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Description
Elkay Lustertone Classic 22" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, MR2 Faucet Holes, LRAD221965MR2Elkay Lustertone Classic 22" Drop In Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, MR2 Faucet Holes, LRAD221965MR2 An Elkay Lustertone Classic stainless steel sink looks as great on day 3,000 as it does on day one. The rich, uniform grain is scratch resistant for heavy duty use, whether it's a kitchen sink or a prep, bar, laundry or commercial sink. Light scratches, which occur with everyday use, naturally blend into the finish of this
Elkay Lustertone Classic 22" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, MR2 Faucet Holes, LRAD221965MR2
An Elkay Lustertone Classic stainless steel sink looks as great on day 3,000 as it does on day one. The rich, uniform grain is scratch resistant for heavy-duty use, whether it's a kitchen sink or a prep, bar, laundry or commercial sink. Light scratches, which occur with everyday use, naturally blend into the finish of this durable sink with time. Deeper scratches are repairable with an Elkay stainless steel restoration kit. Available in ADA depths.
Available In:
Please see our color disclaimer.
Features
- ADA COMPLIANT: Product is ADA compliant when properly installed
- REPAIRABLE FINISH: Finish is scratch resistant to heavy-duty use. Deep scratches are repairable. Lustrous grain reflects light evenly for high shine
- DROP-IN INSTALLATION: Sink is designed for drop-in installation to make the sink a focal point of your room
- SINGLE BOWL: Bowl gives you uninterrupted space for washing and stacking dishes or other household tasks
- 18-GAUGE STAINLESS STEEL: Highest quality 18-gauge thickness and Type 304 stainless steel for lasting durability, performance and lustrous beauty
- Sound Guard TECHNOLOGY: Large pads enhance sound-deadening performance for a quieter time at the sink
- U-CHANNEL INSTALLATION: Mounting clips placed inside the channel before installation mean less time under the sink for an easier install
- OFFSET DRAIN: Drain placement provides more usable space on the bottom of the sink and in the cabinet below
- MADE IN THE USA: This Elkay product is proudly made in the USA
- DRAIN OPENING: Sink drain opening measures 3-1/2"
- BASE CABINET: Recommended Minimum Base Cabinet Size: 27"
- California residents see Prop 65 Warnings.
Details
| ADA Compliant?: | Yes |
|---|---|
| Bowl Shape(s): | Rectangular |
| Bowl Split: | Single |
| Box Height: | 27.94" |
| Box Length: | 20.81" |
| Box Weight: | 13 lb(s) |
| Box Width: | 9.31" |
| Collection: | Lustertone Classic |
| Color: | Lustrous Satin |
| Country of Origin: | USA |
| Cutout Dimension: | 21-3/8" x 18-7/8" (543mm x 479mm) with 1-1/2" (38mm) corner radius |
| Drain Size: | 3.5 |
| Finish: | Lustrous Satin |
| Freight Class (LTL Only): | 250 |
| Gauge: | 18 |
| Harmonized System Code: | 7324100010 |
| Inner Depth: | 6.5" |
| Inside Bowl Dimensions: | 14" x 18" x 6.375" |
| Installation Type: | Drop In/Topmount |
| Item Height: | 6.5" |
| Item Length (Front to Back): | 19.5" |
| Item Weight: | 11.25 lb(s) |
| Item Width (Side to Side): | 22" |
| Made In USA?: | Yes |
| Material: | Stainless Steel |
| Minimum Cabinet Size: | 27" |
| Mounting Hardware Included: | Part # 64090012 included for countertops up to 3/4" (19mm) thick |
| Number of Bowls: | 1 |
| Number of Faucet Holes: | MR2 |
| Room: | Kitchen |
| SKU: | LRAD221965MR2 |
| Shape: | Rectangular |
| Sound Deadening: | Bottom only pads |
| Style: | Traditional |
Warranty
Elkay Warranty Details (PDF)
Installation Instructions
Installation Instructions 1 (PDF)
Product Specifications (PDF)
Product Care
Elkay Product Care (PDF)
Video(s)
Product Video 1
Product Video 2
Product Video 3
Related Products
- Elkay Lustertone Classic 22" Drop In/Topmount Stainless Steel Kitchen Sink, Lustrous Satin, MR2 Faucet Holes, LR2219MR2
- Elkay Lustertone Classic 22" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, MR2 Faucet Holes, LRAD222255MR2
keywords, rear drain, offset drain, off set drain, LRAD2219655, LRAD221965L4, LRAD221965R4, LRADQ2219604
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.6 ★★★★★
Based on 9 reviews
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Product Reviews
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones.
That being said, this book was too detailed, making it slow reading.
Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
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Reviewed in the United States on June 3, 2014