accuracy is commendable, but after getting it out of his system in the Author's note, his amazing narrative would have been no less compelling if he stuck to the language of his contemporary audience. Also, for an author who has settled in British Columbia, it is strangely disappointing that the rich history of the Pacific Northwest coastal natives was not among those he chose to examine. I had read Charles Mann's "1491" prior to this book and found it primed my interest in the subject; both are excellent introductions to the reality of pre-Columbian American societies, but Stolen Continents provides more of a historical context for what has become of them.
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Reviewed in the United States on October 13, 2008
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Irving Dozier
Draper, US
★★★★★ 5
... true things that really went on to know very great
Format: Hardcover
lots of true things that really went on to know very great book
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Reviewed in the United States on October 13, 2016

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