SKU: 69364080077

Cometic Ford FE V8 .060in MLS Cylinder Head Gasket - 4.250in Bore - Does Not Fit 427 SOHC Cammer

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Description

Cometic Ford FE V8 .060in MLS Cylinder Head Gasket - 4.250in Bore - Does Not Fit 427 SOHC CammerComprised of multiple embossed layers of stainless steel with the outer layers utilizing a Viton rubber coating. Compressed operating thickness is 0. 060". Cometic MLS (Multi Layer Steel) Head Gaskets provide maximum sealing performance for todays high output engines and require no sealants. MLS gaskets are ideal for both aluminum heads to aluminum blocks and aluminum heads to cast iron blocks. They can withstand the shearing force created by the two

Comprised of multiple embossed layers of stainless steel with the outer layers utilizing a Viton rubber coating. Compressed operating thickness is 0.060". Cometic MLS (Multi-Layer Steel) Head Gaskets provide maximum sealing performance for todays high output engines and require no sealants. MLS gaskets are ideal for both aluminum heads to aluminum blocks and aluminum heads to cast iron blocks. They can withstand the shearing force created by the two materials. MLS gaskets have increased strength because they are comprised of multiple layers of stainless steel; which also creates the ability to rebound and resist corrosion. The outer layers are embossed and coated on both sides with Viton (a flour elastomer rubber based material that is heat resistant to 250 C/ 482 F). Viton is designed to meet the demands of a variety of harsh sealing environments, load conditions, and surface finishes. The center or shim layer is uncoated stainless steel, which can be varied to accommodate multiple thickness requirements.

This Part Fits:

Year Make Model Submodel
1960 Edsel Ranger Base
1960 Edsel Villager Base
1963 Ford 300 Base
1958-1959 Ford Club Base
1958-1971 Ford Country Sedan Base
1958-1971 Ford Country Squire Base
1957-1960 Ford Courier Sedan Delivery Base
1964-1971 Ford Custom Base
1958-1960 Ford Custom 300 Base
1964-1971 Ford Custom 500 Base
1958 Ford Del Rio Wagon Base
1957-1959,1965-1974,1976 Ford F-100 Base
1975-1976 Ford F-100 Custom
1975-1976 Ford F-100 Northland
1975-1976 Ford F-100 Ranger
1975-1976 Ford F-100 Ranger XLT
1976 Ford F-150 Base
1975-1976 Ford F-150 Custom
1975-1976 Ford F-150 Northland
1975-1976 Ford F-150 Ranger
1975-1976 Ford F-150 Ranger XLT
1957-1959,1965-1974,1976 Ford F-250 Base
1975-1976 Ford F-250 Custom
1975-1976 Ford F-250 Northland
1975-1976 Ford F-250 Ranger
1975-1976 Ford F-250 Ranger XLT
1957-1959,1965-1974,1976 Ford F-350 Base
1975-1976 Ford F-350 Custom
1975-1976 Ford F-350 Northland
1975-1976 Ford F-350 Ranger
1975-1976 Ford F-350 Ranger XLT
1958-1970 Ford Fairlane 500
1966-1967 Ford Fairlane 500XL
1958-1969 Ford Fairlane Base
1959-1967 Ford Galaxie Base
1961 Ford Galaxie Club Victoria
1960 Ford Galaxie Special
1961 Ford Galaxie Starliner
1961 Ford Galaxie Sunliner
1961 Ford Galaxie Town Victoria
1962-1971 Ford Galaxie 500 Base
1962-1964 Ford Galaxie 500 Sunliner
1962-1964 Ford Galaxie 500 Victoria
1962-1970 Ford Galaxie 500 XL
1964-1965,1968 Ford GT40 Base
1966-1967,1969 Ford GT40 MK III
1965-1971 Ford LTD Base
1970-1971 Ford LTD Brougham
1967-1970 Ford Mustang Base
1969-1970 Ford Mustang Boss 429
1970 Ford Mustang Grande
1970 Ford Mustang Mach 1
1969-1970 Ford Mustang Shelby GT-350
1967-1970 Ford Mustang Shelby GT-500
1968 Ford Mustang Shelby GT-500KR
1958-1971 Ford Ranch Wagon Base
1970 Ford Ranch Wagon Police Cruiser
1967-1969 Ford Ranchero 500
1967 Ford Ranchero 500 XL
1957-1959,1966-1969 Ford Ranchero Base
1957-1958 Ford Ranchero Custom
1968-1969 Ford Ranchero GT
1958-1959 Ford Skyliner Base
1960 Ford Starliner Base
1958-1960 Ford Sunliner Base
1958-1969 Ford Thunderbird Base
1968-1970 Ford Torino Base
1970 Ford Torino Brougham
1969-1970 Ford Torino Cobra
1968-1970 Ford Torino GT
1969-1970 Ford Torino Squire
1970 Ford Torino Super Cobra Jet
1958-1960 Ford Victoria Base
1967 Mercury Brougham Base
1964-1967 Mercury Caliente Base
1966-1967 Mercury Capri Base
1961-1971 Mercury Colony Park Base
1964-1965 Mercury Comet 202
1964-1969 Mercury Comet Base
1961-1968 Mercury Commuter Base
1967-1970 Mercury Cougar Base
1969-1970 Mercury Cougar Cobra Jet
1967-1970 Mercury Cougar XR-7
1963 Mercury Country Cruiser Base
1964-1970 Mercury Cyclone Base
1969 Mercury Cyclone CJ
1970 Mercury Cyclone GT
1969-1970 Mercury Cyclone Spoiler
1963-1966,1969-1970 Mercury Marauder Base
1969-1970 Mercury Marauder X-100
1967-1970 Mercury Marquis Base
1970 Mercury Marquis Brougham
1961-1963 Mercury Meteor Base
1964-1968 Mercury Montclair Base
1968-1969 Mercury Montego Base
1968-1969 Mercury Montego MX
1961-1970 Mercury Monterey Base
1963,1969-1970 Mercury Monterey Custom
1962 Mercury Monterey Custom S-55
1963,1966-1967 Mercury Monterey S-55
1964-1968 Mercury Park Lane Base
1964-1967 Mercury Villager Base
1966-1967 Mercury Voyager Base
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SKU: 69364080077

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4.0 ★★★★★
Based on 11 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Phoenix, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Dallas, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Natrona Heights, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Alexandria, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Birmingham, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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