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Description
X13 Starry-Sky & Full-Color Animated Laser Light 2W for DJsBuilt for DJs, Weddings, Bars, and Indoor Party Setups The X13 2W RGB Animation Laser Light is built for DJs, weddings, bars, KTV rooms, live streams, and small indoor stage setups. It offers two program versions: the Starry sky laser version for atmospheric star effects, and the Full color animated laser version for graphics, text, and dynamic RGB animation. As practical party laser lights for indoor events, the X13 creates moving beams, animated
Built for DJs, Weddings, Bars, and Indoor Party Setups
The X13 2W RGB Animation Laser Light is built for DJs, weddings, bars, KTV rooms, live streams, and small indoor stage setups. It offers two program versions: the Starry-sky laser version for atmospheric star effects, and the Full-color animated laser version for graphics, text, and dynamic RGB animation. As practical party laser lights for indoor events, the X13 creates moving beams, animated graphics, and colorful laser patterns without a complicated lighting rig. Mobile DJs can use it as a compact dj laser light for booth lighting, dance-floor energy, and music-driven visual moments, while haze or light fog enhances the laser show projector effect.
Choose Starry-Sky Laser or Full-Color Animated Laser
Starry-Sky Laser Version: This version creates moving star dots, dreamy ceiling effects, soft ambient motion, and background party atmosphere.
Full-Color Animated Version: This version creates animated laser graphics, geometric patterns, text-style projection, logo-style visuals, and richer show effects.
Different Use Cases: The Starry-sky laser version suits bars, KTV rooms, lounges, home parties, and decorative spaces.
More Show Control: The Full-color animated laser version suits DJs, weddings, small stages, brand events, and users needing a visual laser show system.
Smart Buying Tip: Choose by effect need: starry atmosphere or full-color animation.
2W RGB Output for Beams, Patterns, and Animated Effects
RGB Laser Power: The X13 uses a 2W RGB laser source with red, green, and blue output for bright color mixing and vivid laser effects.
Animation Projection: As a laser animation projector, the full-color version displays built-in graphics, geometric shapes, dynamic lines, and text-style effects.
Starry Visuals: The Starry-sky laser version creates moving RGB star effects for ceilings, walls, DJ booths, party rooms, and entertainment spaces.
Visual Variety: The fixture creates beam looks, graphic movement, logo-style projection, and animated scenes for DJs, bars, weddings, and party rooms.
Cleaner Than Basic Effects: Compared with basic disco lights, this rgb laser projector creates sharper lines, richer movement, and focused laser visuals.
Laser ELF App and DMX512 Control for Easy or Programmed Shows
App Control: The Laser ELF app adjusts patterns, colors, speed, and scenes from a phone for faster mobile event setup.
DMX512 Ready: The X13 works as a DMX512 laser light with 16CH control for programmed cues and tighter show timing.
Multiple Modes: Control options include DMX-512, Auto, Sound Active, Master/Slave, and Bluetooth App control.
Show Integration: Lighting designers can pair the X13 with moving heads, wash lights, strobes, fog machines, and other stage laser lights.
Flexible Workflow: It works as a plug-and-play laser light machine or part of a structured laser show system.
15K Galvo Scanning and Wide 50° Coverage
Smooth Scanning: The 15K galvo scanner makes animated graphics, lines, shapes, and pattern transitions smoother during indoor shows.
Wide Projection: With a max 50° scan angle, the X13 covers walls, ceilings, stage backdrops, DJ booths, and small dance floors.
Better Room Coverage: It fits bars, wedding venues, KTV rooms, small clubs, and private party spaces needing wider laser coverage.
Brightness Control: For a sharper laser light show projector effect, narrow the scan range for longer projection distance.
Best Use Case: The X13 works best in small to mid-size indoor spaces with haze, controlled lighting, and proper placement.
Specs
Model
X13
Product Name
X13 2W RGB Animation Laser Light
Product Type
RGB Animation Laser Light / Laser Light Projector
Available Program Versions
Starry-sky laser / Full-color animated laser
Starry-Sky Laser Version
Moving RGB starry effects, ceiling effects, ambient laser dots, party atmosphere
Full-Color Animated Laser Version
Animated graphics, geometric patterns, text-style projection, logo-style projection
Best For
DJs, weddings, bars, KTV rooms, live streams, small stages, indoor parties
Input Voltage
AC 110–240V, 50/60Hz
Rated Power
90W
Total Laser Output
2W RGB
Red Laser
635nm / 350mW
Green Laser
520nm / 350mW
Blue Laser
445nm / 1.3W
Laser Source
Semiconductor laser generator
Scanner System
15Kpps galvo scanner
Scan Angle
±25° / Max 50°
DMX Channels
16CH
Control Modes
DMX-512, Auto, Sound Active, Master/Slave, Bluetooth App
App Control
Laser ELF App
Cooling System
Forced fan cooling
Connectors
3-pin DMX in/out, 3-pin power in/out
Product Size
25 × 24 × 15 cm
Recommended Use
Indoor use with haze or fog for stronger beam visibility
Safety Note
Avoid direct eye exposure and follow local laser safety rules
FAQ
Q: What are the two program versions of the X13?
