"Dancing Winds" by Shane YONDEE Hansen

"Dancing Winds" by Shane YONDEE HansenSize: 80 x 70cm Acrylic on Canvas Commission work Available Yondee (Shane Hansen) is a Noongar man from Western Australia. He was born in 1964 in Dumbleyung, 270 km south of Perth. The name Dumbleyung is derived from the Aboriginal word 'Dambeling' meaning large lake and refers to the lake nearby which is the largest in southwest WA. Yondee remembers this lake as a child and being told stories of the Wagal (rainbow snake). He was told about hunting

Size: 80 x 70cm

Acrylic on Canvas

Commission work Available

Yondee (Shane Hansen) is a Noongar man from Western Australia. He was born in 1964 in Dumbleyung, 270 km south of Perth. The name Dumbleyung is derived from the Aboriginal word 'Dambeling' meaning large lake and refers to the lake nearby which is the largest in southwest WA. Yondee remembers this lake as a child and being told stories of the Wagal (rainbow snake).

He was told about hunting and shown sand drawings by his father. Around the age of ten he would travel and visit his aunties on the Derbarl Yerrigan (Swan River) and would collect paper bark to help them in their artwork. It was here that he started to learn about art from his older relatives who are known for their paintings on paper bark.

Yondee is an experienced and accomplished artist who is developing a way of working with sand and ochres to depict the stories and legends of his people. He also paints detailed figurative works based on mission life, hunting, and animals. His works are abstract in their presentation but narrative in their content. He wishes to continue the stories of his grandfather.

Yondee learned these stories and images as ground paintings, so he feels the translation of them to sand paintings does them justice and brings them to new audiences.

Talking about his art practice today, Yondee says; “I make sand paintings, collecting sand from the creeks. You have to wash it to get the salt out, but the sand is different out of the creeks, it's smoother, and it’s good to use. When I make sand paintings using black and white, or bold colors, it gives a simple strong message.”