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Description
General XLT TA8 2 MCS-4005 MV23-450(2) 4000 PSI @ 5 GPM WASHERS DUAL OPERATORS WASH WATER RECOVERY (5) 400 GALLON WATER STORAGE PRESSURE WASHER SPECS Pressure Washers (2) MCS 4005 Hot or Cold Water 5. 0GPM @ 4000 PSI Engine 630 cc GX Series Honda Motor Pump Belt Drive Triplex Oil Bath General Pump Special Regulating Unloader Bypass Line Back to Holding Tank Adjustable Thermostat Yes Hour Meter Yes Three Way Valve Yes Easily Switch from Tank Supply to Fresh Water Inlet Generator 2900
• (2) 4000 PSI @ 5 GPM WASHERS
• DUAL OPERATORS
• WASH WATER RECOVERY
• (5) 400 GALLON WATER STORAGE
| PRESSURE WASHER SPECS | |
|---|---|
| Pressure Washers | (2) MCS-4005 |
| Hot or Cold Water | |
| 5.0GPM @ 4000 PSI | |
| Engine | 630 cc GX Series Honda Motor |
| Pump | Belt Drive Triplex Oil Bath General Pump |
| Special Regulating Unloader | |
| Bypass Line Back to Holding Tank | |
| Adjustable Thermostat | Yes |
| Hour Meter | Yes |
| Three-Way Valve | Yes | Easily Switch from Tank Supply to Fresh Water Inlet |
| Generator | 2900-Watt 110v Duplex GFCI Protected Outlet |
| 300º Steam Combination | Not Included - Available Upon Request |
| MOBILE CLEANING SYSTEM EXTRAS | |
|---|---|
| Gun And Wands | Yes | (2) Variable Pressure |
| Nozzles | Yes | (1) Single Operator And (2) Dual Operator |
| Stainless Steel Swivels Between Gun and Wand | |
| Rotary Nozzle | Optional | Not Included |
| Hose Reels | (2) Heavy Duty Reels | Double Stacked |
| High Pressure Hose | 200' High Pressure 5,800 PSI Hose on Each Reel (400' Total) |
| Water Supply | (5) 400 Gallon Water Tank with Auto Shut Off |
| 2" Dump Valve for Quick Draining | |
| Spare Parts Kit | Yes |
| TRAILER SPECS | |
|---|---|
| Trailer Style | Enclosed Cargo |
| Axles | Triple 8000 LBS Axles |
| Dimensions8 | 8' Wide x 22' Length |
| Brakes | Electric |
| Interior Lights | Three Interior 12 v Lights |
| Front Door | Yes | Flip Up Door |
| Curbside Door | Yes |
| Roadside Door | Yes |
| Rear Double Door | Yes |
| Curbside Port Door | Yes |
| Side Vacuum Ports | Yes |
| Flooring | Sprayed in Slip Resistant Protective Coating |
| Wheels / Rims | Aluminum |
| Light Hookup Type | Bargman |
| Spare Tire | Optional | Not Included |
| Diamond Plated Stone Guard | Yes |
| Powder Coated Screws | Yes |
| Cold Weather Package | No |
| WASH WATER RECOVERY SYSTEM | |
|---|---|
| Vacuum Type | Mighty-Vac MV23-455 |
| Built On Skid Platform | |
| CFM | 450 CFM Package |
| Engine | 630 cc Honda |
| Generator | 6000-Watt, 50 Hz |
| High Water Shut Off | Yes |
| Primary Interceptors | Yes | 2 DOT Approved 15-Gal Stainless Sand Catcher Tanks |
| Secondary Interceptors | Yes | 2 DOT Approved 30-Gal Stainless Tanks w/ Slide Out Pre-Filters and Auto Pump Out |
| Vacuum Hose | 400' Crush Resistant Heavy Duty 2" ID Vac Hose |
| Sand Berms | Yes | 39" x 11" Sandbags (Sand not provided) |
| Cotton Mouth Rec Dams | 2 |
| Vacuum Hose Reels | 2 |
| Vac Surface Cleaner | (2) 21" Stainless Steel Vacuum Recovery Surface Cleaners |
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4.0 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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