SKU: 8512038809

1950s LIESEL SPORNHAUER ‘HAIGER’ FISH-MOUTH VASE 101/21 FOR SCHLOSSBERG

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Description

1950s LIESEL SPORNHAUER ‘HAIGER’ FISH-MOUTH VASE 101/21 FOR SCHLOSSBERGThis handsome, SCHLOSSBERG KERAMIK fish mouth vase sports Liesel Spornhauer's 'Haiger' dcorone of her last designs for Schlossberg before she left in 1959. 'Haiger' went into production in 1960, and joins her other '50s era black and white designs including 'Roulette' and 'Lotus.' Haiger is a small country town 3 km away from the village of Langenaubach, to which SCHLOSSBERG relocated in 1954. SCHLOSSBERG KERAMIK was established as a workshop in 1946

This handsome, SCHLOSSBERG KERAMIK fish-mouth vase sports Liesel Spornhauer's 'Haiger' décor—one of her last designs for Schlossberg before she left in 1959.  'Haiger' went into production in 1960, and joins her other '50s-era black and white designs including 'Roulette' and 'Lotus.'  Haiger is a small country town 3 km away from the village of Langenaubach, to which SCHLOSSBERG relocated in 1954.

SCHLOSSBERG KERAMIK was established as a workshop in 1946 by Ilse and Theodore Stefan in the village of Volmarstein, in the German state of North Rhine-Westphalia.  Its name was derived from its situation at the foot of the schloßberg (the castle-hill) of the ruined castle Volmarstein (destroyed by fire in 1754).  Initially the Stefans produced hand-turned, hand-painted faience exclusively.  Their output received positive receptions at trade fairs in Frankfurt and Hanover.  Company growth and the factory's gradual conversion for the manufacture of serial products twice necessitated expansion of the buildings.  When it finally become impossible to scale up further in Volmarstein, SCHLOSSBERG moved south to a newly built building in the village of Langenaubach in Hesse in 1954.

That same year Liesel Spornhauer, previously of Dümler & Breiden, became the firm's first in-house designer.  She remained with the company through the decade and was responsible for most of the successful designs from the period.  Although SCHLOSSBERG would always remain a relatively minor player in the field of German art pottery, it produced a disproportionate number of entirely first-rate designs, particularly under Spornhauer's tenure.  When she left in 1959, co-founder Ilse Stephan assumed the position of head designer.  In the mid-sixties, like most other makers of the time, SCHLOSSBERG emphasized the production of the popular "fat lava" décors.  Ilse would step aside for the famous Hanns Welling to take the helm during his brief stint with the firm.  Renowned for the game-changing designs he introduced at Ruscha and Ceramano, Welling would leave his mark on the work being produced by SCHLOSSBERG.  Unfortunately, the business was not able to sustain the successes of the 1950s and '60s, and it closed its doors in 1975.

White clay was used exclusively in the manufacture of SCHLOSSBERG's products.  Some pieces were inscribed with the intertwined letters, "T" and "S," probably representing co-founder Theodore Stephan's initials.  Many items had only form and size numbers engraved or molded on the base, separated by a slash mark or stacked one atop the other.  Usually a distinctive typeface was employed, which can be an aid in identifying the company's pottery.  Some pieces are completely unmarked.

Design Period – 1950-1959

Country of Origin – WEST GERMANY

Designer – LIESEL SPORNHAUER

Maker – SCHLOSSBERG KERAMIK

Attribution – MARKED

Materials – CERAMIC

Colors – BLACK, WHITE

Condition – VERY GOOD (no defects; may show slight traces of use)

Height (cm) – 21.0

Width (cm) – 13.0

Depth (cm) – 12.0

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SKU: 8512038809

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K. W.
New York, US
★★★★★ 4
Gou has done it again.
Format: Paperback
I like the original text, I love the adaptation because it doesn't stray too far from it. The illustration is beautiful and sometimes gross (In a good way, I mean it's a cosmic horror about people turning into fish, maybe don't read it right before a meal or before bed.) Gou Tanabe has been working through many of H.P Lovecraft's more popular or interesting stories and this one is just about as good as the rest. The translation as always is very good throughout with only one or two "Wait, what?" moments which could have come from reading the original text differently. I definitely recommend this book and several of others from Gou Tanabe if you love cosmic horror, manga, or H.P Lovecraft.
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Reviewed in the United States on February 9, 2025
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G.Wort
West Palm Beach, US
★★★★★ 5
An Eldritch Tale Deserving the Manga Treatment
Format: Paperback
One of Lovecraft's very best (and my personal favourite of his macabre tales), rendered in grotesque mana style. While it doesn't eclipse its inspiration, I thoroughly enjoyed this unique take on a classic tale.
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Reviewed in the United States on May 13, 2026
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Joseph Ambrecht
Alexandria, US
★★★★★ 5
HP fans will love it
Format: Paperback
Awesome book a must have
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Reviewed in the United States on April 12, 2026
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Jaime Roberts
Massapequa, US
★★★★★ 5
Great book
Format: Hardcover
Keeps children and adults even interested. My little one wants to read over and over again. It’s very cool and educational which I love. It sparks the love of science and learning.
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Reviewed in the United States on April 10, 2026
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Iliana
Draper, US
★★★★★ 5
Beautiful book 📕
Format: Hardcover, Format: Hardcover
My 6 years son love it 🥰. He really enjoys looking every detail and lifting flaps. Excellent quality. I strongly recommend it.
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Reviewed in the United States on November 23, 2025

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