A:The X13 is available with two program versions: Starry-sky laser and Full-color animated laser. The Starry-sky laser version is better for moving star effects and ambient party backgrounds. The Full-color animated laser version is better for animated graphics, geometric patterns, text-style projection, and logo-style visuals.
Q: Which version should I choose for a wedding?
A:For a romantic ceiling or background atmosphere, choose the Starry-sky laser version. For name projection, animated patterns, DJ moments, or logo-style visuals, choose the Full-color animated laser version.
Q: Is the X13 suitable for DJs and small events?
A:Yes. The X13 is a strong choice for weddings, private parties, DJ booths, bars, KTV rooms, and small stage setups. It works especially well when you need compact party laser lights with RGB effects, app control, and DMX512 control.
Q: Can I use the X13 without a DMX controller?
A:Yes. The X13 supports Laser ELF app control, Auto mode, Sound Active mode, and Master/Slave operation, so you do not need a DMX controller for basic use. For quick laser lights for party setups, app control is usually the easiest option.
Q: What is the advantage of DMX512 control?
A:DMX512 control gives lighting users more accurate timing, repeatable cues, and better synchronization with other fixtures. The X13 works as a 16CH DMX512 laser light, making it easier to program with moving heads, strobes, wash lights, and fog machines.
Q: Can the X13 project text or logo-style graphics?
A:The Full-color animated laser version can display text-style graphics, simple logo-style visuals, geometric patterns, and animated laser effects. For the clearest projection, use bold artwork with simple outlines and avoid tiny details.
Q: Is the X13 a good dj laser light?
A:Yes. The X13 is a practical dj laser light for mobile DJs, bar DJs, wedding DJs, and small venue performers. It offers RGB laser output, sound-active operation, app control, and DMX512 control in one compact fixture.
Q: How does the 15K galvo scanner help the laser effect?
A:The 15K galvo scanner helps the X13 draw smoother lines, cleaner patterns, and more stable animated graphics. It is suitable for indoor animation effects, party visuals, and basic laser show projector scenes.
Q: Do I need haze or fog to see the laser beams?
A:Haze or light fog is highly recommended if you want visible mid-air beams. Without haze, the X13 can still project patterns or starry effects on walls, ceilings, backdrops, and surfaces, but the beam effect will look much softer.
Q: Is the X13 suitable for large outdoor laser shows?
A:The X13 is designed mainly for indoor and small to mid-size event use. For large outdoor shows, long-distance projection, or high-power laser show system setups, a higher-output outdoor laser projector is a better choice.
Q: What makes the X13 different from basic disco lights?
A:Basic disco lights usually create LED dots, washes, or rotating effects. The X13 is a laser light projector, so it can create sharper laser lines, moving star effects, animated patterns, text-style graphics, and more focused laser movement.
Q: What safety rules should I follow when using the X13?
A:Always mount the fixture securely, avoid direct eye exposure, keep beams away from audience eye level, and follow local laser safety rules. For public event use, confirm all required documentation and safety requirements before setup.
Review
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4.4 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 5
The Final Volume of An Excellent Commentary Series Does Not Disappoint
Format: Hardcover
After 7 years, Crossway has completed their ESV Expository Commentary set. Ironically, Vol. 1, was the last of the twelve volumes to be completed. It fully lives up to the standard the other eleven set. Like the other volumes, it focuses on a passage by passage commentary of each book, followed by a ‘Response’ section that is usually some form of practical application of belief or behavior. For example, in my copy, the ribbon marker was already in Exodus 17:1-7’s ‘Response’ page, and it discussed the question of ‘Why Does God Test His People?’. Jay Sklar’s response includes this wisdom: ‘testing not only gives us an opportunity to show faithfulness; it also helps us to to become more faithful.’ (pg. 578). While I have not yet read the whole thing, Crossway seems to have balanced some well-known scholars with other lesser known ones. Genesis in this volume is covered by Iain Duguid, noted OT scholar currently teaching at Westminster Seminary. Exodus is examined by Covenant Seminary Professor of Old Testament, Jay Sklar, who is a well-known expert on all five books of the Pentateuch. I had not heard of Christine Palmer (Leviticus) or Ronald Bergey (Numbers) before, but Crossway has earned my trust, and I presume their contributions will live up to the standards of others in this series. The commentary is pretty beefy, and the hardcover binding (if my previous volumes are any indication) will need to be handled with care - especially if you are like me, and sometimes try to photocopy pages so you don’t have to carry the whole commentary to a coffee shop or library! All in all, if you are a pastor, Bible student, or lead a Bible study, this series, and this volume, will be a benefit to you.
