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Description
Art and ObjecthoodCondition: BRAND NEW ISBN: 9780226263199 Year: 1998 Publisher: The University of Chicago Press Description: Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains twenty seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally
Condition: BRAND NEWISBN: 9780226263199
Year: 1998
Publisher: The University of Chicago Press
Description:
Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. These are uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture.
Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg?s account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating.
For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his
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★★★★★ 5
Quality
Size: Medium, Color: Navy Blue
I was completely satisfied with the quality of the fit, workmanship. Great price point and promptly ordered another one in a different color
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Reviewed in the United States on May 31, 2026
★★★★★ 3
Way too big
Size: XX-Large, Color: Light Gray
Can't really speak to the quality of the suit as it was only tried on, but the look was nice enough. Purchased based on measurements and sizing guide and it was huge. Probably could have gone 2 sizes down but didn't have time to reorder in a different size so just returned. Ordered XXL for son who is 6ft and 220lbs. He wears a large to XL in most tops and a 33x34 in most jeans. Many reviews advised to size up. He was drowning in the XXL. Color was nice light gray.
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Reviewed in the United States on April 26, 2026
★★★★★ 5
I sized down
Size: Large, Color: Navy Blue
This suit fit very well! And looks very sharp. It looks great with or without the jacket. I had to size down from my normal large to a medium, but as someone who’s skinny tall, I’ve always wavered between medium and large.
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Reviewed in the United States on June 3, 2026
★★★★★ 5
Nice suit
Size: Medium, Color: Black
Cool fits well and is comfortable.
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Reviewed in the United States on May 21, 2026
★★★★★ 4
Very pleasantly suprised - good quality, for a great price!
Size: Large, Color: Black
I ordered this suit for my son, for Prom. I was nervous that it was going to be poor quality, or the fit would be really off, but was absolutely blown away by the quality, for the price. ..its a great deal for good quality. Especially for young men.
For reference, my son is tall (6'2") and medium/slender build. He usually wears about a 33" waist. I ordered him a Large but maybe could have gone XL. It does seem to be a slimmer fit. He doesn't usually wear XL in anything.
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Reviewed in the United States on April 29, 2026