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Description
Blanco Diamond 34" Dual Mount Granite Composite Kitchen Sink, Silgranit, White, 440195Blanco Diamond 34" Dual Mount Granite Composite Kitchen Sink, Silgranit, White, 440195 The BLANCO SUPER SINGLE DUAL MOUNT KITCHEN SINK features a large single bowl design, offering plenty of room for rinsing, washing, soaking, spraying and straining operations. Popular for its functionality and generous bowl size, the SUPER SINGLE allows for large items like pots and pans to be maneuvered easily. If you want to maximize the space inside your sink, the
Blanco Diamond 34" Dual Mount Granite Composite Kitchen Sink, Silgranit, White, 440195
The BLANCO SUPER SINGLE DUAL MOUNT KITCHEN SINK features a large single bowl design, offering plenty of room for rinsing, washing, soaking, spraying and straining operations. Popular for its functionality and generous bowl size, the SUPER SINGLE allows for large items like pots and pans to be maneuvered easily. If you want to maximize the space inside your sink, the super single is an excellent choice. The DIAMOND SUPER SINGLE DUAL MOUNT can be installed as a drop-in or undermount sink. This kitchen sink is made of SILGRANIT, a patented, certified granite composite material engineered to take on the toughest kitchen tasks. SILGRANIT is heat, scratch, stain, chip, and impact resistant, making it stronger and more durable than other sink materials. It will not blister, burn, melt, or discolor from hot pots, pans, or baking sheets straight from the oven. Beautiful and highly functional with its non-porous, hygienic surface, it pushes away liquids and residue resulting in a low-maintenance, easy-to-clean, long-lasting material.The DIAMOND SUPER SINGLE easily conquers the demands of everyday life.
Available In:
Please see our color disclaimer.
Features
- DURABLE MATERIAL: Patented SILGRANIT material is heat, scratch, stain, chip, and impact resistant
- HYGIENIC+PLUS SURFACE TECHNOLOGY: Acts as a protective shield against liquids and dirt inhibiting bacteria growth by up to 98%
- EASY-TO-INSTALL: Can be installed as either a drop-in or undermount with installation clips included
- EASY-TO-CLEAN: Baking soda and a sponge are all you need - no harsh chemicals required
- OPTIONAL ACCESSORIES: Grid (item #221010), floating grid (item #236431) cutting board (item #440230 - fits drop-in only) and decorative drain cover (item #517666)
- SOLD SEPARATELY: Basket strainer (item #441093)
- THIRD-PARTY CERTIFIED: Tested, certified and listed as a composite stone material, BLANCO is the only granite composite sink manufacturer that meets the composite stone IAPMO standards
- TRUSTED QUALITY: All BLANCO sinks feature a limited lifetime warranty
- BASE CABINET: Recommended Minimum Base Cabinet Size: 36"
Details
| Bowl Split: | Single |
|---|---|
| Box Height: | 16" |
| Box Length: | 39" |
| Box Weight: | 45 lb(s) |
| Box Width: | 27" |
| Certification: | IAMPO Listed, SCC Compliant, UPLR Compliant, UPC Listed |
| Collection: | Diamond |
| Color: | White |
| Country of Origin: | Canada |
| Cut-Out Depth: | 21.25" |
| Cut-Out Width: | 32.25" |
| Drain Placement: | Offset Center |
| Inner Depth: | 9.5" |
| Inside Bowl Dimensions: | 30.5" x 16.5" x 9.5" |
| Installation Type: | Dual Mount |
| Item Height: | 9.5" |
| Item Length (Front to Back): | 22" |
| Item Weight: | 43 lb(s) |
| Item Width (Side to Side): | 33.5" |
| Material: | Granite Composite |
| Minimum Cabinet Size: | 36" |
| Mounting Hardware Included?: | Yes |
| Number of Bowls: | 1 |
| Number of Faucet Holes: | 1 |
| SKU: | 440195 |
| Ship Method: | UPS |
Warranty
Limited lifetime
Blanco Warranty Details (PDF)
Installation Instructions
Product Specifications (PDF)
Related Products
Faucet(s):
- Blanco Artona 1.5 GPM Brass Kitchen Faucet, Pull-Down, White/Stainless, 442036
Grid(s):
- Blanco Stainless Steel Sink Grid (Diamond Super Single Bowl), 221010
Drain(s):
- Blanco Metal Basket Strainer Drain Assembly - White, 240319
- Blanco Decorative Metal Disposal Flange Drain - White, 240328
Soap Dispenser(s):
- Blanco Artona Soap Dispenser - PVD Steel/White, 442054
Other(s):
- BlancoClean Daily+ Silgranit Sink Cleaner 15 oz., 406200
- Blanco Stainless Steel Floating Dish Rack (Diamond 1.75 & Super Single), 236431
- Blanco Capflow Drain Cover, Stainless Steel, 517666
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4.4 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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