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Reviewed in the United States on June 20, 2025
★★★★★ 5
Excellent, Readable Bible Commentary
Format: Hardcover, Format: Hardcover
I feel more than a little inadequate writing a review of this first volume of the Expository Commentary which uses the English Standard Version (ESV) of the Holy Bible. The ESV has become my favorite Bible translation due to its excellent readability and reliability, thus influencing my decision to order this commentary.
Just as readability influences my choice of Bible translations, this commentary also does an excellent job of maintaining readability across all four authors, each one having authored one complete book- Genesis through Numbers.
This is a scholarly work and as such it uses references to a large body of additional scholarly works, more than three full pages worth, and lists abbreviations for each with those abbreviations noted throughout the text of the commentary for each book in the volume. These references include ancient as well as more contemporary works, most have English titles and a number are works grounded in the original Hebrew.
Another help for any expositor are the ongoing references to other Bible passages that relate to the text of the commentary. Each of these references, and there are thousands of them, are listed in a Scripture Index organized from Genesis to Revelation that require nearly sixty pages at the very back of the volume.
Though I’ve not read all 1392 pages, I’ve found editing to be excellent, though I did find one error on page 34 that had no consequence for understanding the meaning. I know many prefer the ease of using digital resources for study due to quick access, portability, and easy storage (I found this resource is also available digitally). I can easily recommend this resource without reservation.
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Reviewed in the United States on July 5, 2025
★★★★★ 5
Helpful and informative
Format: Kindle
Four Views on the Book of Revelation (Counterpoints: Bible and Theology) edited by Stanley N. Gundry and C. Marvin Pate
I read this book after previously reviewing Revelation in Context: John’s Apocalypse and Second Temple Judaism. That book was helpful for me to understand Revelation as apocalyptic literature, one example of the genre with similarities to others from the first and second centuries. Interpreting Revelation as apocalyptic literature is itself a choice, and some approaches to Revelation, such as classic dispensationalism with its emphasis on grammatical-historical hermeneutics are skeptical of that approach. As Thomas writes in his chapter “To understand any passage of Scripture in a nonliteral way violates principles of grammatical-historical interpretation unless contextual features signal a need to interpret otherwise” (p. 244). I found Revelation in Context helpful for introducing various apocalyptic books of the age in providing greater context for Jewish thought up to and after John wrote Revelation.
The editors of Four Views provide a good overview of the four views presented as well as a good introduction to Revelation. The four authors and their positions are:
Kenneth L. Gentry, Jr. (preterist)
Sam Hamstra, Jr. (idealist)
C. Marvin Pate (progressive dispensationalist)
Robert L. Thomas (classical dispensationalist)
Each author made a case for his position and responded briefly to points by the other authors. Thomas is the most insistent in his argument and spends the most time critiquing the others’ positions. The differences stem entirely from their hermeneutics, each has a different approach to the book and each calls “foul” with the others’ misuse or lack of consistency of their own hermeneutics.
For me, the winner was the preterist position, as I’d never truly been exposed to this paradigm. The author allows it to speak for itself, and I found it appealing because of how well the events of 68-70 AD as described (mainly) by Josephus line up eerily well with the words of Revelation. In some cases, it seems Josephus is quoting Revelation, which made me wonder whether the authors had taken liberties with the actual translation of Josephus’ works. After reading Gentry Jr.’s view, reading Revelation with a preterist’s viewpoint in mind made it a completely different book for me. Whether the position is correct or not, it allowed me to read Revelation again for the first time, so to speak– that was a gift.
Thomas drove home for me that classical dispensationalism demands a special place for the ethnic people of Israel including a rebuilding of the temple along with its sacrifices. Babylon on the Euphrates is literally the Babylon of old and must also be rebuilt, which he interprets to be a Persian/Iranian empire that will come to fruition again. I think I can see how this view is at long last falling out of favor.
Some of the writers may be somewhat heterodox. Gentry, for example, leaves open some possibilities for partial preterism or has some reasoning other preterists don’t have. Thomas is appalled at progressive dispensationalism’s “now and not yet” mentality as violating rules of grammatical-historical interpretation. Pate leaves the door open to Revelation having an earlier authorship and more sections being fulfilled in the first century than Thomas allows. Hamstra is in a field of his own, the “idealist” position sees Revelation as purely symbolic and not specific to any time period– everyone undergoing persecution is experiencing the spirit of the Antichrist, etc.
