What Makes a Great TV Idea? Learn What Hollywood Looks for in a TV Idea and Pilot Script OnDemand Webinar

What Makes a Great TV Idea? Learn What Hollywood Looks for in a TV Idea and Pilot Script OnDemand WebinarABOUT THE WEBINAR After having the good fortune of launching a professional screenwriting career with the HBO miniseries BAND OF BROTHERS and FROM THE EARTH TO THE MOON, writer producer Erik Bork was introduced to the world of creating series ideas, pitching them, and writing pilot scripts by his television agents at CAA. Since then, Erik has developed countless one hour and half hour concepts and presented them to his agents, producers, studio and

ABOUT THE WEBINAR

After having the good fortune of launching a professional screenwriting career with the HBO miniseries BAND OF BROTHERS and FROM THE EARTH TO THE MOON, writer-producer Erik Bork was introduced to the world of creating series ideas, pitching them, and writing pilot scripts by his television agents at CAA.

Since then, Erik has developed countless one-hour and half-hour concepts and presented them to his agents, producers, studio and network executives -- in some cases selling or optioning the idea and being commissioned to write a pilot script (in other cases, not!). In the process, he learned, the hard way, what works and doesn't work in a series idea, and how television writing and series creation works.

In this webinar, Erik will share all the key things he's learned about what makes an idea "work," and what a good concept, pitch, and pilot script looks like.

Erik continues to pitch series ideas and write pilots -- his latest being a half-hour comedy that was optioned and developed by ABC Studios in 2011.

WHAT YOU'LL LEARN:

• "What's the franchise?" -- how to answer this question and other annoying questions executives ask
• Why doctors, lawyers, and cops always seem to dominate prime time
• The key to good TV characters
• The emotional thrill ride that is the annual series development cycle
• How most aspiring writers think of television storytelling the wrong way
• The (superficial) differences between broadcast, basic, and pay cable
• How "procedural" and "personal" are the only two kinds of TV stories
• How "3-act structure" works on TV, despite shows not having 3 acts!
• Juggling A, B, and C stories, and the characters who "get" them
• What a "premise pilot" is, and why you really shouldn't write one

WHO SHOULD LISTEN?

• Writers who are considering writing television scripts (of any kind)
• Writers who think they have a great idea for a series (or wish they did)
• Writers who are tired of the negatives of feature screenplay writing
• Writers who think television is possibly the best place for them
• Writers interested in getting on a TV writing staff
• Writers who have a television script they think is ready
• Writers looking for inspiration and guidance from someone who is just like them

The Writers Store does not offer any refunds for the webinar. All sales are final.