Since reading this book, I’ve been checking out podcasts on preterism while pondering how covenantalists I know seem to sound like progressive dispensationalists.
I am glad this book was published and will check out similar works in this series. Five stars.
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Reviewed in the United States on May 6, 2026
★★★★★ 5
A Little Gem
Format: Paperback
This little book is a wonderful resource for teachers, pastors, and all who want to gain a better understanding of the book of Revelation. The introduction by Marvin Pate is a real gem. It gives a helpful (and sometimes humorous) overview of the various positions expounded in the remainder of the book, and it offers a valuable apology for the study of prophecy. He points out that neither fanaticism nor the neglect of biblical prophecy is a healthy option for the follower of Christ.
The heart of this volume is the presentation of four common interpretations of the book of Revelation. Kenneth Gentry does a nice job of presenting the preterist position, which is normally linked to postmillennialism. This position found a resurgence in the late 1980’s and 90’s after being on the brink of extinction. Gentry gives a good deal of historical information from Josephus’s Jewish War to bolster his interpretation of Revelation, yet questions remain. Do the atrocities of which Josephus writes reach the global proportions mentioned in Revelation? In addition, do the many passages quoted in support of a glorious earthly kingdom really affirm a postmillennial kingdom? Finally, the preterist position articulated by Gentry necessitates a pre 70 AD date for the composition of Revelation. While this is not impossible, it is improbable, as most NT scholars hold to a post 70 date.
The idealist view is ably defended by Sam Hamstra. The idealist view is often associated with amillennialism and has a long history stretching back to Augustine. It sees Revelation as a representation of the ongoing battle between good and evil. It denies a chronological and literal reading of revelation. The real value of this position is that it excels in bringing out the timeless theological truths which are embedded in Revelation. These truths can provide hope and encouragement for saints of any time or place. However, it does seem questionable whether Revelation was intended to be read in a nonchronological manner. The other difficulty is that it tends to strip Revelation of historical specificity. By saying that the prophecies of Revelation can apply to any age in general, one comes close to saying that they apply to no age in particular.
The final view is that of premillennialism, which is represented by both a classical dispensationalist and a progressive dispensationalist. The two views have much in common as they both read Revelation more literally than the other two positions, and both see chronological progression in the book of Revelation. Robert Thomas defends the classical dispensationalist approach by stressing a literal hermeneutic and a chronological reading of Revelation. Marvin Pate represents progressive dispensationalism which synthesizes many of the positive features of the other three views while still maintaining a distinction between Israel and the church. One of the key elements of progressive dispensationalism is the emphasis on “pattern prophecy”. This understanding of prophecy allows for the repetition of prophetic events throughout history with escalating levels of fulfillment. Classical dispensationalist writers include John Walvoord, Dwight Pentecost, and Charles Ryrie. Progressive dispensationalism is represented by Darrell Bock and Craig Blaising. While dispensationalism is grounded in biblical soil, some would question whether it does justice to the highly symbolic and figurative language of biblical prophecy, and whether those prophecies should be seen as referring to actual future events that will occur in a chronological progression.
This book is especially helpful when comparing eschatological systems and how they influence the interpretation of the book of Revelation. If one is looking to study the book of Revelation, this is a great place to start.
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Reviewed in the United States on November 3, 2013
★★★★★ 4
Great insight into each view, but disappointing format
Format: Paperback
The Zondervan Counterpoints series prides itself in giving known advocates of specific views a place to exposit their positions on various theological topics while also giving other positions an equal opportunity. This work continues to shine in that department. Each view was given enough space to give a general outline of the book of Revelation as well as a defense of their specifically preferred view.
Each essay was very well done and gave a fair reading of the views that were included. However, it was very disappointing to see that unlike most other books in the series, this one did not have specific sections for each author to respond to the other views. There was some interaction via footnotes about the other essays, but the book would have been much better if each author had been given an opportunity to interact with the others.
Reading the other reviews, I noticed lots of disappointment with the lack of including the historicist position. I share that disappointment, but would be hesitant to agree with the reviews that insisted there were only three views presented. The two dispensationalists included in the book had radically different approaches to hermeneutics. There were genuinely 4 views presented.
Finally, I have noticed many of the reviews on here tend to give the book fewer stars based on their preferred view either not being there or because other views were perceived as so obviously wrong as to deserve attack. I give the book four stars because I think each presentation was an accurate, thought-provoking look at the view presented. It is disappointing that the historicist view was not included. It was also disappointing that the authors had little interaction other than the footnotes. But overall, if you want a book introducing major views on the book of Revelation, this is a good one to pick up.
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Reviewed in the United States on March 28, 2013
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